Sings Duke Ellington / At Carnegie Hall

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.52:51
2I Got It Bad
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:07
3Hey, Buddy Bolden
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
32:28
4Merry Mending
32:35
5Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
32:56
6You Better Know It
cover recording of:
You Better Know It
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
42:25
7I Like the Sunrise
cover recording of:
Liberian Suite: I Like the Sunrise
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music and Tempo Music Inc
3:01
8Solitude
cover recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:46
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
2:09
10Satin Doll
cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
3:38
11It Don’t Mean a Thing
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:33
12Black Swan
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
The Medium: Act I. The Black Swan (Monica) (on 1963-04-12)
lyricist and composer:
Gian Carlo Menotti
part of:
The Medium: Act I
6:05
13Theme From Samson and Delilah
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live instrumental recording of:
Theme from Samson and Delilah (on 1963-04-12)
composer:
Camille Saint‐Saëns (composer)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila)
live recording of:
Theme from Samson and Delilah (on 1963-04-12)
composer:
Camille Saint‐Saëns (composer)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila)
5:49
14If You Knew
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
recording of:
If You Knew
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
3:29
15Theme From Sayonara3:18
16The Twelfth of Never
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
cover recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
3:28
17Will I Find My Love Today
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
Will I Find My Love Today (on 1963-04-12)
lyricist:
Sidney Shaw
composer:
Alex Fogarty
6:44
18The Other Woman / Cotton Eyed Joe
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
Cotton‐Eyed Joe (traditional song) (on 1963-04-12)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
live recording of:
The Other Woman (on 1963-04-12)
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
27:21