Trésors

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Black And Tan Fantasy
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
3:11
2The Mooche
alto saxophone:
Harry Carney and Johnny Hodges
banjo:
Fred Guy
clarinet:
Barney Bigard, Harry Carney and Johnny Hodges
drums (drum set):
Sonny Greer
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1928-10-30)
tenor saxophone:
Barney Bigard
trombone:
Joe "Tricky Sam" Nanton
trumpet:
Arthur Whetsel
tuba [brass bass]:
Wellman Braud
recording of:
The Mooche (on 1928-10-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:33
3Doin' The Voom Voom
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1929-01-16)
3:08
4A Night at the Cotton Club, Part 1: Cotton Club Stomp / Misty Mornin'
banjo:
Fred Guy (on 1929-04-12)
double bass:
Wellman Braud (on 1929-04-12)
drums (drum set):
Sonny Greer (on 1929-04-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1929-04-12)
reeds:
Barney Bigard (on 1929-04-12), Harry Carney (on 1929-04-12) and Johnny Hodges (on 1929-04-12)
trombone:
Joe "Tricky Sam" Nanton (on 1929-04-12)
trumpet:
Freddie Jenkins (on 1929-04-12) and Arthur Whetsel (on 1929-04-12)
3:52
5Jungle Nights in Harlem
recording of:
Jungle Nights in Harlem
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
2:53
6Ring Dem Bells (Take 3)
banjo:
Fred Guy (on 1930-08-20)
double bass:
Wellman Braud (on 1930-08-20)
drums (drum set):
Sonny Greer (on 1930-08-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1930-08-20)
reeds:
Barney Bigard (on 1930-08-20), Harry Carney (on 1930-08-20) and Johnny Hodges (on 1930-08-20)
trombone:
Joe "Tricky Sam" Nanton (on 1930-08-20)
trumpet:
Freddy Jenkins (on 1930-08-20), Arthur Whetsel (on 1930-08-20) and Cootie Williams (on 1930-08-20)
valve trombone:
Juan Tizol (on 1930-08-20)
vocals:
Cootie Williams
recording of:
Ring Dem Bells (on 1930-08-20)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
2:53
7That Lindy Hop
banjo:
Fred Guy (on 1930-10-02)
double bass:
Wellman Braud (on 1930-10-02)
drums (drum set):
Sonny Greer (on 1930-10-02)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1930-10-02)
reeds:
Barney Bigard (on 1930-10-02), Harry Carney (on 1930-10-02) and Johnny Hodges (on 1930-10-02)
trombone:
Joe "Tricky Sam" Nanton (on 1930-10-02)
trumpet:
Arthur Whetsel (on 1930-10-02) and Cootie Williams (on 1930-10-02)
valve trombone:
Juan Tizol (on 1930-10-02)
vocals:
Dick Robertson (US jazz vocalist, 1920s-1940s) (on 1930-10-02)
2:56
8Rockin' in Rhythm
recorded in:
New York, New York, United States (on 1931-01-16)
alto saxophone:
Harry Carney (on 1931-01-16) and Johnny Hodges (on 1931-01-16)
banjo:
Fred Guy (on 1931-01-16)
clarinet and tenor saxophone:
Barney Bigard (on 1931-01-16)
double bass [bass]:
Wellman Braud (on 1931-01-16)
drums (drum set) [drums]:
Sonny Greer (on 1931-01-16)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1931-01-16)
trombone:
Joe Nanton (on 1931-01-16)
trumpet:
Freddy Jenkins (on 1931-01-16), Arthur Whetsel (on 1931-01-16) and Cootie Williams (on 1931-01-16)
recording of:
Rockin’ in Rhythm (on 1931-01-16)
writer:
Harry Carney, Eddie DeLange, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
2:56
9Creole Rhapsody, Part 1
alto saxophone:
Johnny Hodges (on 1931-06-11)
banjo and guitar:
Fred Guy (on 1931-06-11)
double bass:
Wellman Braud (on 1931-06-11)
drums (drum set):
Sonny Greer (on 1931-06-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1931-06-11)
reeds:
Barney Bigard (on 1931-06-11), Harry Carney (on 1931-06-11) and Johnny Hodges (on 1931-06-11)
saxophone:
Harry Carney (on 1931-06-11)
trombone:
Joe "Tricky Sam" Nanton (on 1931-06-11)
trumpet:
Freddy Jenkins (on 1931-06-11), Arthur Whetsel (on 1931-06-11) and Cootie Williams (on 1931-06-11)
