The Complete Bud Powell on Verve

~ Release by Bud Powell (see all versions of this release, 1 available)

Annotation

Verve 5 CD Box set
Anybody serious at either hard-bop or Powell should dig this.
Casual listeners though might want the great pianist at a lighter dose, possibly with Verve's Genius of Bud Powell or Blue Note's Amazing Bud Powell.

Annotation last modified on 2018-11-08 23:18 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1Tempus Fugue-It (Tempus Fugit)
recorded in:
New York, New York, United States (from 1949-01 until 1949-02)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1949-01 until 1949-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (from 1949-01 until 1949-02)
piano:
Bud Powell (from 1949-01 until 1949-02)
recording of:
Tempus Fugit (from 1949-01 until 1949-02)
composer:
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:28
2Celia
recorded in:
New York, New York, United States (in 1949-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1949-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-01)
piano:
Bud Powell (in 1949-01)
recording of:
Celia (in 1949-01)
composer:
Bud Powell
3:00
3Cherokee
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1949-02-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Cherokee (on 1949-02-23)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:40
4I'll Keep Loving You
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
piano:
Bud Powell (on 1949-02-23)
recording of:
I'll Keep Loving You (on 1949-02-23)
composer:
Bud Powell
publisher:
Groove Music
2:43
5Strictly Confidential
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1949-02-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Strictly Confidential (on 1949-02-23)
composer:
Bud Powell
3:11
6All God's Chillun Got Rhythm
recorded in:
New York, New York, United States (in 1949-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1949-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-01)
piano:
Bud Powell (in 1949-01)
instrumental recording of:
All God’s Chillun Got Rhythm (in 1949-01)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
3:02
7So Sorry Please
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
composer:
Bud Powell
3:17
8Get Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:54
9Sometimes I'm Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:39
10Sweet Georgia Brown
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:51
11Yesterdays
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Yesterdays (in 1950-02)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:52
12April in Paris
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
instrumental recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:10
13Body and Soul
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Body and Soul (in 1950-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:23
14Hallelujah!
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Hallelujah! (on 1950-07-01)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:01
15Tea for Two (Compilation take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
4:16
16Tea for Two (Common take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:32
17Tea for Two (78 take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:49
18Parisian Thoroughfare
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Parisian Thoroughfare (in 1951-02)
composer:
Bud Powell
2:31
19Oblivion
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
composer:
Bud Powell
2:11
20Dusky 'N' Sandy (Dusk in Sandi)
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Dusk In Sandi (in 1951-02)
composer:
Bud Powell
2:15
21Hallucinations
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Hallucinations (in 1951-02)
composer:
Bud Powell
publisher:
Embassy Music Corporation
2:27
22The Fruit
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Fruit (in 1951-02)
composer:
Bud Powell
3:19
23A Nightingale Sang in Berkeley Square
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
A Nightingale Sang in Berkeley Square (in 1951-02)
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:44
24Just One of Those Things
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
instrumental recording of:
Just One of Those Things (in 1951-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:53
25The Last Time I Saw Paris
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Last Time I Saw Paris (in 1951-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Academy Award for Best Original Song (number: 14)
3:16
▼ CD 2
#TitleRatingLength
1Moonlight in Vermont
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
instrumental recording of:
Moonlight in Vermont (on 1954-06-02)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:38
2Spring is Here
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
instrumental recording of:
Spring Is Here (on 1954-06-02)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:30
3Buttercup
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
recording of:
Buttercup (on 1954-06-02)
composer:
Bud Powell
3:02
4Fantasy in Blue
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
3:07
5It Never Entered My Mind
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
It Never Entered My Mind (on 1954-06-08)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:59
6A Foggy Day
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
A Foggy Day (in London Town) (on 1954-06-08)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:48
7Time Was
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
Time Was (on 1954-06-08)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
4:20
8My Funny Valentine
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-06-08)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:56
9Like Someone in Love (incomplete takes 1 & 2)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
partial instrumental cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
1:39
10Like Someone in Love
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:00
11Deep Night
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
Deep Night
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
3:45
12That Old Black Magic (breakdown & false start)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
partial instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
0:55
13That Old Black Magic (alternate take 3)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:30
14That Old Black Magic
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:21
15That Old Black Magic (alternate take 5)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:54
16'Round Midnight
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
5:08
▼ CD 3
#TitleRatingLength
1Thou Swell (alternate take)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Thou Swell (on 1955-01-11)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
