Now That’s What I Call Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1I Knew You Were Waiting (for Me)
recording engineer:
David Frazer (engineer)
percussion programming:
Preston Glass
synthesizer programming:
Walter Afanasieff
additional assistant engineer:
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas and Jim Watts (engineer)
additional engineer:
Dana Jon Chappelle and Maureen Droney
producer:
George Michael and Narada Michael Walden
mixer:
David Frazer (engineer) and Serban Ghenea
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
drums (drum set):
Narada Michael Walden (in 1986)
electric guitar:
Corrado Rustici (in 1986)
percussion and tambourine:
Greg “Gigi” Gonaway (in 1986)
synthesizer:
Walter Afanasieff (in 1986)
additional vocals:
Aretha Franklin (in 1986)
background vocals:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
lead vocals:
Aretha Franklin (in 1986) and George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
strings arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (in 1986) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
I Knew You Were Waiting (for Me) (in 1986)
writer:
Simon Climie and Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs, Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
George Michael & Aretha Franklin44:01
2(I’ve Had) The Time of My LifeBill Medley & Jennifer Warnes3.34:50
3Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:50
4With or Without You
recording engineer:
Flood (British producer Mark Ellis)
synthesizer [DX7] programming:
Brian Eno
additional engineer:
Pat McCarthy and Dave Meegan (producer)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistant mixer:
Mary Kettle
mixer:
Steve Lillywhite and Mark Wallis
additional guitar, omnichord and tambourine:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen, Jr.
guitar:
The Edge (U2 guitarist David Evans)
harmonica and lead vocals:
Bono (singer of U2)
keyboard:
Brian Eno
background vocals:
The Edge (U2 guitarist David Evans), Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2007, in 2017) and Universal Island Records Ltd. (not for release label use! UK record company) (in 2007)
recorded at and mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 131) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 211)
recording of:
With or Without You
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.24:56
5Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith33:53
6Home
recording engineer and mixer:
Humberto Gatica
programming:
Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Christian Robles, Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
David Foster (Canadian music producer, arranger and composer)
solo guitar:
Brian Green (producer)
background vocals:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
recording of:
Home
writer:
Michael Bublé, Alan Chang and Amy Foster-Gillies
Michael Bublé23:46
7True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:29
8Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Cyndi Lauper4.353:59
9I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:24
10Holding Back the Years
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
recording of:
Holding Back the Years (in 1985)
lyricist:
Mick Hucknall (lead singer of Simply Red)
composer:
Mick Hucknall (lead singer of Simply Red) and Neil Moss
Simply Red44:30
11Un‐Break My Heart
assistant recording engineer:
Brandon Harris (US engineer)
recording engineer:
Felipe Elgueta
keyboard programming:
David Foster (Canadian music producer, arranger and composer)
synclavier programming:
Simon Franglen (English score composer)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
acoustic guitar:
Dean Parks (American session guitarist)
electric guitar:
Michael Thompson (session guitarist)
background vocals:
Toni Braxton and Shanice
lead vocals:
Toni Braxton and Shanice Wilson
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid and Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for and produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor in Mount Kisco, New York, United States