valve trombone:
Juan Tizol (on 1931-06-11)
recording of:
Creole Rhapsody, Part 1 (on 1931-06-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:02
10Creole Rhapsody, Part 2
recording of:
Creole Rhapsody, Part 2
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:23
11Echoes of The Jungle
double bass:
Wellman Braud (on 1931-06-16)
drums (drum set):
Sonny Greer (on 1931-06-16)
guitar:
Fred Guy (on 1931-06-16)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1931-06-16)
reeds:
Harry Carney (on 1931-06-16) and Johnny Hodges (on 1931-06-16)
trombone:
Joe "Tricky Sam" Nanton (on 1931-06-16)
trumpet:
Freddy Jenkins (on 1931-06-16), Arthur Whetsel (on 1931-06-16) and Cootie Williams (on 1931-06-16)
valve trombone:
Juan Tizol (on 1931-06-16)
recording of:
Echoes of the Jungle (on 1931-06-16)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:27
12Mood Indigo / Hot And Bothered / Creole Lover Call
banjo:
Fred Guy (on 1932-02-03)
double bass:
Wellman Braud (on 1932-02-03)
drums (drum set):
Sonny Greer (on 1932-02-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1932-02-03)
reeds:
Barney Bigard (on 1932-02-03), Harry Carney (on 1932-02-03) and Johnny Hodges (on 1932-02-03)
trombone:
Joe "Tricky Sam" Nanton (on 1932-02-03)
trumpet:
Freddy Jenkins (on 1932-02-03), Arthur Whetsel (on 1932-02-03) and Cootie Williams (on 1932-02-03)
valve trombone:
Juan Tizol (on 1932-02-03)
recording of:
Creole Love Call (on 1932-02-03)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a recording of:
Hot and Bothered (on 1932-02-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (on 1932-02-03)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:43
13Daybreak Express
2:57
14My Old Flame
recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
3:23
15Jack The Bear
recording of:
Jack the Bear
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:17
16Cotton Tail
recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:12
17Never no Lament (Don't Get Around Much Anymore)
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
3:16
▼ CD 2
#TitleRatingLength
1Sepia Panorama
recording of:
Sepia Panorama
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:24
2In a Melotone
recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
3:18
3Chloe (Song of The Swamp)
recording of:
Chloë (Song of the Swamp)
lyricist:
Gus Kahn (in 1927)
composer:
Gus Kahn and Charles N. Daniels (in 1927)
3:26
4Day Dream
recording of:
Day Dream
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
2:57
5A Lull at Dawn
3:28
6Take The "A" Train
alto saxophone:
Harry Carney (on 1941-02-15), Otto Hardwick (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
baritone saxophone:
Harry Carney (on 1941-02-15)
clarinet:
Barney Bigard (on 1941-02-15), Harry Carney (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
cornet:
Rex Stewart (on 1941-02-15)
double bass [bass]:
Jimmie Blanton (on 1941-02-15)
drums (drum set) [drums]:
Sonny Greer (on 1941-02-15)
guitar:
Fred Guy (on 1941-02-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-02-15)
tenor saxophone:
Barney Bigard (on 1941-02-15) and Ben Webster (on 1941-02-15)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-02-15) and Joe Nanton (on 1941-02-15)
trumpet:
Wallace Jones (on 1941-02-15) and Ray Nance (on 1941-02-15)
valve trombone:
Juan Tizol (on 1941-02-15)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1941-02-15)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:56
7Bakiff
recording of:
Bakiff (on 1941-06-05)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Juan Tizol
3:25
8I Got it Bad and That Ain't Good
alto saxophone:
Otto Hardwick (on 1941-06-26)
alto saxophone and clarinet:
