Spielberg par Williams

~ Release by John Williams (see all versions of this release, 1 available)

Annotation

Edition en 2 CD dont les données sont retrouvées sur les 2 albums en liens amazon

Annotation last modified on 2017-05-19 19:47 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1Les Aventuriers de L'Arche Perdue: The Raiders March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The Raiders March (Raiders of the Lost Ark) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:11
2Always: Theme
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Always) (from 1990-05-18 until 1990-05-25)
5:31
3E.T. L'Extraterrestre: Adventures on Earth
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
9:48
4Sugarland Express: Theme
producer:
Thomas Z. Shepard
harmonica:
Toots Thielemans (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Sugarland Express) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
3:39
5Les Dents de La Mer: Theme
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Main Theme (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
2:57
6Les Dents de La Mer: Out to Sea / The Shark Cage Fugue
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Out to Sea (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1975)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
recording of:
The Shark Cage Fugue (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
4:26
7L'Empire Du Soleil: Exsultate Justi
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Exsultate Justi (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
lyricist and composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
4:57
8Indiana Jones Et Le Temple Maudit: Parade of the Slave Children
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Parade of the Slave Children (Indiana Jones and the Temple of Doom) (from 1990-05-18 until 1990-05-25)
part of:
Indiana Jones and the Temple of Doom
4:53
9E.T. L'Extraterrestre: Over the Moon
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial E.T. the Extra-Terrestrial: Over the Moon (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
2:12
101941: March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The March (1941) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
1941
4:13
11L'Empire Du Soleil: Cadillac of the Skies
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Cadillac of the Skies (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
4:59
12Indiana Jones Et La Dernière Croisade: Scherzo for Motorcycle and Orchestra
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Last Crusade
2:50
13Rencontre Du Troisième Type: Excerpts
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Close Encounters of the Third Kind: Suite (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
9:47
▼ CD 2
#TitleRatingLength
1E.T. L'Extraterrestre: Flying
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:40
2Jurassic Park: Theme
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
5:33
3La Liste de Schindler: Remembrances
recording engineer and producer:
Shawn Murphy (producer/engineer)
violin:
Tamara Smirnova (from 1995-05-25 until 1995-05-27)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Remembrances (Schindler’s List) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Schindler's List
6:28
4Hook: Flight to Neverland
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Flight to Neverland (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
4:44
51941: The Battle for Hollywood
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Battle for Hollywood (1941) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
5:02
6Hook: Smee's Plan
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Smee’s Plan (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
3:36
7Les Dents de La Mer: The Barrel Chase
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Barrel Chase (Jaws) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
5:37
8Jurassic Park: My Friend the Brachiosarus
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
My Friend the Brachiosarus (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
4:42
9L'Empire Du Soleil: Jim's New Life
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Jim's New Life (Empire of the Sun) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
3:45
10Rencontre Du Troisième Type: The Dialogue
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Dialogue (Close Encounters of the Third Kind) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
3:31
11Hook: The Lost Boy's Ballet
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Lost Boys’ Ballet (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
4:01
12La Liste de Schindler: Theme
recording engineer and producer:
Shawn Murphy (producer/engineer)
violin:
Tamara Smirnova (from 1995-05-25 until 1995-05-27)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Main Theme (Schindler’s List) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
3:57
13Les Aventuriers de L'Arche Perdue: The Basket Chase
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Basket Chase (Raiders of the Lost Ark) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
4:18
14Hook: The Face of Pan
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Face of Pan (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
4:25
15Hook: The Banquet
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Banquet (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
6:09

Credits