4:06
2Thou Swell
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Thou Swell (on 1955-01-11)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
4:29
3Someone to Watch Over Me
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1955-01-11)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:33
4Bean and the Boys
recording of:
Bean and the Boys (on 1955-01-11)
composer:
Coleman Hawkins
3:36
5Tenderly (false starts)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
partial instrumental recording of:
Tenderly (on 1955-01-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
0:23
6Tenderly
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Tenderly (on 1955-01-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:20
7How High the Moon?
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
How High the Moon (on 1955-01-12)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:23
8I Get a Kick Out of You (breakdown)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
partial instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
0:35
9I Get a Kick Out of You
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:26
10I Get a Kick Out of You (alternate take)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:58
11The Best Thing for You (breakdown)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
partial instrumental recording of:
The Best Thing for You (Would Be Me) (on 1955-01-12)
lyricist and composer:
Irving Berlin (in 1950)
1:29
12You Go to My Head
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
You Go to My Head (on 1955-01-12)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:11
13The Best Thing for You
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
The Best Thing for You (Would Be Me) (on 1955-01-12)
lyricist and composer:
Irving Berlin (in 1950)
2:43
14Mediocre
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Mediocre (on 1955-01-13)
composer:
Bud Powell
publisher:
BMI Publishing and JATAP Publishing Co.
2:58
15All the Things You Are
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1955-01-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:33
16Epistrophy
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Epistrophy (on 1955-01-13)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:03
17Dance of the Infidels
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Dance of the Infidels (on 1955-01-13)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:19
18Salt Peanuts
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Salt Peanuts (on 1955-01-13)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
2:22
19Sweet Georgia Brown
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
instrumental recording of:
Sweet Georgia Brown (on 1955-01-13)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:25
▼ CD 4
#TitleRatingLength
1Conception (false start)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
partial recording of:
Conception (on 1955-04-25)
composer:
George Shearing
0:09
2Conception
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
recording of:
Conception (on 1955-04-25)
composer:
George Shearing
3:47
3Bean and the Boys (false starts)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
partial recording of:
Bean and the Boys (on 1955-04-25)
composer:
Coleman Hawkins
0:29
4Bean and the Boys
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
recording of:
Bean and the Boys (on 1955-04-25)
composer:
Coleman Hawkins
4:04
5Heart and Soul (alternate take 1)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
instrumental recording of:
Heart and Soul (on 1955-04-25)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:52
6Heart and Soul (alternate take 2)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
instrumental recording of:
Heart and Soul (on 1955-04-25)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:31
7Heart and Soul
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
instrumental recording of:
Heart and Soul (on 1955-04-25)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007-05 as Sony/ATV Harmony/Melody)
3:21
8Willow Grove (alternate take)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
recording of:
Willow Grove (on 1955-04-25)
composer:
Bud Powell
3:17
9Willow Grove
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
recording of:
Willow Grove (on 1955-04-25)
composer:
Bud Powell
4:29
10Crazy Rhythm
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
instrumental recording of:
Crazy Rhythm (on 1955-04-25)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:34
11Willow Weep for Me
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-25)
drums (drum set):
Art Taylor (on 1955-04-25)
piano:
Bud Powell (on 1955-04-25)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-25)
instrumental recording of:
Willow Weep for Me (on 1955-04-25)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
4:42
12Bean and the Boys (remake of master)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
recording of:
Bean and the Boys (on 1955-04-27)
composer:
Coleman Hawkins
5:26
13East of the Sun (and West of the Moon) (alternate take)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
instrumental recording of:
East of the Sun (and West of the Moon) (on 1955-04-27)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:48
14East of the Sun (and West of the Moon) (false starts)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
partial instrumental recording of:
East of the Sun (and West of the Moon) (on 1955-04-27)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
0:30
15East of the Sun (and West of the Moon)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
instrumental recording of:
East of the Sun (and West of the Moon) (on 1955-04-27)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:58
16Lady Bird (alternate take 1)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
recording of:
Lady Bird (on 1955-04-27)
composer:
Tadd Dameron
3:11
17Lady Bird (false start)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
partial recording of:
Lady Bird (on 1955-04-27)
composer:
Tadd Dameron
0:18
18Lady Bird (alternate take 2)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
recording of:
Lady Bird (on 1955-04-27)
composer:
Tadd Dameron
3:36
19Stairway to the Stars (instruction and warm-up)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
partial instrumental recording of:
Stairway to the Stars (on 1955-04-27)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
0:07
20Stairway to the Stars
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
instrumental recording of:
Stairway to the Stars (on 1955-04-27)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:04
21Lady Bird
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
recording of:
Lady Bird (on 1955-04-27)
composer:
Tadd Dameron
4:49
▶ CD 5