Six Classic Albums

~ Release by Wynton Kelly (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Blue Moon
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Blue Moon (on 1951-07-25)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
3:09
2Fine and Dandy
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Fine and Dandy (on 1951-07-25)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:50
3I Found a New Baby
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
I’ve Found a New Baby (on 1951-07-25)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:54
4Cherokee
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Cherokee (on 1951-07-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:09
5Born to Be Blue
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé ("The Velvet Fog") and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
3:27
6Where or When
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1951-07-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:54
7Moonglow
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:31
8Moonglow (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:11
9If I Should Lose You
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
If I Should Lose You (on 1951-07-25)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
3:04
10Born to Be Blue (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé ("The Velvet Fog") and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
3:00
11Goodbye (1st take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-10)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:24
12Goodbye (2nd take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:48
13Foolin' Myself
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Foolin’ Myself (on 1951-08-01)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:04
14There Will Never Be Another You
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
There Will Never Be Another You (on 1951-08-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:04
15Do Nothing Till You Hear from Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1951-08-01)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:06
16Summertime
producer:
Alfred Lion
congas:
Lee Abrams (American jazz drummer) (on 1951-08-01)
double bass [bass]:
Franklin Skeete (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1951-08-01)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:07
17Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:28
18Crazy He Calls Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Crazy He Calls Me (on 1951-08-01)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:15
19Opus Caprice
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
2:54
20Whisper Not
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Whisper Not (on 1958-01-31)
lyricist:
Leonard Feather
composer:
Benny Golson
7:09
21Action
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
recording of:
Action (on 1958-01-31)
composer:
Wynton Kelly
7:09
▼ CD 2
#TitleRatingLength
1Dark Eyes
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
recording of:
Dark Eyes (on 1958-01-31)
composer:
[traditional] (special purpose artist)
5:56
2Strong Man
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
5:15
3Ill Wind
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Ill Wind (on 1958-01-31)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
4:21
4Don't Explain
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Don’t Explain (on 1958-01-31)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
5:35
5You Can't Get Away
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
6:26
6Dark Eyes (take 2)
5:20
7Kelly Blue
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
instrumental recording of:
Kelly Blue
composer:
Wynton Kelly
publisher:
Orpheum Music
10:50
8Softly, as in a Morning Sunrise
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-03-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
6:31
9On Green Dolphin Street
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
On Green Dolphin Street (on 1959-03-10)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
4:43
10Willow Weep for Me
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Willow Weep for Me (on 1959-03-10)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
6:07
11Keep It Moving
engineer:
Jack Higgins (recording engineer) (on 1959-02-10)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
recording of:
Keep It Moving (on 1959-02-10)
composer:
Wynton Kelly
publisher:
Orpheum Music
7:32
12Old Clothes
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Old Clothes
composer:
Wynton Kelly
publisher:
Orpheum Music
7:41
▼ CD 3
#TitleRatingLength
1Wrinkles
bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
7:56
2Mama G
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
Mama G (on 1959-08-12)
composer:
Wayne Shorter (US jazz saxophonist and composer)
7:29
3June Night
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
instrumental recording of:
June Night (on 1959-08-12)
lyricist:
Cliff Friend (US composer, lyricist & pianist)
composer:
Abel Baer
8:08
4What Know
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
What Know (on 1959-08-12)
composer:
Lee Morgan
7:46
5Sydney
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
Sydney (on 1959-08-12)
composer:
Wayne Shorter (US jazz saxophonist and composer)
3:51
6Temperance
engineer and producer:
Sid McCoy
bass, double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
7:30
7Weird Lullabye
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-04-27) and Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
7:10
▼ CD 4
#TitleRatingLength
1On Stage
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-04-27) and Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
5:12
2Skatin'
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
5:46
3Pot Luck
engineer and producer:
Sid McCoy
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
6:47
4Come Rain or Come Shine
double bass:
Sam Jones (jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
instrumental recording of:
Come Rain or Come Shine (on 1961-07-21)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:53
5Make the Man Love Me
3:39
6Autumn Leaves
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-20)
piano:
Wynton Kelly (on 1961-07-20)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1961-07-20)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
6:11
7The Surrey With the Fringe on Top
3:48
8Joe's Avenue
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-20)
piano:
Wynton Kelly (on 1961-07-20)
2:50
9Sassy
double bass:
Sam Jones (jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
5:10
10Love, I've Found You
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-21)
instrumental recording of:
Love, I Found You (on 1961-07-21)
lyricist and composer:
Danny Small
2:35
11Gone With the Wind
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
instrumental recording of:
Gone With the Wind (on 1961-07-21)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:14