The Complete Ella and Louis on Verve

~ Release by Ella Fitzgerald & Louis Armstrong (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1Can’t We Be Friends?
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
43:48
2Isn’t This a Lovely Day?
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (in 1956)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3.56:17
3Moonlight in Vermont
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
53:43
4They Can’t Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4.54:40
5Under a Blanket of Blue
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Under a Blanket of Blue (on 1956-08-16)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
44:19
6Tenderly
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
45:09
7A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
44:34
8Stars Fell on Alabama
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
43:36
9Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
4.25:55
10The Nearness of You
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
The Nearness of You (on 1956-08-16)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
45:43
11April in Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.56:37
12Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
5:01
13Makin’ Whoopee
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:59
14They All Laughed
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
They All Laughed (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:50
15Comes Love
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
vocals:
Ella Fitzgerald (in 1957)
cover recording of:
Comes Love (in 1957)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
2:28
16Autumn in New York
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Autumn in New York (1934) (on 1957-08-23)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
5:58
▼ CD 2
#TitleRatingLength
1Let’s Do It
engineer:
Val Valentin (on 1957-10-14)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1957-10-14)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
8:44
2Stompin’ at the Savoy
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23, on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-07-23, on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23, on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23, on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-07-23, on 1957-08-23)
vocals:
Louis Armstrong (on 1957-07-23, on 1957-08-23) and Ella Fitzgerald (on 1957-07-23, on 1957-08-23)
cover recording of:
Stompin’ at the Savoy (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
cover recording of:
Stompin’ at the Savoy (on 1957-08-23)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
3.55:16
3I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from "Roberta") (on 1957-08-13)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from "Three Sisters")
34:47
4Gee Baby, Ain’t I Good to You?
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-08-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4:15
5Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
44:16
6These Foolish Things
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
vocals:
Ella Fitzgerald (in 1957)
cover recording of:
These Foolish Things (Remind Me of You) (in 1957)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
7:40
7I’ve Got My Love to Keep Me Warm
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
43:13
8Willow Weep for Me
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
44:21
9I’m Puttin’ All My Eggs in One Basket
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1936)
33:29
10A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
43:56
11Ill Wind (You’re Blowin’ Me No Good)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
vocals:
Ella Fitzgerald (in 1957)
cover recording of:
Ill Wind (in 1957)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:46
12Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
34:01
13I Get a Kick Out of You
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:21
14Learnin’ the Blues
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Learnin’ the Blues (on 1957-08-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
7:11
15You Won’t Be Satisfied (Until You Break My Heart)
live cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (on 1956-08-15)
writer:
Freddy James and Larry Stock
3:53
16Undecided
cover recording of:
Undecided
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
3:40
▼ CD 3: Porgy and Bess
#TitleRatingLength
1Overture
10:53
2Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (in 1957, on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957, on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (in 1957, on 1957-08-18) and Ella Fitzgerald (in 1957, on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
performer:
Louis Armstrong and Ella Fitzgerald
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
0.65:02
3I Wants to Stay Here
trumpet:
Louis Armstrong
vocals:
Ella Fitzgerald
orchestra:
Russ Garcia & His Orchestra
cover recording of:
Porgy and Bess: Act II, Scene III. “I Loves You, Porgy”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene III
part of:
Porgy and Bess: Act II, Scene III
4:39
4My Man’s Gone Now
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019)
is based on:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
4:04
5I Got Plenty O’ Nuttin
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (on 1957-08-18)
conductor:
Russell Garcia (on 1957-08-18)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1957-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:54
6The Buzzard Song
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (American jazz trumpeter & composer) (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Ella Fitzgerald (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
3:00
7Bess, You Is My Woman Now
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (on 1957-08-18)
conductor:
Russell Garcia (on 1957-08-18)
cover recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” (on 1957-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
5:30
8It Ain’t Necessarily So
drums (drum set):
Alvin Stoller (in 1957)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (in 1957)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
6:36
9What You Want Wid Bess?
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (American jazz trumpeter & composer) (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act II, Scene II. “Oh, What You Want Wid Bess?” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II, Scene II
2:03
10A Woman Is a Sometime Thing
recording of:
Porgy and Bess: Act I, Scene I. “Lissen to Yo’ Daddy Warn You … A Woman Is a Sometime Thing”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
4:51
11Oh, Doctor Jesus
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (American jazz trumpeter & composer) (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (from 1957-08-18 until 1957-10-14)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
2:02
12Medley: Here Come De Honey Man / Crab Man / Oh, Dey’s So Fresh and Fine
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (American jazz trumpeter & composer) (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Louis Armstrong (from 1957-08-18 until 1957-10-14) and Ella Fitzgerald (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
recording of:
Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II, Scene III
3:31
13There’s a Boat Dat’s Leavin’ Soon for New York
drums (drum set):
Alvin Stoller (in 1957)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (in 1957)
cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
4:57
14Oh Bess, Oh Where Is My Bess?
2:38
15Oh Lawd, I’m on My Way
cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
2:57

Credits

Release Group

includes:Ella and Louis (1956 studio album)
Ella and Louis Again
Porgy & Bess
Wikidata:Q11221087 [info]