Leonard Bernstein: The Remastered Edition III

~ Release by Leonard Bernstein (see all versions of this release, 6 available)

Tracklist

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CD 41: Bernstein Conducts Favorite Rossini Overtures
#TitleArtistRatingLength
1L'italiana in Algeri: Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-04-10)
conductor:
Leonard Bernstein (on 1960-04-10)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-10)
recording of:
L’italiana in Algeri: Sinfonia (on 1960-04-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri
Gioachino Rossini7:20
2Il barbiere di Siviglia: Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-03-27)
conductor:
Leonard Bernstein (on 1963-03-27)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-03-27)
recording of:
Il barbiere di Siviglia: Sinfonia (on 1963-03-27)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:42
3La scala di seta: Overture
producer:
John McClure (recording engineer and record producer)
oboe:
Harold Gomberg (oboist) (on 1963-01-15)
orchestra:
New York Philharmonic (on 1963-01-15)
conductor:
Leonard Bernstein (on 1963-01-15)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-01-15)
recording of:
La scala di seta: Sinfonia (on 1963-01-15)
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
Gioachino Rossini6:15
4La scazza ladra: Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-02-08)
conductor:
Leonard Bernstein (on 1960-02-08)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-08)
recording of:
La gazza ladra: Ouverture (on 1960-02-08)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:46
5Semiramide: Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-09-28)
conductor:
Leonard Bernstein (on 1960-09-28)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-09-28)
recording of:
Semiramide: Sinfonia (Overture) (on 1960-09-28)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide
Gioachino Rossini11:40
6Guillaume Tell: Overture
producer:
John McClure (recording engineer and record producer)
solo cor anglais:
Engelbert Brenner (classical oboist) (on 1963-12-02)
solo flute:
John Wummer (flutist) (on 1963-12-02)
orchestra:
New York Philharmonic (on 1963-12-02)
conductor:
Leonard Bernstein (on 1963-12-02)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-12-02)
recording of:
Guillaume Tell : Ouverture (on 1963-12-02)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:30
CD 42: Hindemith: Concert Music for Strings and Brass / Bartók: Music for Strings, Percussion and Celesta
#TitleArtistRatingLength
1Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-03-20)
producer:
Howard H. Scott (classical music producer)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (on 1961-03-20)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók9:14
2Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-03-20)
producer:
Howard H. Scott (classical music producer)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (on 1961-03-20)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:00
3Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-03-20)
producer:
Howard H. Scott (classical music producer)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (on 1961-03-20)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:01
4Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-03-20)
producer:
Howard H. Scott (classical music producer)
orchestra:
New York Philharmonic (on 1961-03-20)
conductor:
Leonard Bernstein (on 1961-03-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (on 1961-03-20)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:24
5Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft -Paul Hindemith5:11
6Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließendPaul Hindemith3:50
7Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft -Paul Hindemith2:01
8Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam -Paul Hindemith2:48
9Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten ZeitmaßPaul Hindemith2:10
10Concert Music for String Orchestra and Brass, op. 50: Part II. LebhaftPaul Hindemith0:59
CD 43: Schumann: Spring Symphony no. 1 in B-flat - Original Orchestration / Overture to Genoveva
#TitleArtistRatingLength
1Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-31)
conductor:
Leonard Bernstein (on 1960-10-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-31)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (on 1960-10-31)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann11:30
2Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-31)
conductor:
Leonard Bernstein (on 1960-10-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-31)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (on 1960-10-31)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:58
3Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-31)
conductor:
Leonard Bernstein (on 1960-10-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-31)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (on 1960-10-31)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:59
4Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-31)
conductor:
Leonard Bernstein (on 1960-10-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-31)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (on 1960-10-31)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann8:39
