| # | Title | Rating | Length |
|---|
| 1 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 1. [Chorale &] Recitative: "Wer weiß, wie nahe mir mein Ende"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 4:16 |
| 2 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 2. Recitative: "Mein Leben hat kein ander Ziel"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 1:07 |
| 3 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 3. Aria: "Willkommen! will ich sagen"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Erdmann Neumeister
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 5:52 |
| 4 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 4. Recitative: "Ach, wer doch schon im Himmel wär!"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 0:59 |
| 5 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 5. Aria: "Gute Nacht, du Weltgetümmel!"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 3:30 |
| 6 | "Wer weiß, wie nahe mir mein Ende", BWV 27: 6. Chorale: "Welt, ade! ich bin dein müde"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Johann Georg Albinus (in 1649)
- part of:
- Breitkopf 389 Choralgesänge (number: 350)
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| | 1:46 |
| 7 | "Wo soll ich fliehen hin", BWV 5: 1. [Chorale:] "Wo soll ich fliehen hin"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- choir vocals:
- Münchener Bach‐Chor (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- engineered at:
- Herkulessaal in München, Bayern, Germany
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Johann Heermann (in 1630)
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 4:16 |
| 8 | "Wo soll ich fliehen hin", BWV 5: 2. Recitative: "Der Sünden Wust hat mich nicht nur befleckt"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 1:22 |
| 9 | "Wo soll ich fliehen hin", BWV 5: 3. Aria: "Ergieße dich reichlich"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- tenor vocals:
- Peter Schreier (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 6:44 |
| 10 | "Wo soll ich fliehen hin", BWV 5: 4. Recitative: "Mein treuer Heiland tröstet mich"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- alto vocals:
- Trudeliese Schmidt (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 1:42 |
| 11 | "Wo soll ich fliehen hin", BWV 5: 5. Aria: "Verstumme, Höllenheer"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 6:09 |
| 12 | "Wo soll ich fliehen hin", BWV 5: 6. Recitative: "Ich bin ja nur das kleinste Teil der Welt"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- soprano vocals:
- Edith Mathis (from 1978-02 until 1978-03)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 1:02 |
| 13 | "Wo soll ich fliehen hin", BWV 5: 7. Chorale: "Führ auch mein Herz und Sinn"- recording engineer:
- Hans-Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- oboe [oboe I]:
- Manfred Clement (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- trumpet:
- Chandler Goetting (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- viola:
- Fritz Ruf (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- choir vocals:
- Münchener Bach‐Chor (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1978-03)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-10-15)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Johann Heermann (in 1630)
- part of:
- Breitkopf 389 Choralgesänge (number: 28)
- part of:
- Kantate, BWV 5 "Wo soll ich fliehen hin"
| | 1:09 |
| 14 | "O Ewigkeit, du Donnerswort", BWV 60: 1. Aria [& Chorale]:"O Ewigkeit, du Donnerswort" | | 4:05 |
| 15 | "O Ewigkeit, du Donnerswort", BWV 60: 2. Recitative: "O schwerer Gang zum letzen Kampf und Streitel" | | 2:13 |
| 16 | "O Ewigkeit, du Donnerswort", BWV 60: 3. Aria: "Mein letztes Lager will mich schrecken" | | 3:14 |
| 17 | "O Ewigkeit, du Donnerswort", BWV 60: 4. Recitative:: "Der Tod bleibt doch der menschlichen Natur verhasst" | | 5:06 |
| 18 | "O Ewigkeit, du Donnerswort", BWV 60: 5. Chorale: "Es ist genung" | | 1:45 |
| 19 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 1. [Chorale:] "Ach wie flüchtig, ach wie nichtig" | | 2:28 |
| 20 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 2. Aria: "So schnell ein rauschend Wasser schießt" | | 6:08 |
| 21 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 3. Recitative: "Die Freude wird zur Traurigkeit" | | 1:17 |
| 22 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 4. Aria: "An irdische Schätze das Herze zu hängen" | | 3:41 |
| 23 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 5. Recitative: "Die höchste Herrlichkeit und Pracht" | | 0:55 |
| 24 | "Ach wie flüchtig, ach wie nichtig", BWV 26: 6. Chorale: "Ach wie flüchtig, ach wie nichtig" | | 1:02 |
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