Broadway: The American Musical

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

http://castalbums.org/recordings/Broadway-The-American-Musical-2004-Compilation/9427

Annotation last modified on 2011-07-28 22:32 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1George M! Give My Regards to Broadway
recording of:
Give My Regards to Broadway (Little Johnny Jones)
lyricist and composer:
George M. Cohan
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Joel Grey & Ensemble3:42
2Sinbad: Swanee
baritone vocals and whistling:
Al Jolson (on 1920-01-08)
recording of:
Swanee (on 1920-01-08)
lyricist:
Irving Caesar (in 1919)
composer:
George Gershwin (composer) (in 1919)
publisher:
WB Music Corp. (1929–2019) and T. B. Harms & Francis, Day & Hunter, Inc. (on 1919-10-31)
Al Jolson52:38
3Ziegfeld Follies of 1919: When the Moon Shines on the Moonshine
recording of:
When the Moon Shines on the Moonshine (from "Ziegfeld Follies of 1919")
lyricist:
Francis DeWitt
composer:
Robert Hood Bowers
Bert Williams3:01
4Ziegfeld Follies of 1919: A Pretty Girl is Like a Melody
recording of:
A Pretty Girl is Like a Melody (from "Ziegfeld Follies of 1919") (on 1919-06-23)
writer:
Irving Berlin
John Steel2:37
5Ziegfeld Follies of 1919: My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1921-11-08)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Fanny Brice3:28
6Lady Be Good! Fascinating Rhythm
recorded in:
London (Greater London), England, United Kingdom (on 1926-04-19)
piano:
George Gershwin (composer) (on 1926-04-19)
vocals:
Adele Astaire (on 1926-04-19) and Fred Astaire (on 1926-04-19)
recording of:
Fascinatin’ Rhythm (on 1926-04-19)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Fred Astaire & Adele Astaire2:26
7Big Boy: If You Knew Susie (Like I Know Susie)
recording of:
If You Knew Susie Like I Know Susie (from "Big Boy")
writer:
Buddy DeSylva and Joseph Meyer (US songwriter)
publisher:
Salabert
Eddie Cantor2:52
8Oh, Kay! Someone to Watch Over Me
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1926-10-29)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Gertrude Lawrence3:31
9Show Boat: Bill
recording of:
Bill (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
Helen Morgan4:04
10Show Boat: Ol’ Man River
recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Paul Robeson4:08
11Hot Chocolates: Ain’t Misbehavin’
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (American trombonist) (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Armstrong & His Orchestra3.753:26
12Simple Simon: Ten Cents a Dance
recording of:
Ten Cents a Dance
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
Ruth Etting3:18
13Three’s a Crowd: Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Libby Holman3:21
14Americana: Brother, Can You Spare a Dime
recording of:
Brother Can You Spare a Dime (on 1932-10-25)
lyricist:
Yip Harburg
composer:
Jay Gorney
Bing Crosby3:14
15The Gay Divorcee: Night and Day
recorded in:
New York, New York, United States (on 1933-06-22)
vocals:
Fred Astaire (on 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1933-06-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire3:15
16As Thousands Cheer: Heat Wave
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
Ethel Waters3:03
17Roberta: Smoke Gets in Your Eyes
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Tamara2:56
18Anything Goes: You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Ethel Merman2:56
19Porgy and Bess: Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Anne Brown2:33
20Knickerbocker Holiday: September Song
recording of:
Knickerbocker Holiday: September Song (on 1938-11-14)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Walter Huston2:56
21Leave It to Me: My Heart Belongs to Daddy
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Mary Martin2:56
22Higher and Higher: It Never Entered My Mind
recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Shirley Ross3:17
23Pal Joey: Bewitched, Bothered, Bewildered
vocals:
Vivienne Segal
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Vivienne Segal3:11
24This Is the Army: Oh, How I Hate to Get Up in the Morning
recording of:
Oh! How I Hate to Get Up in the Morning
composer:
Irving Berlin
Irving Berlin1:39
25Oklahoma! Oh, What a Beautiful Mornin’
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:31
▼ CD 2
#TitleArtistRatingLength
1On the Town: New York, New York
orchestra:
New York Philharmonic (on 1960-05-31)
conductor:
Leonard Bernstein (on 1960-05-31)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: New York, New York (on 1960-05-31)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
On the Town
Cris Alexander, Adolph Green & John Reardon4:00
2Carousel: If I Loved You
vocals:
Jan Clayton and John Raitt
conductor:
Joseph Littau
orchestrator:
Robert Russell Bennett and Don Walker (orchestrator)
recording of:
If I Loved You (Carousel) (in 1945)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
John Raitt & Jan Clayton4:22
3St. Louis Woman: Come Rain or Come Shine
Ruby Hill & Harold Nicholas2:54
4Annie, Get Your Gun: There’s No Business Like Show Business
Jay Blackton & Orchestra3:11
5Finian’s Rainbow: How Are Things in Glocca Morra
recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow")
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA) and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
Ella Logan3:15
6Where’s Charley? Once in Love With Amy
recorded in:
New York, New York, United States (on 1949-02-15)
vocals:
Ray Bolger (on 1949-02-15)
recording of:
Once in Love With Amy (Where’s Charly?) (on 1949-02-15)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
Ray Bolger4:24
7Kiss Me Kate: Wunderbar
lead vocals:
Alfred Drake and Patricia Morison
conductor:
Pembroke Davenport (conductor)
orchestrator:
Robert Russell Bennett
recording of:
Wunderbar (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Alfred Drake & Patricia Morison3:37
8South Pacific: Some Enchanted Evening
lead vocals:
Ezio Pinza (operatic bass)
recording of:
Some Enchanted Evening (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music, Inc.
