Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Water Music
▶ CD 2: Music for the Royal Fireworks; Sinfonias
▶ CD 3: Concerti grossi Op. 3
▶ CD 4: Concerti grossi Op. 6 Nos. 1-4
▶ CD 5: Concerti grossi Op. 6 Nos. 5-8
▶ CD 6: Concerti grossi Op. 6 Nos. 9-12
▶ CD 7: Concerti a due cori
▶ CD 8: Organ Concertos I
▶ CD 9: Organ Concertos II; Harp Concerto
▶ CD 10: Organ Concertos III
▶ CD 11: Organ Concertos IV
▶ CD 12: Organ Concertos V
▶ CD 13: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
▶ CD 14: Flute Sonatas
▶ CD 15: Violin and Oboe Sonatas
▶ CD 16: Trio Sonatas I - Op. 2
▶ CD 17: Trio Sonatas II - Op. 5
▶ CD 18: Trio Sonatas III
▶ CD 19: Recorder Sonatas
▶ CD 20: Suites de pièces pour le clavecin I
▶ CD 21: Suites de pièces pour le clavecin II
▶ CD 22: Suites de pièces pour le clavecin III
▶ CD 23: Suites de pièces pour le clavecin IV
▶ CD 24: Harpsichord Music I
▶ CD 25: Harpsichord Music II
▶ CD 26: Harpsichord Music III
▶ CD 27: Harpsichord Music IV
▶ CD 28: Romantic Organ Transcriptions
▶ CD 29: Nine German Arias
▶ CD 30: Cantatas for soprano solo I
▶ CD 31: Cantatas for soprano solo II
▶ CD 32: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
▶ CD 33: Cantatas for soprano solo IV
▶ CD 34: Cantatas for soprano solo V
▶ CD 35: Italian Duets
▶ CD 36: The Alchemist; Apollo e Dafne
▶ CD 37: Aci, Galatea e Polifemo (beginning)
▶ CD 38: Aci, Galatea e Polifemo (conclusion)
▶ CD 39: Alexander's Feast (beginning)
▶ CD 40: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
▶ CD 41: Coronation Anthems
▶ CD 42: Dettingen Te Deum
▶ CD 43: Friedensode; Utrechter Te Deum
▶ CD 44: Ode for St. Cecilia's Day
▶ CD 45: Messiah (beginning)
▶ CD 46: Messiah (conclusion)
▶ CD 47: La Resurrezione (beginning)
▶ CD 48: La Resurrezione (conclusion)
▶ CD 49: Jephtha (beginning)
▶ CD 50: Jephtha (continuation)
▶ CD 51: Jephtha (conclusion)
▶ CD 52: Israel in Egypt (beginning)
▶ CD 53: Israel in Egypt (conclusion)
▶ CD 54: Judas Maccabaeus (beginning)
▶ CD 55: Judas Maccabaeus (conclusion)
▶ CD 56: Samson (beginning)
▶ CD 57: Samson (conclusion)
▶ CD 58: Theodora (beginning)
▶ CD 59: Theodora (conclusion)
▶ CD 60: Saul (beginning)
▶ CD 61: Saul (conclusion)
▶ CD 62: Solomon (beginning)
▼ CD 63: Solomon (conclusion)
#TitleRatingLength
1Solomon, HWV 67: 17. Act 2: Recitative & Air: What says the other (Solomon & 2nd Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "What says the other" (Solomon, 2nd Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
4:28
2Solomon, HWV 67: 18. Act 2: Recitative & Air: Withhold (1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "Withhold, withhold the executing hand!" (1st Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
5:15
3Solomon, HWV 67: 19. Act 2: Recitative: Israel, attend to what your king shall say (Solomon, 1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Accompagnato "Israel, attend" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
6:10
4Solomon, HWV 67: 20. Act 2: Chorus: From the east unto the west
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Chorus "From the east unto the west" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
3:12
5Solomon, HWV 67: 21. Act 2: Recitative & Air: From morn to eve (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "From morn to eve" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
6:20
6Solomon, HWV 67: 22. Act 2: Recitative & Air: No more shall armed bands (1st Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Recitative "No more shall armed bands" (1st Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
8:04
7Solomon, HWV 67: 23. Act 2: Chorus: Swell, swell the full chorus
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene III. Chorus "Swell, swell the full chorus" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
3:02
8Solomon, HWV 67: 24. Act 3: Sinfonia
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
3:15
9Solomon, HWV 67: 25. Act 3: Recitative & Air: From Arabia's spicy shores (Queen of Sheba, Solomon), Chorus
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
5:13
10Solomon, HWV 67: 26. Act 3: Air & Chorus: Now a diff'rent measure try (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
1:51
11Solomon, HWV 67: 27. Act 3: Recitative & Chorus: Then at once from rage remove (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Then at once from rage remove" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:11
12Solomon, HWV 67: 28. Act 3: Recitative & Chorus: Next the tortur'd soul release (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Next the tortur'd soul release" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:11
13Solomon, HWV 67: 29. Act 3: Recitative & Air: Thy harmony's divine (Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Thy harmony's divine" (Queen of Sheba)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
1:15
14Solomon, HWV 67: 30. Act 3: Recitative & Air: Thrice happy king (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Thrice happy king" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
4:14
15Solomon, HWV 67: 31. Act 3: Recitative & Air: May peace in Salem ever dwell (Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "May peace in Salem ever dwell" (Queen of Sheba)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
5:38
16Solomon, HWV 67: 32. Act 3: Recitative & Air: Adieu, fair queen (Solomon, Queen of Sheba, Chorus)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (Organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act III. Recitative "Adieu, fair queen" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act III
8:22
▶ CD 64: Semele (beginning)
▶ CD 65: Semele (conclusion)