recording of:
Un-Break My Heart (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton3.74:29
12Just Give Me a Reason
recording engineer:
Tyler Johnson (US producer and songwriter), Pawel Sek and John X. Volaitis
programming and producer:
Jeff Bhasker
assistant mixer:
Justin Hergett and James Krausse
mixer:
Tony Maserati (engineer / mixer)
guitar:
Anders Mouridsen (guitarist)
keyboard and synthesizer:
Jeff Bhasker
guest performer:
Nate Ruess
recorded at:
Earthstar Creation Center in Venice, Los Angeles, California, United States and Enormous Studios in Los Angeles, California, United States
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2014)
recording of:
Just Give Me a Reason (in 2012)
writer:
Alecia Moore (American singer/songwriter), Jeffrey Bhasker and Nathaniel Ruess
P!nk feat. Nate Ruess3.74:02
13Beneath Your Beautiful
guest performer:
Emeli Sandé
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
edit of:
Beneath Your Beautiful by Labrinth (UK singer-songwriter and record producer) feat. Emeli Sandé
recording of:
Beneath Your Beautiful
composer:
Mike Posner, Emeli Sandé and Timothy McKenzie (UK singer-songwriter and record producer)
Labrinth feat. Emeli Sandé3:57
14Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:21
15How Long Will I Love You
engineer:
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski and Richard Kayvan
producer:
John Fortis
mixer:
Richard Kayvan
bass and keyboard [keyboards]:
John Fortis
guitar:
Nick Cornu
percussion:
Ashley Krajewski
cover recording of:
How Long Will I Love You
lyricist and composer:
Mike Scott (The Waterboys)
Ellie Goulding22:34
16Flying Without Wings
programming:
Chris Laws (engineer, keyboardist & songwriter)
engineer:
Chris Laws (engineer, keyboardist & songwriter) and Daniel Pursey (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Matt Howe (producer and engineer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
bass guitar:
Steve Pearce
guitar and guitar family:
Paul Gendler
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
choir vocals:
Benny Diggs
chorus master:
Benny Diggs
strings arranger:
Richard Niles
arranger:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
music videos:
Flying Without Wings by Westlife
recording of:
Flying Without Wings
lyricist:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
composer:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
Rokstone Music Ltd., Rondor Music (London) Ltd. and Songs of Windswept Pacific
Westlife23:35
172 Become 1Spice Girls33:31
18It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:25
19(I Can’t Help) Falling in Love With YouUB403.253:25
20All of Me
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2013) and Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (in 2013)
recording of:
All of Me
writer:
Toby Gad (German songwriter, producer, pianist) and John Legend
John Legend33:01
CD 2
#TitleArtistRatingLength
1A Thousand Years
recording engineer:
Chad Copelin
producer:
David Hodges (keyboardist of Trading Yesterday)
mixer:
Mark Endert
bass and drums (drum set):
Justin Glasgow
strings:
Deborah Lurie
performer:
Christina Perri
recorded at:
NRG Recording Studios in North Hollywood, Los Angeles, California, United States and Sleepwalker Studios
recording of:
A Thousand Years
writer:
David Hodges (keyboardist of Trading Yesterday) and Christina Perri
publisher:
12:06 Publishing, EMI Blackwood Music, KMR Music Royalties II SCSp, Miss Perri Lane Publishing, Songs of Kobalt Music Publishing, Summit Base Camp Film Music (BMI-affiliated, associated with Summit Entertainment LLC) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Christina Perri3.654:45
2Stay With Me
recording of:
Stay With Me
additional writer:
Jeff Lynne and Tom Petty
writer:
Jimmy Napes, Sam Smith (English singer and songwriter) and William Phillips
publisher:
EMI April Music Inc., Gone Gator Music (ASCAP affiliated) and Sony/ATV Music Publishing (UK) Ltd.
