The Complete RCA Collection

~ Release by Arturo Toscanini (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Volume 1: Beethoven: Symphony no. 3 "Eroica" / Symphony no. 1
▶ CD 2: Volume 2: Beethoven: Symphony no. 7 / Symphony no. 2
▶ CD 3: Volume 3: Beethoven: Symphony no. 6 "Pastoral" / Symphony no. 4
▶ CD 4: Volume 4: Beethoven: Symphony no. 5 / Symphony no. 8 / Leonore Overture no. 3
▶ CD 5: Volume 5: Beethoven: Symphony no. 9 "Choral"
▶ CD 6: Volume 6: Brahms: Symphony no. 1 / Academic Festival Overture / Hungarian Dances
▶ CD 7: Volume 7: Brahms: Symphony no. 2 / Haydn Variations / Tragic Overture
▶ CD 8: Volume 8: Brahms: Symphony no. 3 / Double Concerto
▶ CD 9: Volume 9: Brahms: Symphony no. 4 / Liebeslieder-Walzer / Gesang der Parzen
▶ CD 10: Volume 10: Mozart: Symphony no. 35 "Haffner" / Bassoon Concerto / Divertimento no. 15
▶ CD 11: Volume 11: Mozart: Symphony no. 39 / Symphony no. 40 / Symphony no. 41 "Jupiter"
▶ CD 12: Volume 12: Haydn: Symphony no. 88 / Symphony no. 94 "Surprise" / Symphony no. 98
▶ CD 13: Volume 13: Haydn: Symphony no. 101 "Clock" / Symphony no. 99 / Sinfonia Concertante
▶ CD 14: Volume 14: Schubert: Symphony no. 8 "Unfinished" / Symphony no. 9 "The Great"
▶ CD 15: Volume 15: Schubert: Symphony no. 5 / Symphony no. 9 "The Great"
▶ CD 16: Volume 16: Schumann: Symphony no. 3 "Rhenish" / Weber: Overtures
▶ CD 17: Volume 17: Mendelssohn: Symphony no. 4 "Italian" / Symphony no. 5 "Reformation"
▶ CD 18: Volume 18: Tchaikovsky: Symphony no. 6 "Pathétique" / The Nutcracker — Suite
▶ CD 19: Volume 19: Tchaikovsky: Manfred Symphony / Romeo and Juliet
▶ CD 20: Volume 20: Franck: Symphony / Saint-Saëns: Symphony no. 3 "Organ"
▶ CD 21: Volume 21: Sibelius: Symphony no. 2 / Pohjola's Daughter / The Swan of Tuonela / Finlandia
▶ CD 22: Volume 22: Shostakovich: Symphony no. 7 "Leningrad"
▶ CD 23: Volume 23: Beethoven: Symphony no. 3 "Eroica" / Symphony no. 8
▶ CD 24: Volume 24: Dvořák: Symphony no. 9 "From the New World" / Kodály: Háry János Suite / Smetana: The Moldau
▶ CD 25: Volume 25: Beethoven: Symphony no. 5 / Septet / Egmont Overture
▶ CD 26: Volume 26: Brahms: Symphony no. 1 / Serenade no. 2
▶ CD 27: Volume 27: Cherubini: Symphony / Overtures / Cimarosa: Overtures
▶ CD 28: Volume 28: Prokofiev: "Classical" Symphony / Shostakovich: Symphony no. 1 / Stravinsky: Pétrouchka
▶ CD 29: Volume 29: Beethoven: Symphony no. 3 "Eroica" / Mozart: Symphony no. 40
▶ CD 30: Volume 30: Strauss: Don Quixote / Tod und Verklärung
▶ CD 31: Volume 31: Strauss: Don Juan / Till Eulenspiegel / Wagner: Siegfried Idyll
▶ CD 32: Volume 32: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals
▶ CD 33: Volume 33: Berlioz: Harold en Italie / Roméo et Juliette (exerpts)
▶ CD 34: Volume 34, disc 1: Berlioz: Roméo et Juliette / Bizet: Suites: L'arlésienne / Carmen
▶ CD 35: Volume 34, disc 2: Berlioz: Roméo et Juliette / Bizet: Suites: L'arlésienne / Carmen
▶ CD 36: Volume 35: Mussorgsky / Ravel: Pictures at an Exhibition / Elgar: "Enigma" Variations
▶ CD 37: Volume 36: Mendelssohn: A Midsummer Night's Dream / Octet
▶ CD 38: Volume 37: Debussy: La Mer / Ibéria / Nocturnes / Prélude à l'après-midi d'un faune
▶ CD 39: Volume 38: Gershwin: An American in Paris / Grofé: Grand Canyon Suite / Barber: Adagio
▶ CD 40: Volume 39: Ravel: Daphnis et Chloé — Suite no. 2 / Berlioz / Dukas / Franck / Saint-Saëns / Thomas
▶ CD 41: Volume 40: An der schönen, blauen Donau / Tritsch-Tratsch Polka / Les Patineurs / Toy Symphony / Dance of the Hours / Invitation to the Dance / Jota aragonesa