Johnny Hodges (on 1941-06-26)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1941-06-26)
celesta:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26)
clarinet and tenor saxophone:
Barney Bigard (on 1941-06-26)
cornet:
Rex Stewart (on 1941-06-26)
double bass:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26)
guitar:
Fred Guy (on 1941-06-26)
tenor saxophone:
Ben Webster (on 1941-06-26)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26) and Joe "Tricky Sam" Nanton (on 1941-06-26)
trumpet:
Wallace Jones (on 1941-06-26) and Ray Nance (on 1941-06-26)
valve trombone:
Juan Tizol (on 1941-06-26)
vocals:
Ivie Anderson (on 1941-06-26)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
recording of:
I Got It Bad (and That Ain’t Good) (on 1941-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:20
9Menelik-The Lion of Judah
3:16
10Passion of Flower
recording of:
Passion Flower
composer:
Billy Strayhorn
publisher:
Tempo Music Inc
3:09
11Rocks in my Bed
vocals:
Ivie Anderson (on 1941-09-26)
recording of:
Rocks in My Bed (on 1941-09-26)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:08
12Chelsea Bridge
alto saxophone:
Otto Hardwick (on 1941-12-02)
alto saxophone and clarinet:
Johnny Hodges (on 1941-12-02)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1941-12-02)
clarinet and tenor saxophone:
Barney Bigard (on 1941-12-02)
cornet:
Rex Stewart (on 1941-12-02)
double bass:
Junior Raglin (on 1941-12-02)
drums (drum set):
Sonny Greer (on 1941-12-02)
guitar:
Fred Guy (on 1941-12-02)
piano:
Billy Strayhorn (on 1941-12-02)
tenor saxophone:
Ben Webster (on 1941-12-02)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-12-02) and Joe "Tricky Sam" Nanton (on 1941-12-02)
trumpet:
Wallace Jones (on 1941-12-02) and Ray Nance (on 1941-12-02)
valve trombone:
Juan Tizol (on 1941-12-02)
arranger:
Billy Strayhorn (on 1941-12-02)
recording of:
Chelsea Bridge (on 1941-12-02)
composer:
Billy Strayhorn (in 1941)
arranger:
Joe Henderson (US jazz tenor saxophonist)
2:55
13Perdido
recording of:
Perdido (original instrumental version) (on 1942-01-21)
composer:
Juan Tizol
3:09
14The "C" Jam Blues
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
2:41
15I'm Beginning to See The Light
recording of:
I’m Beginning to See the Light (on 1944-12-01)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:12
16Work Song
4:35
17Dancer in Love
recording of:
Dancers in Love (on 1957-12-09)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
The Perfume Suite
2:19
▼ CD 3
#TitleRatingLength
1The Minor Goes Muggin'
recorded in:
New York, New York, United States (on 1945-05-14)
alto saxophone:
Gus Bivona (on 1945-05-14), Bruce Branson (on 1945-05-14) and Sid Cooper (flute & clarinet player) (on 1945-05-14)
baritone saxophone:
Bruce Branson (on 1945-05-14)
cello [2 cellos], harp, viola [2 violas] and violin [14 violins]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1945-05-14)
clarinet and reeds:
Gus Bivona (on 1945-05-14)
double bass:
Bob Haggart (on 1945-05-14) and Sid Block (Jazz bassist, band leader) (on 1945-05-14)
drums (drum set):
Buddy Rich (on 1945-05-14)
guitar:
Bob Bain (guitarist) (on 1945-05-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-05-14)
tenor saxophone:
Babe Fresk (on 1945-05-14) and Vido Musso (on 1945-05-14)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1945-05-14), Karl de Karske (on 1945-05-14), Dick Noel (trombone) (on 1945-05-14) and Tex Satterwhite (on 1945-05-14)
trumpet:
Gerry Goff (on 1945-05-14), Mickey Mangano (on 1945-05-14), George Seaberg (on 1945-05-14) and Charlie Shavers (on 1945-05-14)
tuba:
Joseph Park (on 1945-05-14)
arranger:
Sy Oliver (on 1945-05-14)
recording of:
The Minor Goes Muggin’ (on 1945-05-14)
composer:
Sy Oliver
3:01
2It Don't Mean a Thing (if it Ain't Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1945-05-14)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:01
3Time's a Waistin'
alto saxophone:
Johnny Hodges (on 1945-07-30)
double bass:
Junior Raglin (on 1945-07-30)
drums (drum set):
Sonny Greer (on 1945-07-30)
guitar:
Fred Guy (on 1945-07-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-07-30)
reeds:
Harry Carney (on 1945-07-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1945-07-30) and Otto Hardwick (on 1945-07-30)
tenor saxophone:
Al Sears (on 1945-07-30)
trombone:
Lawrence Brown (jazz trombonist) (on 1945-07-30), Claude Jones (on 1945-07-30) and Joe "Tricky Sam" Nanton (on 1945-07-30)
trumpet:
William “Cat” Anderson (on 1945-07-30), Shelton "Scad" Hemphill (on 1945-07-30), Taft Jordan (on 1945-07-30), Ray Nance (on 1945-07-30) and Rex Stewart (on 1945-07-30)
recording of:
Things Ain’t What They Used to Be (on 1945-07-30)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
3:06
4Just Squeeze me
3:18
5Midriff
recording of:
Midriff
composer:
Billy Strayhorn and Gerald Valentine (trombone, aka Jerry Valentine)
3:15
6Long Long Journey
alto saxophone:
Johnny Hodges (on 1946-01-10)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1946-01-10)
double bass:
Chubby Jackson (on 1946-01-10)
drums (drum set):
Sonny Greer (on 1946-01-10)
guitar:
Remo Palmier (on 1946-01-10)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1946-01-10) and Billy Strayhorn (on 1946-01-10)
tenor saxophone:
Don Byas (on 1946-01-10)
trumpet:
Louis Armstrong (on 1946-01-10) and Charlie Shavers (on 1946-01-10)
lead vocals:
Louis Armstrong (on 1946-01-10)
performer:
Leonard Feather’s Esquire All‐Americans (on 1946-01-10)
recording of:
Long Long Journey (on 1946-01-10)
lyricist and composer:
Leonard Feather
4:30
7Caravan
live recording of:
Caravan (on 1952-03-25)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
4:15
8Come Sunday
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
alto saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
baritone saxophone:
Harry Carney (on 1965-12-26)
clarinet and reeds:
Harry Carney (on 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26) and Russell Procope (on 1965-12-26)
double bass:
John Lamb (on 1965-12-26)
drums (drum set):
Louie Bellson (on 1965-12-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1965-12-26)
saxophone:
Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
tenor saxophone:
Paul Gonsalves (on 1965-12-26)
trombone:
Lawrence Brown (jazz trombonist) (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
trumpet:
William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
vocals:
Esther Marrow (on 1965-12-26)
orchestra:
Duke Ellington and His Orchestra (on 1965-12-26)
recorded at:
Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (on 1965-12-26)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:56
9The Brotherhood
double bass:
Joe Benjamin (US jazz bassist) (on 1973-10-24)
drums (drum set):
Quentin White (on 1973-10-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-10-24)
saxophone:
Harold Ashby (on 1973-10-24), Harry Carney (on 1973-10-24), Percy Marion (on 1973-10-24), Harold "Geezil" Minerve (on 1973-10-24) and Russell Procope (on 1973-10-24)
trombone:
Art Baron (on 1973-10-24), Chuck Connors (on 1973-10-24) and Vince Prudente (on 1973-10-24)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1973-10-24), Mercer Ellington (on 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (on 1973-10-24) and Harold Johnson (US jazz trumpeter aka "Money") (on 1973-10-24)
choir vocals:
The John Alldis Choir (on 1973-10-24)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1973-10-24)