part of:
South Pacific (Rodgers & Hammerstein musical)
Richard Rodgers3:03
9Lost in the Stars: Lost in the Stars
Todd Duncan3:35
10Gentlemen Prefer Blondes: Diamonds Are a Girl’s Best Friend
Carol Channing3:01
11Guys and Dolls: Luck Be a Lady
vocals:
Robert Alda
conductor:
Irving Actman (composer/conductor)
orchestrator:
George Bassman and Ted Royal
cover recording of:
Luck Be a Lady (from “Guys and Dolls”) (in 1950)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
Robert Alda3:02
12The King and I: Getting to Know You
lead vocals:
Gertrude Lawrence
vocals:
Gertrude Lawrence
conductor:
Frederick Dvonch
orchestrator:
Robert Russell Bennett
recording of:
Getting to Know You (The King and I) (in 1951)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence3:29
13Of Thee I Sing: Who Cares?
Jack Carson & Betty Oakes1:45
14Kismet: Stranger in Paradise
lead vocals:
Richard Kiley and Doretta Morrow (actress, singer, and dancer)
recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Alexander Borodin), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Doretta Morrow & Richard Kiley4:10
15The Threepenny Opera: Ballad of Mack the Knife
recorded in:
New York, New York, United States (in 1954)
vocals:
Gerald Price (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: The Ballad of Mack the Knife (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein
part of:
The Threepenny Opera (Marc Blitzstein translation)
Gerald Price3:21
16The Pajama Game: Hey There
lead vocals:
John Raitt
recording of:
Hey There (The Pajama Game)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
John Raitt3:35
17Damn Yankees: Whatever Lola Wants
Gwen Verdon3:14
18My Fair Lady: I Could Have Danced All Night
Julie Andrews3:32
19The Most Happy Fella: Standing on the Corner
Shorty Long, John Henson & Alan Gilbert2:50
20Bells Are Ringing: The Party’s Over
Judy Holliday2:43
21Candide: Glitter and Be Gay
producer:
Goddard Lieberson and David Oppenheim (producer of classical recordings)
lead vocals [Cunegonde]:
Barbara Cook (American actress and singer) (on 1956-12-09)
orchestra:
"Candide" Orchestra (Special Purpose Artist - Do not add releases here, if possible.) (on 1956-12-09)
conductor:
Samuel Krachmalnick (on 1956-12-09)
orchestrator:
Leonard Bernstein and Hershy Kay
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-09)
recording of:
Candide: Act I. Glitter and Be Gay (on 1956-12-09)
lyricist:
Richard Wilbur
composer:
Leonard Bernstein
part of:
Candide
Barbara Cook5:45
22West Side Story: Tonight
producer:
Goddard Lieberson
lead vocals [Maria]:
Carol Lawrence (on 1957-09-29)
lead vocals [Tony]:
Larry Kert (on 1957-09-29)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-09-29)
conductor:
Max Goberman (on 1957-09-29)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1957-09-29)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1957-09-29)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Larry Kert & Carol Lawrence43:55
▼ CD 3
#TitleArtistRatingLength
1Music Man: Seventy‐Six Trombones
Robert Preston3:03
2Flower Drum Song: I Enjoy Being a Girl
recording of:
I Enjoy Being a Girl (Flower Drum Song)
orchestrator:
Don Sebesky
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
premiered by:
Pat Suzuki (American popular singer & actress) (in 1958)
publisher:
Williamson Music Company
part of:
Flower Drum Song (Rodgers & Hammerstein musical)
Pat Suzuki3:36
3Gypsy: Everything’s Coming Up Roses
Ethel Merman3:08
4The Sound of Music: My Favorite Things
recording of:
My Favorite Things (The Sound of Music) (in 1959)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin2:48
5Bye Bye Birdie: Put on a Happy Face
Dick Van Dyke3:20
6Fantasticks: Try to Remember
Jerry Orbach2:48
7Camelot: Camelot
Richard Burton2:32
8Carnival! Love Makes the World Go ’round
