# | Title | Artist | Rating | Length |
---|
1 | Blinding Lights- programming and producer:
- Oscar Holter, Max Martin and The Weeknd
- assistant engineer:
- Cory Bice, Sean Klein and Jeremy Lertola
- engineer:
- Shin Kamiyama
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- bass, drums (drum set), guitar and keyboard [keyboards]:
- Oscar Holter, Max Martin and The Weeknd
- background vocals:
- Abel Tesfaye
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2019)
- produced for:
- MXM Productions and Wolf Cousins Productions
- recorded at:
- Jungle City Studios in New York, New York, United States and MXM Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 1) and Helsingin Sanomat: 100 maailman parasta laulua (number: 51)
- recording of:
- Blinding Lights (from 2019-06 until 2019-11)
- writer:
- Abel “The Weeknd” Tesfaye , Ahmad Balshe , Oscar Holter, Jason “DaHeala” Quenneville and Karl Martin Sandberg
- publisher:
- BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. , Warner Chappell Music Scand , WB Music Corp. , WC Music Corp. and Wolf Cousins
- sub-publisher:
- Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH and Universal/MCA Music Publishing GmbH
- part of:
- Prix de l’œuvre internationale de l’année (number: 2021)
| The Weeknd | 4.55 | 3:20 |
2 | Sunday Best | Surfaces | 3.6 | 2:38 |
3 | Don't Start Now- programming:
- Ian Kirkpatrick
- engineer:
- Drew Jurecka (strings) and Ian Kirkpatrick
- additional producer:
- Caroline Ailin (lead vocals [vocal])
- producer:
- Ian Kirkpatrick and Ian Kirkpatrick (task: vocal)
- assistant mixer:
- Elijah Marrett-Hitch
- mixer:
- Josh Gudwin
- viola, violin and violin [baritone violin]:
- Drew Jurecka
- background vocals:
- Emily Warren
- vocals:
- Dua Lipa
- strings arranger:
- Drew Jurecka
- phonographic copyright (℗) by:
- Dua Lipa Limited (in 2019)
- recorded at:
- TaP Studio in London , England, United Kingdom (lead vocals [vocals]) and Zenseven Studios in Woodland, California, United States
- mixed at:
- Henson Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 4)
- recording of:
- Don’t Start Now
- writer:
- Caroline Ailin, Ian Kirkpatrick , Dua Lipa and Emily Warren
- publisher:
- BMG (from 2019 to present), Buckley Tenenbaum Publishing (from 2019 to present), Havenwood House (from 2019 to present), Prescription Songs (from 2019 to present), TaP Music Publishing Limited (from 2019 to present), Under Warrenty Publishing (from 2019 to present), Warner–Tamerlane Publishing Corp. (from 2019 to present), Waterfall Music (from 2019 to present) and Where Da Kasz At (from 2019 to present)
- part of:
- Grammy Award: Song of the Year nominees (number: 2021)
| Dua Lipa | 4 | 3:03 |
4 | Ily (I Love You Baby) | Surf Mesa feat. Emilee | 3.45 | 2:56 |
5 | Eleven | Khalid | | 3:26 |
6 | Supalonely | BENEE feat. Gus Dapperton | 4 | 3:43 |
7 | Roses (Imanbek remix) | SAINt JHN | | 2:55 |
8 | Vergonha Na Cara | Plutónio | | 3:16 |
9 | Roxanne | Arizona Zervas | | 2:43 |
10 | Death Bed (Coffee for Your Head) | Powfu feat. beabadoobee | 3.6 | 2:53 |
11 | Tusa | Karol G feat. Nicki Minaj | | 3:20 |
12 | Before You Go | Lewis Capaldi | 3.15 | 3:35 |
13 | Ride It | Regard | | 2:37 |
14 | Mama Ta Xinti | Julinho Ksd | | 3:01 |
15 | Highest in the Room | Travis Scott | | 2:55 |
16 | What a Man Gotta Do | Jonas Brothers | | 3:00 |
17 | Conversations in the Dark | John Legend | 3 | 3:55 |
18 | Essa Saia | Bispo feat. Ivandro | | 3:29 |
19 | If the World Was Ending | JP Saxe feat. Julia Michaels | | 3:28 |
20 | Just One of Those Days (Freestyle) | Richie Campbell | | 3:23 |
21 | This City | Sam Fischer | | 3:14 |
22 | Hotel | Mishlawi feat. Gson | | 3:15 |
23 | Panini | Lil Nas X | 2.75 | 1:54 |
24 | Havana | Sippinpurpp feat. Profjam | | 3:31 |
25 | Drena | Supa Squad feat. Jimmy P. | | 2:52 |