Sam Smith52:52
3Need You NowLady Antebellum3.93:54
4You’re Still the One
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3:32
5Alone
assistant engineer:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll and Toby Wright (producer & engineer)
engineer and producer:
Ron Nevison
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
guitar:
Howard Leese
background vocals:
Howard Leese and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
music videos:
Alone by Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, Billy Steinberg Music (from 1983 to present) and Denise Barry Music (from 1983 to present)
Heart3.553:36
6(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Shelly Yakus
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:45
7If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.353:57
8Wind Beneath My Wings
lead vocals:
Bette Midler
part of:
The Co-Op: Top 10 British Funeral Songs (number: 1)
cover recording of:
Wind Beneath My Wings
writer:
Larry Henley (singer songwriter) and Jeff Silbar
publisher:
Silbar’Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:52
9Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:52
10The Power of Love
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Jennifer Rush34:27
11Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:50
12Stay
programming:
Marcella Detroit
additional engineer:
Lee Manning (US engineer)
assistant engineer:
Nick Addison
engineer:
Alan Moulder (producer and engineer)
producer:
Alan Moulder (producer and engineer), Shakespears Sister and Chris Thomas (UK record producer / remixer)
additional keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman and Jonathan Perkins (aka Wild Mondo)
drums (drum set):
Steve Ferrera (UK drummer)
electric bass guitar [bass]:
Ian Maidman
electric guitar [guitar] and harmonica:
Marcella Detroit
keyboard [keyboards]:
Ed Shearmur (English score composer)
lead vocals [vocals]:
Marcella Detroit and Siobhan Fahey
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1991) and London (UK, 1947–98) (in 1992)
recorded at:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California, United States
recording of:
Stay
writer:
Marcella Detroit, Siobhan Fahey and Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Island Music Ltd.
Shakespears Sister3.33:46
13China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), M15 Publishing (in 1987) and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:03
14It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
15Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Songs of Universal, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
translated version of:
Amour Éternel (Eternal Flame)
The Bangles3.753:55
16Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow
strings arranger:
Joe Renzetti
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell/Morris Ltd., Morris Music Inc, Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Barry Manilow43:18
17Just the Way You Are
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone
acoustic guitar:
Steve Burgh (in 1977) and Hugh McCracken (in 1977)
alto saxophone [alto sax]:
Phil Woods (US jazz woodwind player) (in 1977)
drums (drum set):
Liberty DeVitto (US drummer) (in 1977)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
keyboard and lead vocals:
Billy Joel (in 1977)
percussion:
Ralph MacDonald (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Just the Way You Are (Billy Joel song) (in 1977)
lyricist and composer:
Billy Joel
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Universal Music Publishing, Synch Division, Yamaha Music EH(CM), Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
Billy Joel4.254:49
18Think Twice
recording of:
Think Twice
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Pillarview B.V.
Céline Dion4:30
19Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:54
CD 3
#TitleArtistRatingLength
1My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.52:57
2At Last
producer:
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 115)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.353:00
3Sacrifice
assistant recording engineer:
Karl Lever
recording engineer and engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Romeo Williams
drums (drum set):
Jonathan Moffett
keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) and Fred Mandel
background vocals:
Davey Johnstone
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1989)
recorded at:
Puk Recording Studios in Gjerlev, Central Denmark Region, Denmark
recording of:
Sacrifice
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. and Universal‐Songs of PolyGram International, Inc.
Elton John2.95:05
4Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.83:59
5Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
The Righteous Brothers33:36
6Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
Lionel Richie & Diana Ross3.54:26
7Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East
drums (drum set):
Carlos Vega
guitar:
Paul Jackson
piano:
Randy Kerber
vocals:
Peabo Bryson and Roberta Flack
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States and Studio Sound in North Hollywood, Los Angeles, California, United States
mixed at:
Motown Hitsville in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Chappell Music Publishing, シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング フジパシフィック事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Peabo Bryson & Roberta Flack3.753:29
8My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967 until 1968)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music, Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
Stevie Wonder4.352:54
9Ain’t No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
arrangement of:
Ain’t No Content
Bill Withers4.452:03
10Move Closer
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson4:33
11Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green4.452:51
12Will You Love Me Tomorrow?Carole King44:13
13A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:59
14Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
Elvis Presley42:42
15No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
vocals:
Boyzone
arranger:
Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal‐Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:32
16Slave to Love (7″ version)
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3:55
17Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan & Miami Sound Machine3:28
18Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (american guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部
Richard Marx4:04
19All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Round Hill Works, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:53
20Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Harry Nilsson4.23:21
21Over the Rainbow
vocals:
Eva Cassidy
arranger:
Eva Cassidy
phonographic copyright (℗) by:
Barbara and Hugh Cassidy (in 1992)
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
Eva Cassidy3.25:00