producer:
Arnold Maxin
conductor:
Saul Schechtman
orchestrator:
Philip J. Lang
Anna Maria Alberghetti1:52
9How to Succeed in Business Without Really Trying: I Believe in You
Robert Morse & Company4:03
10No Strings: The Sweetest Sounds
Diahann Carroll & Richard Kiley5:02
11A Funny Thing Happened on the Way to the Forum: Comedy Tonight
Zero Mostel5:01
12Stop the World, I Want to Get Off: What Kind of Fool Am I
Anthony Newley2:36
13Oliver! As Long as He Needs Me
Georgia Brown4:11
14Hello, Dolly! Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Carol Channing5:43
15Funny Girl: People
Barbra Streisand3:28
16Anyone Can Whistle: Anyone Can Whistle
Lee Remick3:41
17Fiddler on the Roof: If I Were a Rich Man
recording engineer:
Ernie Oelrich
lead vocals [Tevye]:
Zero Mostel (on 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (on 1964-09-27)
recorded at:
Webster Hall in New York, New York, United States (on 1964-09-27)
recording of:
If I Were a Rich Man (Fiddler on the Roof) (on 1964-09-27)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
Zero Mostel4:58
18Golden Boy: Night Song
Sammy Davis Jr.4:07
19Man of La Mancha: The Impossible Dream
recording of:
The Impossible Dream (Man of la Mancha)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
Richard Kiley2:23
20Sweet Charity: If My Friends Could See Me Now
Gwen Verdon3:29
21Mame: Open a New Window
Angela Lansbury3:47
▼ CD 4
#TitleArtistRatingLength
1Cabaret: Willkommen
Joel Grey5:12
2Hair: Let the Sunshine In
James Rado, Lynn Kellogg, Melba Moore & Cast3:38
3Promises, Promises: I’ll Never Fall in Love Again
Jill O’Hara & Jerry Orbach3:18
4Company: The Ladies Who Lunch
vocals:
Elaine Stritch (on 1970-05-03)
conductor:
Harold Hastings (on 1970-05-03)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1970-05-03)
recording of:
Company: The Ladies Who Lunch (on 1970-05-03)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
Elaine Stritch4:30
5No, No, Nanette: Tea for Two
Roger Rathburn & Susan Watson8:21
6Follies: I’m Still Here
recording of:
Follies: I’m Still Here
lyricist and composer:
Stephen Sondheim
part of:
Follies
Yvonne de Carlo4:23
7Jesus Christ Superstar: I Don’t Know How to Love Him
recorded in:
England, United Kingdom
recording engineer:
Jeremy Gee, Anton Matthews, Alan O’Duffy and Stephen Vaughan (engineer)
engineer:
Tony Bridge (mastering engineer) and Martin Rushent
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Yvonne Elliman
conductor:
Alan Doggett
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
recording of:
I Don’t Know How to Love Him (in 1970)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Yvonne Elliman33:31
8Grease: We Go Together
Adrienne Barbeau, Barry Bostwick, Walter Bobbie & Cast2:26
9Pippin: Corner of the Sky
John Rubinstein3:19
10A Little Night Music: Send in the Clowns
lead vocals:
Glynis Johns
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
Stephen Sondheim3:28
11The Wiz: Ease on Down the Road
lead vocals:
Stephanie Mills
conductor:
Charles Coleman (US composer, singer, and producer)
recording of:
Ease On Down the Road (The Wiz) (in 1975)
lyricist and composer:
Charlie Smalls (US composer & songwriter)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Wiz (Charlie Smalls musical)
Stephanie Mills, Tiger Haynes, Ted Ross & Hinton Battle2:29
12A Chorus Line: One
Marvin Hamlisch4:46
13Chicago: All That Jazz
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Chita Rivera3:13
14Annie: Tomorrow
Andrea McArdle2:07
15Evita: Don’t Cry for Me Argentina
Patti LuPone5:22
16Barnum: Come Follow the Band
Jim Dale3:53
1742nd Street: Lullaby of Broadway
Jerry Orbach4:49
18Dreamgirls: And I’m Telling You I’m Not Going
Jennifer Holliday4:08
19Nine: The Bells of St. Sebastian
Raul Julia4:31
▶ CD 5