▶ CD 42: Volume 41: Beethoven: Violin Concerto / Piano Concerto no. 3
▶ CD 43: Volume 42: Beethoven: Piano Concertos nos. 1 & 4
▶ CD 44: Volume 43: Brahms: Piano Concerto no. 2 / Tchaikovsky: Piano Concerto no. 1
▶ CD 45: Volume 44: Tchaikovsky: Piano Concerto no. 1 / Mussorgsky: Pictures at an Exhibition
▶ CD 46: Volume 45: Beethoven: Overtures / String Quartet, op. 135
▶ CD 47: Volume 46: Gluck: Iphigénie en Aulide: Overture / Orfeo ed Euridice: Act II
▶ CD 48: Volume 47: Rossini: Overtures
▶ CD 49: Volume 48: Wagner: Preludes
▶ CD 50: Volume 49: Wagner: Tannhäuser / Lohengrin / Tristan und Isolde / Die Walküre / Götterdämmerung (Excerpts)
▶ CD 51: Volume 50: Mozart / Donizetti / Rossini / Catalani / Puccini / Verdi: Opera Highlights
▶ CD 52: Volume 51: Hérold / Humperdink / Kabalevsky / Mozart / Rossini / Smetana / Thomas / Verdi / Weber: Overtures
▶ CD 53: Volume 52: Wagner: Die Walküre / Tristan und Isolde (Excerpts) / Siegfried Idyll
▶ CD 54: Volume 53: Wagner: Götterdämmerung (Excerpts) / Siegfried: Forest Murmurs
▶ CD 55: Volume 54, disc 1: Beethoven: Fidelio
▶ CD 56: Volume 54, disc 2: Beethoven: Fidelio
▶ CD 57: Volume 55, disc 1: Puccini: La Bohème
▶ CD 58: Volume 55, disc 2: Puccini: La Bohème
▶ CD 59: Volume 56, disc 1: Verdi: Aida
▶ CD 60: Volume 56, disc 2: Verdi: Aida
▶ CD 61: Volume 56, disc 3: Verdi: Aida
▶ CD 62: Volume 57, disc 1: Verdi: Falstaff
▶ CD 63: Volume 57, disc 2: Verdi: Falstaff
▶ CD 64: Volume 58, disc 1: Verdi: Otello
▶ CD 65: Volume 58, disc 2: Verdi: Otello
▶ CD 66: Volume 59, disc 1: Un ballo in maschera
▼ CD 67: Volume 59, disc 2: Un ballo in maschera
#TitleArtistRatingLength
1Un ballo in maschera: Atto II. “Ahimé! S'appressa alcun!”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:47
2Un ballo in maschera: Atto II. “Odi tu come fremono cupi”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:55
3Un ballo in maschera: Atto II. “Seguitemi — Mio Dio!”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:31
4Un ballo in maschera: Atto II. “Ve', se di notte, qui colla sposa”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:34
5Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:07
6Un ballo in maschera: Atto III, scena 1. “Morrò, ma prima in grazia”
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:46
7Un ballo in maschera: Atto III, scena 1. “Alzati! Là, tuo figlio”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:59
8Un ballo in maschera: Atto III, scena 1. “Eri tu”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:52
9Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite!”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:23
10Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:28
11Un ballo in maschera: Atto III, scena 1. “Qual è dunque l'eletto?”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. “Qual e dunque l'eletto … Ah! Del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:14
12Un ballo in maschera: Atto III, scena 1. “Il messaggio entri”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:59
13Un ballo in maschera: Atto III, scena 1. “Ah! di che fulgor”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:05
14Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse”
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:32
15Un ballo in maschera: Atto III, scena 2. “Ma se m'è forza perderti”
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:25
16Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là”
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:22
17Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (1)”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:39
18Un ballo in maschera: Atto III, scena 2. “Alto de' nostri è questo”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23a. Scena “Altro de' nostri è questo” (Samuel, Renato, Tom, Oscar) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:26
19Un ballo in maschera: Atto III, scena 2. “Saper vorreste”
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:55
20Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (2)”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:24
21Un ballo in maschera: Atto III, scena 2. “So che tu sai distinguere”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24b. “So che tu sai distinguere gli amici suoi” (Renato, Oscar) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:21
22Un ballo in maschera: Atto III, scena 2. “Ah! Perché qui! Fuggite!”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:48
23Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24e “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, coro) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:42
24Un ballo in maschera: Atto III, scena 2. “No, no, lasciatelo”
baritone vocals [Renato]:
Robert Merrill (American operatic baritone) (from 1954-01-17 until 1954-01-24)
bass vocals [Samuele]:
Nicola Moscona (operatic bass) (from 1954-01-17 until 1954-01-24)
bass vocals [Tom]:
Norman Scott (operatic bass) (from 1954-01-17 until 1954-01-24)
choir vocals:
Robert Shaw Chorale (from 1954-01-17 until 1954-01-24)
soprano vocals [Amelia]:
Herva Nelli (soprano) (from 1954-01-17 until 1954-01-24)
soprano vocals [Oscar]:
Virginia Haskins (from 1954-01-17 until 1954-01-24)
tenor vocals [Riccardo]:
Jan Peerce (operatic tenor) (from 1954-01-17 until 1954-01-24)
orchestra:
NBC Symphony Orchestra (from 1954-01-17 until 1954-01-24)
conductor:
Arturo Toscanini (conductor) (from 1954-01-17 until 1954-01-24)
chorus master:
Robert Shaw (conductor) (from 1954-01-17 until 1954-01-24)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1954-01-17 until 1954-01-24)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1954-01-17 until 1954-01-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:45
▶ CD 68: Volume 60, disc 1: La Traviata
▶ CD 69: Volume 60, disc 2: La Traviata
▶ CD 70: Volume 61, disc 1: Beethoven: Missa solemnis / Cherubini: Requiem
▶ CD 71: Volume 61, disc 2: Beethoven: Missa solemnis / Cherubini: Requiem
▶ CD 72: Volume 62: Boito: Mefistofele / Verdi: I Lombardi / Rigoletto (Excerpts)
▶ CD 73: Volume 63, disc 1: Verdi: Messa da requiem / Te Deum
▶ CD 74: Volume 63, disc 2: Verdi: Messa da requiem / Te Deum
▶ CD 75: Volume 64: Beethoven: Symphony no. 7 / Haydn: Symphony no. 101 "Clock"
▶ CD 76: Volume 65: Mozart: Symphony no. 35 / Brahms: Haydn Variations / Wagner: Siegfried Idyll
▶ CD 77: Volume 66: Rossini / Verdi / Wagner / Gluck: Overtures & Preludes
▶ CD 78: Volume 67: Debussy: La Mer / Ibéria / Respighi: Feste romane
▶ CD 79: Volume 68: Tchaikovsky: Symphony no. 6 "Pathétique" / Strauss: Tod und Verklärung
▶ CD 80: Volume 69: Schubert: Symphony no. 9 "The Great"
▶ CD 81: Volume 70: Mendelssohn: Incidental Music to A Midsummer Night's Dream
▶ CD 82: Volume 71: La Scala Orchestra Acoustic Recordings
▶ CD 83: Volume 72, disc 1: Beethoven: Symphonies nos. 1, 4 & 6 "Pastoral"
▶ CD 84: Volume 72, disc 2: Beethoven: Symphonies nos. 1, 4 & 6 "Pastoral"
▶ DVD-Video 85: Toscanini: The Maestro: A Film by Peter Rosen