Complete Recordings on Archiv Produktion 2

~ Release by Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 6 available)

Tracklist

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▼ CD 15: J. S. Bach: Wedding Cantatas
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1“O holder Tag, erwünschte Zeit”, BWV 210: 1. Recitative: “O holder Tag, erwünschte Zeit”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach0:56
2“O holder Tag, erwünschte Zeit”, BWV 210: 2. Aria: “Spielet, ihr beseelten Lieder”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:15
3“O holder Tag, erwünschte Zeit”, BWV 210: 3. Recitative: “Doch, haltet ein”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:01
4“O holder Tag, erwünschte Zeit”, BWV 210: 4. Aria: “Ruhet hie, matte Töne”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:59
5“O holder Tag, erwünschte Zeit”, BWV 210: 5. Recitative: “Si glaubt man denn, dass die Musik verführe”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:04
6“O holder Tag, erwünschte Zeit”, BWV 210: 6. Aria: “Schweigt, ihr Flöten, schweigt, ihr Töne”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:47
7“O holder Tag, erwünschte Zeit”, BWV 210: 7. Recitative: “Was Luft? Was Grab?”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:35
8“O holder Tag, erwünschte Zeit”, BWV 210: 8. Aria: “Großer Gönner, dein Vergnügen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:16
9“O holder Tag, erwünschte Zeit”, BWV 210: 9. Recitative: “Hochteurer Mann, so fahre ferner fort”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:19
10“O holder Tag, erwünschte Zeit”, BWV 210: 10. Aria: “Seid beglückt, edle beide”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:48
11“Weichet nur, betrübte Schatten”, BWV 202: 1. Adagio - Andante - Adagio da capo: “Weichet nur, betrübte Schatten”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:42
12“Weichet nur, betrübte Schatten”, BWV 202: 2. Recitative: “Die Welt wird wieder neu”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:27
13“Weichet nur, betrübte Schatten”, BWV 202: 3. Aria: “Phoebus eilt mit schnellen Pferden”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:55
14“Weichet nur, betrübte Schatten”, BWV 202: 4. Recitative: “Drum sucht auch Amor sein Vergnügen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:42
15“Weichet nur, betrübte Schatten”, BWV 202: 5. Aria: “Wenn die Frühlingslüfte streichen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:21
16“Weichet nur, betrübte Schatten”, BWV 202: 6. Recitative: “Und dieses ist das Glücke”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:45
17“Weichet nur, betrübte Schatten”, BWV 202: 7. Aria: “Sich üben im Lieben”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:57
18“Weichet nur, betrübte Schatten”, BWV 202: 8. Recitative: “So sei das Band der keuschen Liebe”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:24
19“Weichet nur, betrübte Schatten”, BWV 202: 9. Aria (Gavotte): “Sehet in Zufriedenheit”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:31
20“Jauchzet Gott in allen Landen”, BWV 51: 1. Aria: “Jauchzet Gott in allen Landen”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:53
21“Jauchzet Gott in allen Landen”, BWV 51: 2. Recitative: “Wir beten zu dem Tempel an”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:08
22“Jauchzet Gott in allen Landen”, BWV 51: 3. Aria: “Höchster, mache deine Güte”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:11
23“Jauchzet Gott in allen Landen”, BWV 51: 4. Chorale: “Sei Lob und Preis mit Ehren” -
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:12
24“Jauchzet Gott in allen Landen”, BWV 51: “Alleluja”
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:13
▼ CD 16: C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords
#TitleArtistRatingLength
1Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 1. Allegro
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto in F major, Wq 46, H 408: I. Allegro (in 1985-12)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach8:58
2Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 2. Largo e con sordino
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto in F major, Wq 46, H 408: II. Largo (in 1985-12)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach10:06
3Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 3. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto in F major, Wq 46, H 408: III. Allegro assai (in 1985-12)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach4:41
4Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 1. [Allegro moderato]
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in F major, F. 10: I. Allegro moderato (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in F major, F. 10
Wilhelm Friedemann Bach6:04
5Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 2. Andante
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in F major, F. 10: II. Andante (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in F major, F. 10
Wilhelm Friedemann Bach5:35
6Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 3. Presto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in F major, F. 10: III. Presto (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in F major, F. 10
Wilhelm Friedemann Bach3:59
7Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 1. Un poco allegro
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in E-flat major, F. 46: I. Un poco allegro (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in E-flat major, F. 46
Wilhelm Friedemann Bach10:41
8Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 2. Cantabile senza accompagnamento
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in E-flat major, F. 46: II. Cantabile (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in E-flat major, F. 46
Wilhelm Friedemann Bach3:20
9Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 3. Vivace
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1985-12) and Andreas Staier (in 1985-12)
orchestra:
Musica Antiqua Köln (in 1985-12)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-12)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-12)
recording of:
Concerto for Two Harpsichords in E-flat major, F. 46: III. Vivace (in 1985-12)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Concerto for Two Harpsichords in E-flat major, F. 46
Wilhelm Friedemann Bach6:44
▼ CD 17: Bachiana: Music by the Bach Family
#TitleArtistRatingLength
1Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 1. Ouverture
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: I. Ouverture (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach6:11
2Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 2. Air I
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: II. Air I (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:58
3Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 3. Menuet
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: III. Menuet (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach2:18
4Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 4. Gavotte
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: IV. Gavotte (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:24
5Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 5. Air II
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: V. Air II (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach2:27
6Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 6. Bourrée
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Overture in G major: VI. Bourrée (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:16
7Sonata no. 1 “a cinque” for 2 Violins, 2 Violas and Basso continuo in C major
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Sonata a cinque no. 1 in C major (in 2000-09)
composer:
Heinrich Bach
Heinrich Bach5:24
8Sonata no. 2 “a cinque” for 2 Violins, 2 Violas and Basso continuo in F major
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Sonata a cinque no. 2 in F major (in 2000-09)
composer:
Heinrich Bach
Heinrich Bach4:17
9Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 1. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: I. Allegro (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach3:45
10Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 2. 2 Adagio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: II. Adagio (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach2:02
11Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 3. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: III. Allegro (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach1:38
12“Aria Eberliniana pro dormente Camillo” for Harpsichord solo: Theme - Var. 1-15
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2000-09)
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Aira Eberliniani pro dormente Camillo (in 2000-09)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach16:24
13“Battaglia - anno 1659 composita” for 2 Violins, 2 Violas and Basso continuo
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Battaglia (in 2000-09)
composer:
Cyriacus Wilche
Cyriacus Wilche7:18
14Sonata and Capriccio for Violin, 2 Violas and Basso continuo in G minor
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Sonata & Capriccio in G minor (in 2000-09)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Signr. Pagh7:34
15Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 1. Sinfonia
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2000-09)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:51
16Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 2. Adagio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: II. Adagio (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
Johann Sebastian Bach3:00
17Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 3. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans-Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2000-09)
recording of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: III. Allegro (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
Johann Sebastian Bach4:47
▼ CD 18: Bachiana: Double Concertos
#TitleArtistRatingLength
1Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 1. Andante di molto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
cello:
Joachim Fiedler (cellist) (in 2002-06)
violin:
Stephan Schardt (classical violinist) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Sinfonia concertante in A major, W. C34 (T 284/4): I. Andante di molto (in 2002-06)
composer:
Johann Christian Bach
part of:
Sinfonia concertante in A major, W. C34 (T 284/4)
Johann Christian Bach8:01
2Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 2. Rondeau. Allegro assai
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
cello:
Joachim Fiedler (cellist) (in 2002-06)
violin:
Stephan Schardt (classical violinist) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Sinfonia concertante in A major, W. C34 (T 284/4): II. Rondeau. Allegro assai (in 2002-06)
composer:
Johann Christian Bach
part of:
Sinfonia concertante in A major, W. C34 (T 284/4)
Johann Christian Bach5:18
3Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 1. Un poco allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: I. Un poco allegro (in 2002-06)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach6:59
4Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 2. Largo
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: II. Largo (in 2002-06)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach8:52
5Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 3. Vivace
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: III. Vivace (in 2002-06)
composer:
Wilhelm Friedemann Bach (composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach4:52
6Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 1. Allegro con brio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44: I. Allegro con brio (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44
Johann Christoph Friedrich Bach12:40
7Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 2. Larghetto Cantabile
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44: II. Larghetto cantabile (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44
Johann Christoph Friedrich Bach5:25
8Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 3. Allegretto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44: III. Allegretto (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR JCFB 44
Johann Christoph Friedrich Bach7:56
9Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 1. Allegro molto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: I. Allegro di molto (in 2002-06)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach6:44
10Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 2. Larghetto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: II. Larghetto (in 2002-06)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach6:29
11Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 3. Presto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: III. Presto (in 2002-06)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach4:09
▼ CD 19: Cantatas by the Bach Family Before Johan Sebastian (I)
#TitleArtistRatingLength
1“Ach, bleib bei uns, Herr Jesu Christ”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Ach, bleib bei uns, Herr Jesu Christ (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach5:36
2“Auf, lasst uns den Herren loben”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Aria "Auf, lasst uns den Herrn loben" (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach6:21
3“Es ist ein großer Gewinn”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Es ist ein großer Gewinn (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach3:57
4“Liebster Jesu, hör mein Fiehen”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01) and Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Liebster Jesu, hör mein Flehen (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach7:02
5“Ach, wie sehnlich wart' ich der Zeit”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Ach wie sehnlich wart' ich der Zeit (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach7:28
6“Siehe, wie fein und lieblich”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Stephen Varcoe (bass-baritone) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Siehe, wie fein und lieblich ist (in 1986-01)
composer:
Georg Christoph Bach
Georg Christoph Bach6:33
7“Meine Freundin, du bist schön”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Meine Freundin, du bist schön (in 1986-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach21:55
▼ CD 20: Cantatas by the Bach Family Before Johan Sebastian (II)
#TitleArtistRatingLength
1“Es erhub sich ein Streit”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Heinz Wildhagen (engineer, producer)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Es erhub sich ein Streit im Himmel (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:30
2“Ach, dass ich Wassers g'nug hätte”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Ach, dass ich Wassers g’nug hätte (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:55
3“Herr, wende dich und sei mir gnädig”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01) and Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Herr, wende dich und sei mir gnädig (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach11:43
4“Wie bist du denn, o Gott, in Zorn auf mich entbrannt”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Wie bist du denn o Gott (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach12:16
5“Die Furcht des Herren”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
solo bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Die Furcht des Herren ist der Weisheit Anfang (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:39
6“Ich danke dir, Gott”
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Heinz Wildhagen (engineer, producer)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen, Germany (in 1986-01)
recording of:
Ich danke dir, Gott (in 1986-01)
composer:
Heinrich Bach
Heinrich Bach5:52
▼ CD 21: Lamento: Arias and Cantatas by the Bach Family
#TitleArtistRatingLength
1“Ach, dass ich Wassers g'nug hätte”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Ach, dass ich Wassers g’nug hätte (in 2003-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:30
2“Languet aanima mea”: 1. Recitative: “Languet anima mea amore tuo”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:54
3“Languet aanima mea”: 2. Aria: “O vulnera, vita coelestis”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti3:20
4“Languet aanima mea”: 3. Recitative: “Amoris tui jaculo”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:39
5“Languet aanima mea”: 4. Aria: “Tu lumen mentis es”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti7:03
6“Languet aanima mea”: 5. “Alleluja”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: V. Alleluja (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti1:37
7“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 1. Aria: “Vergnügte Ruh, beliebte Seelenlust”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:24
8“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 2. Recitative: “Die Welt, das Sündenhaus”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:21
9“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 3. Aria: “Wie jammern mich doch die verkehrten Herzen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:09
10“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 4. Recitative: “Wer sollte sich demnach”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:06
11“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 5. Aria: “Mir ekeit mehr zu leben”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:58
12“Bekennen will ich seinen Namen”, BWV 200
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (number: BWV 200)
Johann Sebastian Bach3:30
13Selma, H 739 (Wq. 236): “Sie liebt! Mich Liebt die Auserwählte”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Selma, H 739 (Wq. 236) (chamber cantata) (in 2003-02)
lyricist:
Johann Heinrich Voß
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (Wotquenne [Wq.]) (number: Wq. 236) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 739)
Carl Philipp Emanuel Bach2:10
14Die Amerikanerin, BR JCFB G 47: 1. “Saide, komm, mein Wunsch, mein Lied!”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach2:46
15Die Amerikanerin, BR JCFB G 47: 2. “Schön ist mein Mädchen, wie die Traube”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach2:34
16Die Amerikanerin, BR JCFB G 47: 3. “Du Quell”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: III. Du Quell, der sich durch Goldsand schlängelt (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach1:43
17Die Amerikanerin, BR JCFB G 47: 4. “Mein Herz, mein Herz fleucht ihr entgegen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach4:08
▶ CD 22: Biber: Mensa sonora / Sonata representativa
▶ CD 23: Biber: Harmonia artificiosa (I)
▶ CD 24: Biber: Harmonia artificiosa (II)
▶ CD 25: Biber: Rosenkranz Sonatas (I)
▶ CD 26: Biber: Rosenkranz Sonatas (II) / Passacaglia
▶ CD 27: Biber: Missa Salisburgensis
▶ CD 28: Charpentier: Musiques sacrée
▶ CD 29: Clérambault: Orphée / Médée
▶ CD 30: Couperin: Les Nations (I)
▶ CD 31: Couperin: Les Nations (II)