Seventies Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-16).

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  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-16 07:16 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Maggie May
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
compilation of:
Henry by Rod Stewart and Maggie May (without “Henry” prelude) by Rod Stewart
music videos:
Maggie May by Rod Stewart
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 130) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 141)
recording of:
Maggie May (in 1971-01)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
recording of:
Henry (prelude to “Maggie May”)
composer:
Martin Quittenton
recording of:
Maggie May
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.45:50
2Take the Long Way Home
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
Take the Long Way Home
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1979) and Delicate Music (in 1979)
Supertramp3.55:09
3Lay Down Sally
producer:
Glyn Johns
bass guitar:
Carl Radle (on 1977-05-19)
drums (drum set):
Jamie Oldaker (on 1977-05-19)
electronic organ:
Dick Sims (on 1977-05-19)
guitar:
Eric Clapton (on 1977-05-19) and George Terry (guitar player with Clapton in 70's) (on 1977-05-19)
background vocals:
Yvonne Elliman (on 1977-05-19) and Marcy Levy (on 1977-05-19)
lead vocals:
Eric Clapton (on 1977-05-19)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1977)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1977-05-19)
recording of:
Lay Down Sally (on 1977-05-19)
writer:
Eric Clapton, Marcy Levy and George Terry (guitar player with Clapton in 70's)
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music International Ltd.
Eric Clapton4.153:53
4The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc
acoustic guitar, bass guitar and electric guitar:
Graham
drums (drum set) and gong:
Paul (UK rock drummer)
guitar, organ, piano and lead vocals:
Eric
handclaps and tambourine:
Graham and Paul (UK rock drummer)
background vocals:
Eric and Graham
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Mercury Records Ltd. (not for release label use!) (in 1977, in 1997) and Phonogram Ltd. (in 1977)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!) and Man-Ken Music Ltd. (in 1977)
10cc4.453:28
5Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
Peter Frampton4:03
6Silly Love Songs
assistant recording engineer and assistant mixer:
Mark Vigars (engineer) (from 1976-01-16 until 1976-03)
recording engineer and mixer:
Pete Henderson (engineer) (from 1976-01-16 until 1976-03)
producer:
Paul McCartney (The Beatles)
bass and lead vocals:
Paul McCartney (The Beatles) (from 1976-01-16 until 1976-03)
drums (drum set):
Joe English (from 1976-01-16 until 1976-03)
electric guitar:
Jimmy McCulloch (from 1976-01-16 until 1976-03)
horn:
Howie Casey (from 1976-01-16 until 1976-03), Tony Dorsey (from 1976-01-16 until 1976-03), Steve Howard (trumpeter) (from 1976-01-16 until 1976-03) and Thaddeus Richard (from 1976-01-16 until 1976-03)
background vocals:
Denny Laine (from 1976-01-16 until 1976-03), Linda McCartney (from 1976-01-16 until 1976-03) and Paul McCartney (The Beatles) (from 1976-01-16 until 1976-03)
conductor:
Paul McCartney (The Beatles) (from 1976-01-16 until 1976-03)
strings arranger:
Tony Dorsey
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2014) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2014)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-16, from 1976-01-16 until 1976-03)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-01-16 until 1976-03)
recording of:
Silly Love Songs (from 1976-01-16 until 1976-03)
lyricist and composer:
Paul McCartney (The Beatles)
writer:
Linda McCartney
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Wings3.45:55
7Do It Again
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
electric piano, keyboard [Yamaha YC-30] and lead vocals:
Donald Fagen (in 1972-08)
percussion:
Victor Feldman (jazz musician) (in 1972-08)
solo electric sitar:
Denny Dias (in 1972-08)
engineered at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Do It Again (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Steely Dan4.15:57
8Photograph
engineer:
Bill Schnee
producer:
Richard Perry (producer)
12 string guitar [12 String Acoustic Guitar] and background vocals [Harmony Vocal]:
George Harrison (The Beatles)
acoustic guitar:
Jimmy Calvert and Vini Poncia
bass:
Klaus Voormann
drums (drum set):
Jim Keltner and Ringo Starr (The Beatles)
percussion:
Lon Van Eaton
piano:
Nicky Hopkins (pianist and organist)
solo tenor saxophone:
Bobby Keys (American saxophonist)
vocals arranger and orchestrator:
Jack Nitzsche (American musician and score composer)
recording of:
Photograph (Ringo Starr song)
writer:
George Harrison (The Beatles) and Ringo Starr (The Beatles)
publisher:
Richoroony Ltd. (in 1973)
Ringo Starr4.53:59
9Joy to the World
recording of:
Joy to the World
lyricist and composer:
Hoyt Axton
Three Dog Night4.753:40
10Inner City Blues (Make Me Wanna Holler) (mono single version)
recording of:
Inner City Blues (Make Me Wanna Holler)
composer:
Marvin Gaye and James Nyx
publisher:
Jobete Music (UK) Ltd.
