Pure Jazz Cafe

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1I Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
Norah Jones3.153:08
2It Had to Be You
arranger and orchestrator:
Marc Shaiman (American score composer and lyricist)
cover recording of:
It Had to Be You (in 1989-05)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Harry Connick, Jr.2:47
3A-Tisket, A-Tisket
recorded in:
New York, New York, United States (on 1938-05-02)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1938-05-02)
double bass and double bass [bass]:
Beverly Peer (on 1938-05-02)
drums (drum set):
Chick Webb (on 1938-05-02)
guitar:
Bobby Johnson (US guitarist) (on 1938-05-02)
piano:
Tommy Fulford (on 1938-05-02)
reeds:
Garvin Bushell (on 1938-05-02) and Teddy McRae (on 1938-05-02)
tenor saxophone:
Teddy McRae (on 1938-05-02)
trombone:
George Mathews (on 1938-05-02), George Matthews (trombone) (on 1938-05-02), Nat Story (on 1938-05-02) and Sandy Williams (American jazz trombonist) (on 1938-05-02)
trumpet:
Mario Bauzá (on 1938-05-02), Taft Jordan (on 1938-05-02) and Bobby Stark (on 1938-05-02)
woodwind:
Wayman Carver (on 1938-05-02)
vocals:
Ella Fitzgerald (on 1938-05-02)
orchestra:
Chick Webb and His Orchestra (on 1938-05-02)
part of:
Grammy Hall of Fame (number: 1986)
recording of:
A‐Tisket, A‐Tasket (on 1938-05-02)
lyricist:
[traditional] (special purpose artist), Al Feldman (reeds) and Ella Fitzgerald
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald32:38
4Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:31
5Rags to Riches
recording of:
Rags to Riches
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Saunders Publications Inc. (from 1953 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
Tony Bennett2:00
6Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
Nat King Cole2:49
7Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington3:32
8Killing Me Softly With His Song
producer:
Joel Dorn
piano:
Roberta Flack
vocals:
Roberta Flack
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 273) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 361)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music and Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.54:53
9Think
recording of:
Think
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin2:13
10Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges ("Teenie", soul guitarist)
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:19
▼ CD 2
#TitleArtistRatingLength
1Fly Me to the Moon
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Perry Como3:19
2That’s Amore
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:07
3Goldfinger
recording of:
Goldfinger
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
Goldfinger
Shirley Bassey2:57
4The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett42:20
5Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.353:24
6My Funny Valentine
producer:
Jack Gold and Howard A. Roberts (founder of the Howard Roberts Chorale)
vocals:
Barbra Streisand
conductor:
David Shire (American score composer)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Barbra Streisand3:50
7King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman2:57
8I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
Billie Holiday1:49
9Stand by Me
Ben E. King3:02
10The Very Thought of You
recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole13:40
▼ CD 3
#TitleArtistRatingLength
1Fever
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee3:25
2Never Gonna Let You Go
Sérgio Mendes4:40
3La Vie En Rose
recording of:
La Vie en rose (French original)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Japan, subsidiary of Nichion)
Édith Piaf2:45
4Inside My Love
recording of:
Inside My Love
writer:
Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Dickiebird Music Publising Co
Minnie Riperton3:53
5I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-04-10)
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra43:22
6Mad About the Boy
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington2:44
7Love Is a Hurtin’ Thing
recording of:
Love Is a Hurtin’ Thing
writer:
Dave Linden (Motown songwriter) and Ben Raleigh
publisher:
FP Wixen LLC, Rawlou Music, Wise Brothers Music LLC, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部
Lou Rawls2:15
8The Look of Love
Vic Damone2:50
9Come Fly With Me
recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
Frank Sinatra1:55
10Beyond the Sea (La Mer)
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
translated version of:
La Mer
Bobby Darin53:21