5Genoveva Overture, op. 81
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-10-07)
conductor:
Leonard Bernstein (on 1963-10-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-10-07)
recording of:
Genoveva, op. 81: Overture (on 1963-10-07)
composer:
Robert Schumann (German classical composer) (from 1844 until 1850)
part of:
Works of Robert Schumann by opus number (number: op. 81)
part of:
Genoveva, op. 81
Robert Schumann8:12
CD 44: Franz Liszt: A Faust Symphony
#TitleArtistRatingLength
1A Faust Symphony, S 108: I. Faust. Lento assai - Allegro
producer:
John McClure (recording engineer and record producer)
choir vocals:
Choral Art Society
tenor vocals:
Charles Bressler
orchestra:
New York Philharmonic (on 1960-11-07)
conductor:
Leonard Bernstein (on 1960-11-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-11-07)
recording of:
Eine Faust-Symphonie, S. 108: I. Faust. Lento assai (on 1960-11-07)
composer:
Franz Liszt
part of:
Eine Faust-Symphonie, S. 108
Franz Liszt27:28
2A Faust Symphony, S 108: II. Gretchen. Andante soave
producer:
John McClure (recording engineer and record producer)
choir vocals:
Choral Art Society
tenor vocals:
Charles Bressler
orchestra:
New York Philharmonic (on 1960-11-07)
conductor:
Leonard Bernstein (on 1960-11-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-11-07)
recording of:
Eine Faust-Symphonie, S. 108: II. Gretchen. Andante soave (on 1960-11-07)
composer:
Franz Liszt
part of:
Eine Faust-Symphonie, S. 108
Franz Liszt20:50
3A Faust Symphony, S 108: III. Mephistopheles. Allegro vivace, ironico -
producer:
John McClure (recording engineer and record producer)
choir vocals:
Choral Art Society
tenor vocals:
Charles Bressler
orchestra:
New York Philharmonic (on 1960-11-07)
conductor:
Leonard Bernstein (on 1960-11-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-11-07)
recording of:
Eine Faust-Symphonie, S. 108: III. Mephistopheles. Allegro vivace, ironico (on 1960-11-07)
composer:
Franz Liszt
part of:
Eine Faust-Symphonie, S. 108
Franz Liszt15:55
4A Faust Symphony, S 108: III. Andante mistico: “Alles Vergängliche ist nur ein Glechnis”
producer:
John McClure (recording engineer and record producer)
choir vocals:
Choral Art Society
tenor vocals:
Charles Bressler
orchestra:
New York Philharmonic (on 1960-11-07)
conductor:
Leonard Bernstein (on 1960-11-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-11-07)
recording of:
Eine Faust-Symphonie, S. 108: IV. Chorus mysticus (choral ending) (on 1960-11-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt
part of:
Eine Faust-Symphonie, S. 108
Franz Liszt6:58
CD 45: Bernstein: Kaddish - Symphony no. 3
#TitleRatingLength
1Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
producer:
John McClure (recording engineer and record producer)
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Abraham Kaplan (chorus master) (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: I. Invocation – Kaddish 1 (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
8:24
2Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
producer:
John McClure (recording engineer and record producer)
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17)
mezzo-soprano vocals and soprano vocals:
Jennie Tourel (mezzo-soprano) (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Abraham Kaplan (chorus master) (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: II. Din-Torah – Kaddish 2 (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
15:59
3Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
producer:
John McClure (recording engineer and record producer)
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17) and Columbus Boychoir (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Donald Bryant (Choir director) (from 1964-04-15 until 1964-04-17) and Abraham Kaplan (chorus master) (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: III. Scherzo – Kaddish 3 – Finale. Fugue-Tutti (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
18:31
CD 46: Haydn: Symphony no. 82 “The Bear” / Symphony no. 83 “The Hen”
#TitleArtistRatingLength
1Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace assai
orchestra:
New York Philharmonic (on 1962-05-07)
conductor:
Leonard Bernstein (on 1962-05-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-07)
recording of:
Symphony no. 82 in C major, Hob. I:82 "L'Ours": I. Vivace assai (on 1962-05-07)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 82 in C major, Hob. I:82 "L'Ours"
Joseph Haydn7:53
2Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto
orchestra:
New York Philharmonic (on 1962-05-07)
conductor:
Leonard Bernstein (on 1962-05-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-07)
recording of:
Symphony no. 82 in C major, Hob. I:82 "L'Ours": II. Allegretto (on 1962-05-07)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 82 in C major, Hob. I:82 "L'Ours"
Joseph Haydn6:09
3Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - TrioJoseph Haydn4:44
4Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. VivaceJoseph Haydn5:43
5Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso
orchestra:
New York Philharmonic (from 1962-04-08 until 1962-04-09)
conductor:
Leonard Bernstein (from 1962-04-08 until 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1962-04-08 until 1962-04-09)
recording of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule": I. Allegro spiritoso (from 1962-04-08 until 1962-04-09)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule"
Joseph Haydn6:56
6Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante
orchestra:
New York Philharmonic (from 1962-04-08 until 1962-04-09)
conductor:
Leonard Bernstein (from 1962-04-08 until 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1962-04-08 until 1962-04-09)
recording of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule": II. Andante (from 1962-04-08 until 1962-04-09)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule"
Joseph Haydn6:32
7Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio
orchestra:
New York Philharmonic (from 1962-04-08 until 1962-04-09)
conductor:
Leonard Bernstein (from 1962-04-08 until 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1962-04-08 until 1962-04-09)
recording of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule": III. Menuetto e Trio (from 1962-04-08 until 1962-04-09)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule"
Joseph Haydn4:00
8Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace
orchestra:
New York Philharmonic (from 1962-04-08 until 1962-04-09)
conductor:
Leonard Bernstein (from 1962-04-08 until 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1962-04-08 until 1962-04-09)
recording of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule": IV. Finale. Vivace (from 1962-04-08 until 1962-04-09)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 83 in G minor, Hob. I:83 "La Poule"
Joseph Haydn3:42
CD 47: Beethoven: Third Piano Concerto / Choral Fantasy
#TitleArtistRatingLength
1Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
producer:
John McClure (recording engineer and record producer)
piano:
Rudolf Serkin (pianist) (on 1964-01-20)
orchestra:
New York Philharmonic (on 1964-01-20)
conductor:
Leonard Bernstein (on 1964-01-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1964-01-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (on 1964-01-20)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven15:32
2Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
producer:
John McClure (recording engineer and record producer)
piano:
Rudolf Serkin (pianist) (on 1964-01-20)
orchestra:
New York Philharmonic (on 1964-01-20)
conductor:
Leonard Bernstein (on 1964-01-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1964-01-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (on 1964-01-20)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven10:55
3Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
producer:
John McClure (recording engineer and record producer)
piano:
Rudolf Serkin (pianist) (on 1964-01-20)
orchestra:
New York Philharmonic (on 1964-01-20)
conductor:
Leonard Bernstein (on 1964-01-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1964-01-20)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (on 1964-01-20)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:35
4Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio -
producer:
John McClure (recording engineer and record producer)
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
choir vocals:
Westminster Choir (Princeton, USA) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (on 1962-05-01)
chorus master:
Warren Martin (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:53
5Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Finale. Allegro - Meno Allegro - Allegro molto - Adagio, ma non troppo - Marcia, assai vivace - Allegro - Allegretto, ma non troppo (quasi Andante con moto): “Schmeichelnd hold und lieblich klingen” - PrestoLudwig van Beethoven15:28
CD 48: Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. I-II)
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1Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (from 1963-09-29 until 1963-09-30)
conductor:
Leonard Bernstein (from 1963-09-29 until 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1963-09-29 until 1963-09-30)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (from 1963-09-29 until 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler23:40
2Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (from 1963-09-29 until 1963-09-30)
conductor:
Leonard Bernstein (from 1963-09-29 until 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1963-09-29 until 1963-09-30)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (from 1963-09-29 until 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler11:39
CD 49: Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. III-V)
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1Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (from 1963-09-29 until 1963-09-30)
conductor:
Leonard Bernstein (from 1963-09-29 until 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1963-09-29 until 1963-09-30)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (from 1963-09-29 until 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:08
2Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
producer:
John McClure (recording engineer and record producer)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano) (from 1963-09-29 until 1963-09-30)