Marvin Gaye2:58
11Free Bird
engineer:
Al Kooper, Bob "Tub" Langford, Rodney Mills and Danny Turbeville
producer:
Al Kooper
bass guitar:
Ed King (US guitarist, bassist & songwriter)
drums (drum set) and membranophone:
Bob Burns (Lynyrd Skynyrd drummer)
guitar [lead guitar]:
Allen Collins
guitar [rhythm guitar]:
Gary Rossington
keyboard:
Billy Powell
organ:
Roosevelt Gook and Al Kooper
lead vocals:
Ronnie Van Zant
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 191) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 407)
recording of:
Free Bird (in 1973)
lyricist and composer:
Allen Collins and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. and Universal Duchess Music Corp.
Lynyrd Skynyrd4.99:07
12Who’ll Stop the Rain
producer:
John Fogerty
bass guitar:
Stu Cook (in 1969)
drums (drum set):
Doug Clifford (in 1969)
guitar:
John Fogerty (in 1969) and Tom Fogerty (in 1969)
vocals:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 188)
recording of:
Who’ll Stop the Rain (in 1969-12)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.42:27
13Message in a Bottle
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1979) and A&M Records, Inc. (in 1997)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
recording of:
Message in a Bottle
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Virgin Music, Inc. (The American arm of Virgin's publishing company)
The Police44:50
14We’re an American Band
producer:
Todd Rundgren
acoustic guitar, congas, electric piano and guitar:
Mark Farner
bass:
Mel Schacher
clavinet, Moog, organ and piano:
Craig Frost
drums (drum set) and percussion:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.353:27
15Living for the City
associate producer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Living for the City
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc., Stein & Van Stock, Inc. and 大洋音楽
Stevie Wonder4.67:23
16Papa Was a Rolling Stone (instrumental)
instrumental cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4:49
17I Don’t Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
music videos:
I Don’t Like Mondays by The Boomtown Rats
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Zomba Enterprises, Inc.
The Boomtown Rats4.454:20
18Heaven Must Be Missing an Angel, Pt. 1
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares56:55
19Get It On
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 22)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Inc., TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.74:23
20Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:59
21Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:30
22Hot Stuff (single version)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Donna Summer33:48
23Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
engineer:
Tony Visconti
producer:
Thin Lizzy and Tony Visconti
acoustic guitar, bass guitar and harp and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham
saxophone:
John Helliwell
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1977)
recording of:
Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
lyricist and composer:
Phil Lynott
publisher:
PolyGram Music Ltd.
Thin Lizzy4.353:32
24Love Will Keep Us Together
recording engineer and mixer:
Dennis Dragon
associate producer:
Toni Tennille
producer:
The Captain
celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
The Captain
congas, drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
violin:
Kenneth Yerke
background vocals:
Melissa Tennille and Toni Tennille
strings arranger:
Kenneth Yerke
arranger:
The Captain
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
produced for:
Moonlight and Magnolia Productions
cover recording of:
Love Will Keep Us Together
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
25(They Long to Be) Close to You
engineer:
Dick Bogert (Recording and mixing engineer) and Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter) and Danny Woodhams (Bassist, drummer, vocalist and songwriter)
drums (drum set) [Ludwig drums]:
Hal Blaine (U.S. Studio drummer and percussionist) and Karen Carpenter
woodwind [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) and Bob Messenger (Woodwind and bass player)
Wurlitzer electric piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
lead vocals [all vocals]:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1970)
cover recording of:
(They Long to Be) Close to You (on 1970-03-24)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, Casa David LP, Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部
Carpenters44:34
26Mama Told Me (Not to Come) (single version)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
cover recording of:
Mama Told Me (Not to Come)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
January Music
Three Dog Night4.653:20
27Margaritaville
producer:
Norbert Putnam
recording of:
Margaritaville
lyricist and composer:
Jimmy Buffett
Jimmy Buffett44:11