Camille Saint-Saëns Edition 2

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Tracklist

▶ CD 22: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
▼ CD 23: Opera: Samson et Dalila (beginning)
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1Samson et Dalila, opera in 3 acts, op. 47: Act I. Introduction
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila, Act I: Introduction (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:09
2Samson et Dalila, opera in 3 acts, op. 47: Act I. « Dieu ! Dieu d'Israël ! écoute la prière de tes enfants » (Les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Dieu ! Dieu d'Israël ! » (Chorus of Hebrews) (from 1962-09-25 until 1962-10-10)
writer and composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:41
3Samson et Dalila, opera in 3 acts, op. 47: Act I. « Quoi ! veux-tu donc qui'à jamais on efface » (Les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila, Act I Scene 1: Quoi! veux-tu donc qu'à jamais on efface (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:05
4Samson et Dalila, opera in 3 acts, op. 47: Act I. « Arrêtez, ô mes frères ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Arrêtez, ô mes frères » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:42
5Samson et Dalila, opera in 3 acts, op. 47: Act I. « Implorons à genoux le Seigneur qui nous aime ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Implorons à genoux » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:05
6Samson et Dalila, opera in 3 acts, op. 47: Act I. « Qui donc élève ici la voix ? » (Abimélech)
producer:
René Challan
baritone vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Qui donc ici élève la voix ? » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:59
7Samson et Dalila, opera in 3 acts, op. 47: Act I. « C'est toi que sa bouche invective » (Samson, les Hébreux, Abimélech)
producer:
René Challan
baritone vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « C'est toi » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:17
8Samson et Dalila, opera in 3 acts, op. 47: Act I. « Israël ! romps ta chaine ! » (Samson, les Hébreux)
producer:
René Challan
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Israel romps ta chaine » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:58
9Samson et Dalila, opera in 3 acts, op. 47: Act I. « Que vois-je ! Abimélech ! frappé par des esclaves ! » (Le Grand Prêtre, Premier Philistin, Deuxième Philistin)
producer:
René Challan
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
bass vocals [Deuxième Philistin]:
Jean-Pierre Hurteau (operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Premier Philistin]:
Jacques Potier (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 3. « Que vois-je ? Abimélech » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:15
10Samson et Dalila, opera in 3 acts, op. 47: Act I. « Seigneur ! la troupe furieuse … Maudite à jamais soit la race » (Un messager, les deux Philistin, le Grand Prêtre)
producer:
René Challan
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Un messager]:
Rémi Corazza (French tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 4. « Seigneur, maudite à jamais soit ta race » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:49
11Samson et Dalila, opera in 3 acts, op. 47: Act I. « Lever du jour »
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila, Act I Scene 5: Daybreak (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:24
12Samson et Dalila, opera in 3 acts, op. 47: Act I. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu)
producer:
René Challan
bass vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
bass vocals [Un vielillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
choir vocals [Les Hébreux]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 5. « Hymne de joie, hymne de délivrance » (Chorus of Hebrew Elders) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
4:08
13Samson et Dalila, opera in 3 acts, op. 47: Act I. « Voici le printemps nous portant des fleurs » (Les Philistins)
producer:
René Challan
choir vocals [Les Philistins]:
Chœur René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Voici le printemps » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:17
14Samson et Dalila, opera in 3 acts, op. 47: Act I. « Je viens célébrer la victoire … Ô mon bien-aimé, suis mes pas vers Sorek » (Dalila, Samson, un vieillard hébreu)
producer:
René Challan
baritone vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:30
15Samson et Dalila, opera in 3 acts, op. 47: Act I. « Danse des prêtresses de Dagon »
producer:
René Challan
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. Danse des prêtresses de Dagon (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:13
16Samson et Dalila, opera in 3 acts, op. 47: Act I. « Printemps qui commence, portant l'espérance » (Dalila)
producer:
René Challan
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:28
17Samson et Dalila, opera in 3 acts, op. 47: Act I. « L'esprit du mal a conduit cette femme » (Un vieillard hébreu, Dalila)
producer:
René Challan
bass vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila, Act I Scene 6: L'esprit du mal a conduit cette femme (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:30
▶ CD 24: Opera: Samson et Dalila (end)
▶ CD 25: Transcriptions & Arrangements 1
▶ CD 26: Transcriptions & Arrangements 2
▶ CD 27: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
▶ CD 28: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
▶ CD 29: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
▶ CD 30: Historical Recordings: Piano Concertos nos. 1-3
▶ CD 31: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
▶ CD 32: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
▶ CD 33: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
▶ CD 34: Historical Recordings: Samson et Dalila (end)