Mass in B minor

~ Release by Johann Sebastian Bach; Lucia Popp, Carolyn Watkinson, Theo Adam, Rundfunkchor Leipzig, Neues Bachisches Collegium Musicum Leipzig, Peter Schreier (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	Mass in B minor. Kyrie: Kyrie eleison orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		8:29
2	Mass in B minor. Kyrie: Christe eleison orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:23
3	Mass in B minor. Kyrie: Kyrie eleison orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:05
4	Mass in B minor. Gloria: Gloria in excelsis Deo, et in terra pax orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		6:17
5	Mass in B minor. Gloria: Laudamus te orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:30
6	Mass in B minor. Gloria: Gratias agimus tibi orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:33
7	Mass in B minor. Gloria: Domine Deus, qui tollis peccata mundi orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		9:32
8	Mass in B minor. Gloria: Qui sedes ad dextram patris orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:48
9	Mass in B minor. Gloria: Quoniam tu solus sanctus, cum sancto spiritu orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		8:56

▼ CD 2
#	Title	Artist	Rating	Length
10	Mass in B minor. Credo: Credo in unum Deum orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:09
11	Mass in B minor. Credo: Patrem omnipotentem orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:08
12	Mass in B minor. Credo: Et in unum Dominum orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:58
13	Mass in B minor. Credo: Et incarnatus est orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:16
14	Mass in B minor. Credo: Crucifixus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:31
15	Mass in B minor. Credo: Et resurrexit orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:26
16	Mass in B minor. Credo: Et in spiritum, sanctum Dominum, confiteor orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:51
17	Mass in B minor. Credo: Et expecto orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		6:46
18	Mass in B minor. Sanctus: Sanctus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: III. Sanctus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:34
19	Mass in B minor. Agnus Dei: Osanna in excelsis orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:01
20	Mass in B minor. Bedidictus: Benidictus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:53
21	Mass in B minor. Agnus Dei: Osanna in excelsis orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:01
22	Mass in B minor. Agnus Dei: Agnus Dei orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:43
23	Mass in B minor. Dona nobis pacem orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:47

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Release information

Format:: 2×CD
Length:: 1:49:36

Additional details

Type:: Album
Packaging:: Fatbox
Status:: Official
Language:: English
Script:: Latin
Data Quality:: Normal

Labels

Eurodisc
610089-232

Release events

[Worldwide]
1984

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Last updated on 2023-11-25 03:00 UTC