orchestra:
New York Philharmonic (from 1963-09-29 until 1963-09-30)
conductor:
Leonard Bernstein (from 1963-09-29 until 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1963-09-29 until 1963-09-30)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (from 1963-09-29 until 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:29
3Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (fka The Collegiate Chorale until 2015) (from 1963-09-29 until 1963-09-30)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano) (from 1963-09-29 until 1963-09-30)
soprano vocals:
Lee Venora (soprano) (from 1963-09-29 until 1963-09-30)
orchestra:
New York Philharmonic (from 1963-09-29 until 1963-09-30)
conductor:
Leonard Bernstein (from 1963-09-29 until 1963-09-30)
chorus master:
Abraham Kaplan (chorus master) (from 1963-09-29 until 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1963-09-29 until 1963-09-30)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1963-09-29 until 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler33:42
CD 50: Bernstein: Fancy Free / Overture to Candide / On the Town (Three Dance Episodes) / Prelude, Fugue and Riffs
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1Fancy Free: I. Enter Three Sailors
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: I. Enter Three Sailors (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
2:50
2Fancy Free: II. Scene at the Bar
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: II. Scene at the Bar (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
1:40
3Fancy Free: III. Enter Two Girls
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: III. Enter Two Girls (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
2:08
4Fancy Free: IV. Pas de deux
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: IV. Pas de deux (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
is based on:
Fancy Free: Big Stuff
part of:
Fancy Free
3:22
5Fancy Free: V. Competition Scene
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: V. Competition Scene (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
3:04
6Fancy Free: VI. 3 Dance Variations: Variation 1 (Galop)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation I: Galop (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
1:21
7Fancy Free: VI. 3 Dance Variations: Variation 2 (Waltz)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation II: Waltz (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
2:24
8Fancy Free: VI. 3 Dance Variations: Variation 3 (Danzon)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation III: Danzon (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
2:36
9Fancy Free: VII. Finale
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VII. Finale (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
4:39
10Candide: Overture. Allegro molto con brio
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-09-28)
conductor:
Leonard Bernstein (on 1960-09-28)
recording of:
Candide: Overture (on 1960-09-28)
composer:
Leonard Bernstein
part of:
Candide
4:17
113 Dance Episodes from “On the Town”: I. The Great Lover Displays Himself
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: I. The Great Lover (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
1:45
123 Dance Episodes from “On the Town”: II. Lonely Town (Pas de deux)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: II. Lonely Town: Pas de deux (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
3:24
133 Dance Episodes from “On the Town”: III. Times Square (Finale, Act I)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944 (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
recording of:
On the Town: Finale, Act I: Times Square Ballet (dance)
composer:
Leonard Bernstein
part of:
On the Town
4:44
14Prelude, Fugue and Riffs: I. Prelude for the Brass
producer:
John McClure (recording engineer and record producer)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: I. Prelude for the Brass (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
1:50
15Prelude, Fugue and Riffs: II. Fugue for the Saxes
producer:
John McClure (recording engineer and record producer)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: II. Fugue for the Saxes (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
1:47
16Prelude, Fugue and Riffs: III. Riffs for Everyone
producer:
John McClure (recording engineer and record producer)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: III. Riffs for Everyone (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
4:11
CD 51: Two Twentieth Century Masterpieces: Barber / Hindemith: Violin Concertos
CD 52: Sibelius: Symphony no. 5 / Pohjola's Daughter / Violin Concerto
CD 53: Nielsen: Symphony no. 3 / Symphony no. 5
CD 54: Bernstein: Chichester Psalms for Chorus and Orchestra / Facsimile - A Choreographic Essay
CD 55: Mendelssohn: Italian Symphony / Schubert: Unfinished Symphony
CD 56: Beethoven: Symphony no. 3 “Eroica”
CD 57: Dvořák: Two Slavonic Dances / Carnival Overture / Smetana: Overture and Three Dances from “The Bartered Bride” / The Moldau
CD 58: Falstaff (Acts I & II, Scene 1)
CD 59: Falstaff (Acts II, Scene 2 & Act III)
CD 60: Schumann: Piano Quintet in E-flat major / Mozart: Piano Quartet in G minor