The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ Digital Media 1: Gregorian chant / Organum / Machaut: Chansons
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1Magnus liber organi: Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin4:16
2Magnus liber organi: Feast of St. Stephen: Sederunt principes - Adiuva me, Domine (à 4) (Gradual)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin16:22
3Magnus liber organi: Feast of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin6:43
4Magnus liber organi: Feast of St. Stephen: Video celos apertos (Communion)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin1:32
5Dreams in the Pleasure Garden: Chansons: Tant doucement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
Tant doucement me sens emprisonnes (in 1997-05)
writer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:02
6Dreams in the Pleasure Garden: Chansons: Je puis trop bien
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
Je puis trop bien ma dame comparer (ballade) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:19
7Dreams in the Pleasure Garden: Chansons: En amer a douce vie
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
Le Remède de Fortune : 8 - Balladelle : « En amer a douce vie » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:59
8Dreams in the Pleasure Garden: Chansons: He! Dame de valour
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
He ! Dame de valour (a1) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:36
9Dreams in the Pleasure Garden: Chansons: Ma fin est mon commencement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
Ma fin est mon commencement (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:16
10Dreams in the Pleasure Garden: Chansons: De toutes flours
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05)
recording of:
Le Remède de Fortune : 1 - Introduction instrumentale : « De toutes flours » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:45
▼ Digital Media 2: Dufay & Josquin: Motets
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1Motets: Nuper rosarum flores
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:27
2Motets: Alma redemptoris mater II
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay3:38
3Motets: Letabundus exsultet fidelis chorus
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:40
4Motets: Ecclesie militantis
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:01
5Motets: Inviolata, integra, et casta es Maria (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:43
6Motets: Ut Phoebi radiis (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
7Motets: De profundis clamavi (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:11
8Motets: O Virgo virginum (à 6)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:45
9Motets: La déploration de Johannes Ockeghem: Nymphes des bois (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
10Motets: Huc me sydereo / Plangent eum (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:04
11Motetti de la Corona: Praeter rerum seriem
choir vocals:
Gabrieli Consort
orchestra:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recording of:
Praeter rerum seriem (a 6)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:00
▼ Digital Media 3: Wind Music From Renaissance Italy
#TitleArtistRatingLength
1Piva
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Joan Ambrosio Dalza1:50
2Music for Shawms and Sackbuts: Palle, Palle
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Heinrich Isaac1:53
3Music for Shawms and Sackbuts: Ne più bella di queste
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Heinrich Isaac2:30
4Music for Shawms and Sackbuts: La mi la sol
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Heinrich Isaac2:21
5Music for Recorders: Pass’e mezo ditto il Romano
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Francesco Bendusi1:11
6Music for Recorders: Moschetta
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Francesco Bendusi0:56
7Music for Recorders: Bandera
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Francesco Bendusi1:11
8Music for Flutes, Harp, Lute and Bagpipes: La Parma
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[unknown]4:22
9Music for Flutes, Harp, Lute and Bagpipes: Un sonar de piva un fachinesco (Lirum Bililirum)
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[unknown]2:30
10Regem Archangelorum
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Costanzo Festa2:11
11Alma, che scarca dal corporeo velo
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[traditional]1:35
12Music for Crumhorns, Cittern and Percussion: Aldì, dolce ben mio
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Filippo Azzaiolo1:24
13Music for Crumhorns, Cittern and Percussion: Bona via faccia barca (Venetiana)
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Filippo Azzaiolo1:18
14Music for Crumhorns, Cittern and Percussion: Gentil madonna, del mio cor padrona
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Filippo Azzaiolo1:07
15Donna, quando pietosa
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Jacques Arcadelt2:25
16El travagliato
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
recording of:
El travagliato
composer:
Vincenzo Ruffo (renaissance composer) (in 1564)
Vincenzo Ruffo1:58
17La gamba in basso e soprano
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Vincenzo Ruffo1:30
18Amor è foco e ghiaccio
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
recording of:
Amor è foco e ghiaccio
composer:
Orazio Vecchi
Orazio Vecchi2:57
19Putta nera ballo furlano
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Giorgio Mainerio3:54
20All’arm’ all’arm
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Lodovico Agostini1:41
21Com’al primo apparir
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Giovanni Lindo Ferretti3:14
22Sonata “La facca”
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Cesario Gussago1:58
23Canzona “Istrina”
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Aurelio Bonelli1:54
24Sonata “La fontana”
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Cesario Gussago2:06
25Canzona “Licori”
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
Aurelio Bonelli1:50
26Suite of Dances: La morte de la pagione (pavane) – La traditora (gagliarda)
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[unknown]3:46
27Suite of Dances: Bel fiore
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[unknown]1:53
28Suite of Dances: La rocha el fuso (gagliarda) – El desperato (saltarello) – La lavandara (gagliarda)
instruments:
Piffaro, The Renaissance Band (US / Philadelphia early music ensemble)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)
[unknown]4:27
▼ Digital Media 4: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri
#TitleArtistRatingLength
1Spem in alium
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1988-07-18 until 1988-07-21, in 1989-07)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-07-18 until 1988-07-21, in 1989-07)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1990)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-07-18 until 1988-07-21) and King’s College Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1989-07)
recording of:
Spem in alium (from 1988-07-18 until 1988-07-21)
composer:
Thomas Tallis (composer)
recording of:
Spem in alium (in 1989-07)
composer:
Thomas Tallis (composer)
Thomas Tallis8:55
2Mass for Three Voices: Kyrie
choir vocals:
Pro Cantione Antiqua (in 1974-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1974-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)
William Byrd0:44
3Mass for Three Voices: Gloria
choir vocals:
Pro Cantione Antiqua (in 1974-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1974-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)
William Byrd5:05
4Mass for Three Voices: Credo
choir vocals:
Pro Cantione Antiqua (in 1974-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1974-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)
William Byrd8:41
5Mass for Three Voices: Sanctus – Benedictus
choir vocals:
Pro Cantione Antiqua (in 1974-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1974-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)
William Byrd3:10
6Mass for Three Voices: Agnus Dei
choir vocals:
Pro Cantione Antiqua (in 1974-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1974-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)
William Byrd3:21
7Gardanum: O magnum mysterium
engineered in:
Roma, Roma, Lazio, Italy
choir vocals:
Gabrieli Consort (in 1992-12)
conductor:
Paul McCreesh (conductor) (in 1992-12)
Tomás Luis de Victoria3:53
8Missa Papae Marcelli: Kyrie
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina4:00
9Missa Papae Marcelli: Gloria
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina6:19
10Missa Papae Marcelli: Credo
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina8:50
11Missa Papae Marcelli: Sanctus
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina3:02
12Missa Papae Marcelli: Benedictus – Hosanna
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina3:10
13Missa Papae Marcelli: Agnus Dei I – II
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
Giovanni Pierluigi da Palestrina6:37
14Miserere
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
Gregorio Allegri311:52
▼ Digital Media 5: Monteverdi: Madrigals / Vespers (highlights)
#TitleArtistRatingLength
1Il quarto libro de madrigali (1603): Sfogava con le stelle
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Sfogava con le stelle, SV 78
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 78)
part of:
Quarto libro de madrigali, SV 75–93
Claudio Monteverdi3:57
2Il quarto libro de madrigali (1603): Si ch’io vorrei morire
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Sì, ch' io vorrei morire, SV 89
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 89)
part of:
Quarto libro de madrigali, SV 75–93
Claudio Monteverdi3:10
3Lamento d’Arianna
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Lamento d’Arianna, SV 22
lyricist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 22)
Claudio Monteverdi15:34
4Dolcissimo uscignuolo
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dolcissimo uscignolo, SV 161
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 161)
part of:
Ottavo Libro de’ Madrigali: Canti Amorosi
Claudio Monteverdi3:12
5Ecco mormorar l’onde
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Ecco mormorar l'onde e tremolar le fronde, SV 51