5:33
10Ain't Nobody Nowhere Nothin' Without God
double bass:
Joe Benjamin (US jazz bassist) (on 1973-10-24)
drums (drum set):
Quentin White (on 1973-10-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-10-24)
saxophone:
Harold Ashby (on 1973-10-24), Harry Carney (on 1973-10-24), Percy Marion (on 1973-10-24), Harold "Geezil" Minerve (on 1973-10-24) and Russell Procope (on 1973-10-24)
trombone:
Art Baron (on 1973-10-24), Chuck Connors (on 1973-10-24) and Vince Prudente (on 1973-10-24)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1973-10-24), Mercer Ellington (on 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (on 1973-10-24) and Harold Johnson (US jazz trumpeter aka "Money") (on 1973-10-24)
choir vocals:
The John Alldis Choir (on 1973-10-24)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1973-10-24)
4:15
11Isfahan
engineer:
Ed Begley (sound engineer in RCA Victor) (on 1966-12-20)
producer:
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (on 1966-12-20)
baritone saxophone:
Harry Carney (on 1966-12-20)
double bass:
John Lamb (on 1966-12-20)
drums (drum set):
Rufus "Speedy" Jones (drums, aka Speedy Jones) (on 1966-12-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1966-12-20)
reeds:
Paul Gonsalves (on 1966-12-20), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1966-12-20) and Russell Procope (on 1966-12-20)
trombone:
Lawrence Brown (jazz trombonist) (on 1966-12-20), Chuck Connors (on 1966-12-20) and Buster Cooper (on 1966-12-20)
trumpet:
Cat Anderson (on 1966-12-20), Mercer Ellington (on 1966-12-20), Herbie Jones (on 1966-12-20) and Cootie Williams (on 1966-12-20)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1966-12-20)
recording of:
Isfahan (on 1966-12-20)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
4:12
12Blue Pepper (Far East of The Blues)
3:01
13Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1966-05-09)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:38
14Sophisticated Lady
alto saxophone:
Otto Hardwick (on 1933-05-16) and Johnny Hodges (on 1933-05-16)
double bass and double bass [bass]:
Wellman Braud (on 1933-05-16)
drums (drum set):
Sonny Greer (on 1933-05-16)
guitar:
Fred Guy (on 1933-05-16)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1933-05-16)
reeds:
Barney Bigard (on 1933-05-16), Harry Carney (on 1933-05-16), Otto Hardwick (on 1933-05-16) and Johnny Hodges (on 1933-05-16)
saxophone:
Harry Carney (on 1933-05-16)
trombone:
Lawrence Brown (jazz trombonist) (on 1933-05-16) and Joe "Tricky Sam" Nanton (on 1933-05-16)
trumpet:
Freddy Jenkins (on 1933-05-16), Arthur Whetsel (on 1933-05-16) and Cootie Williams (on 1933-05-16)
valve trombone:
Juan Tizol (on 1933-05-16)
orchestra:
Duke Ellington and His Orchestra (on 1933-05-16)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1933-05-16)
instrumental recording of:
Sophisticated Lady (on 1933-05-16)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
15Blood Count
producer:
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (on 1967-09-01) and Russell Procope (on 1967-09-01)
bass trombone:
Chuck Connors (on 1967-09-01)
double bass:
Aaron Bell (jazz double bassist) (on 1967-09-01)
drums (drum set):
Steve Little (on 1967-09-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-09-01)
reeds:
Harry Carney (on 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-09-01) and Russell Procope (on 1967-09-01)
tenor saxophone:
Paul Gonsalves (on 1967-09-01)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-09-01) and Buster Cooper (on 1967-09-01)
trumpet:
Cat Anderson (on 1967-09-01), Mercer Ellington (on 1967-09-01), Herbie Jones (on 1967-09-01) and Cootie Williams (on 1967-09-01)
DJ-mixer:
Ray Hall (engineer)
recording of:
Blood Count (on 1967-09-01)
composer:
Billy Strayhorn (in 1967)
4:17
16Raincheck
recording of:
Raincheck
composer:
Billy Strayhorn
4:37
17Basin Street Blues
recording of:
Carnegie Blues
composer:
Bennie R. Crawford, Jr
2:50
▼ CD 4
#TitleRatingLength
1Tonk
recording of:
Tonk
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
2:47
2Drawing Room Blues
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1946-01-10) and Billy Strayhorn (on 1946-01-10)
recording of:
Drawing Room Blues (on 1946-01-10)
composer:
Billy Strayhorn
3:39
3Frankie And Johnny
recording of:
Frankie and Johnny (traditional song, version of "Frankie and Albert")
publisher:
Carl Sandburg (in 1927)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 254)
is based on:
You’re My Baby
version of:
Frankie and Albert (traditional song without the lyrics from "You’re My Baby", first published 1904)
2:39
4Jumpin' Room Only
double bass:
Junior Raglin (on 1945-09-16)
drums (drum set):
Sonny Greer (on 1945-09-16)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-05-16)
2:35
5Lot's o' Fingers
recorded in:
New York, New York, United States (on 1932-02-09)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1932-02-09)
recording of:
Lots o’ Fingers (on 1932-02-09)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:01
6Dear Old Southlands
recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard)
lyricist:
Henry Creamer (in 1921)
composer:
Ray Bloch (French-born composer/bandleader) and Turner Layton (in 1921)
3:18
7Solitude
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-05-14)
recording of:
(In My) Solitude (on 1941-05-14)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:30
8Lotus Blossom
recorded in:
New York, New York, United States (on 1967-08-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-08-30)
recording of:
Lotus Blossom (on 1967-08-30)
composer:
Billy Strayhorn
3:57
9Pitter Panther Patter
3:08
10Body And Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:04
11Sophisticated Lady
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Sophisticated Lady (on 1956-01-23)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:55
12Mr. J.B. Blues
3:04
13House of Lords
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1965-06-20)
5:37
14The Second Portrait of The Lion
4:08
15Take The "a" Train
recorded in:
New York, New York, United States (on 1950-09-13)
bass:
Lloyd Trotman (US jazz bassist) (on 1950-09-13)
celesta:
Billy Strayhorn (on 1950-09-13)
cello:
Oscar Pettiford (on 1950-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-09-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-09-13)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:18
16New World a-Comin'
recording of:
New World A-Comin’ (on 1965-12-26)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
arranger:
Maurice Peress
publisher:
G. Schirmer Inc.
8:19
17The Piano Player
bass:
Joe Benjamin (US jazz bassist) (on 1973-12-01)
drums (drum set):
Rocky White (on 1973-12-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-12-01)
reeds:
Harold Ashby (on 1973-12-01), Harry Carney (on 1973-12-01), Geezil Minerve (on 1973-12-01), Percy Marion (on 1973-12-01) and Russell Procope (on 1973-12-01)
trombone:
Art Baron (on 1973-12-01), Chuck Connors (on 1973-12-01) and Vince Prudente (on 1973-12-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1973-12-01), Mercer Ellington (on 1973-12-01), Barry Lee Hall (American Jazz Trumpet player) (on 1973-12-01) and Money Johnson (on 1973-12-01)
conductor:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-12-01)
recorded at:
Congress Theatre in Eastbourne, East Sussex, England, United Kingdom (on 1973-12-01)
2:55

Credits

Release

ASIN:FR: B0002KP4ZE [info]