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 51)
part of:
Madrigals, Book 2, SV 40–59
Claudio Monteverdi3:04
6Quinto Libro dei Madrigali (1605): 9. Ch’io t’ami
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Ch’io t’ami, SV 98
lyricist:
Giovanni Battista Guarini
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 98)
part of:
Quinto libro de madrigali, SV 94–106
Claudio Monteverdi9:16
7Il quarto libro de madrigali (1603): Non piu guerra pietate
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Non più guerra, pietate SV 88
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 88)
part of:
Quarto libro de madrigali, SV 75–93
Claudio Monteverdi2:40
8S’andasse amor a caccia
choir vocals:
Monteverdi‐Chor Hamburg
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
S'andasse Amor a caccia SV 49
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 49)
part of:
Madrigals, Book 2, SV 40–59
Claudio Monteverdi1:47
9Vespro della Beata Vergine: Duo seraphim a 3
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:07
10Magnificat: 1. Magnificat anima mea
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:02
11Magnificat: 2. Et exultavit
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat (I): "Et exsultavit"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:33
12Magnificat: 3. Quia respexit
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat (I): "Quia respexit"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:33
13Magnificat: 4. Quia fecit mihi magna
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIVd. Magnificat (II): "Quia fecit mihi magna"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:13
14Magnificat: 5. Et misericordia
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIe. Magnificat (I): "Et misericordia"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:01
15Magnificat: 6. Fecit potentiam
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat (I): "Fecit potentiam"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:56
16Magnificat: 7. Deposuit potentes de sede
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIg. Magnificat (I): "Deposuit potentes de sede"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:11
17Magnificat: 8. Esurientes implevit bonis
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIVh. Magnificat (II): "Esurientes implevit bonis"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:08
18Magnificat: 9. Suscepit Israel
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIVi. Magnificat (II): "Suscepit Israel"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:35
19Magnificat: 10. Sicut locutus est
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat (I): "Sicut locutus est"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:10
20Magnificat: 11. Gloria Patri
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:18
21Magnificat: 12. Sicut erat in principio
choir vocals:
Regensburger Domspatzen
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:56
▶ Digital Media 6: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music
▶ Digital Media 7: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate
▶ Digital Media 8: Charpentier: Te Deum / Rameau: Music From the Stage Works
▶ Digital Media 9: Telemann: Concertos
▶ Digital Media 10: Vivaldi: The Four Seasons / Gloria
▶ Digital Media 11: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2
▶ Digital Media 12: Bach: Goldberg Variations / Italian Concerto / Fantasias
▶ Digital Media 13: Bach: Organ Music
▶ Digital Media 14: Bach: St. Matthew Passion (highlights)
▶ Digital Media 15: Bach: Magnificat / Cantatas nos. 63 & 65
▶ Digital Media 16: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”
▶ Digital Media 17: Handel: Concertos
▶ Digital Media 18: Handel: Messiah (arias and choruses)
▶ Digital Media 19: Scarlatti, D: Harpsichord Sonatas
▶ Digital Media 20: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

Credits

Release Group

includes:Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach (German Baroque period composer & musician); Musica Antiqua Köln, Reinhard Goebel (violinist and conductor)
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell (baroque composer)
Goldberg Variations / Italian Concerto by Bach (German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist)
Great Organ Works by Bach (German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist)
Kammerkonzerte by Georg Philipp Telemann (composer); Musica Antiqua Köln, Reinhard Goebel (violinist and conductor)
Magnificat - Cantatas BWV 63 & BWV 65 by Bach (German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi; Regensburger Domspatzen, Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor)
Messiah: Arias and Choruses by Handel (German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord)
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel (German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord)
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel (German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
The Symphonies for Strings by Carl Philipp Emanuel Bach; The English Concert, Trevor Pinnock (conductor / harpsichord)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 1)