# | Title | Rating | Length |
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1 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust": 1. [Aria] (Alto) "Vergnügte Ruh, beliebte Seelenlust" | | 6:20 |
2 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust": 2. Recitativo (Alto) "Die Welt, das Sündenhaus, bricht nur in Höllenlieder aus" | | 1:17 |
3 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust": 3. [Aria] (Alto) "Wie jammern mich doch die verkehrten Herzen" | | 8:11 |
4 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust": 4. Recitativo (Alto) "Wer sollte sich demnach wohl hier zu leben wünschen" | | 1:15 |
5 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust": 5. Aria (Alto) "Mir ekelt mehr zu leben" | | 5:53 |
6 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 1. [Coro] "Gott, wie dein Name, so ist auch dein Ruhm"- choir vocals:
- Tölzer Knabenchor
- orchestra:
- Concentus Musicus Wien
- conductor:
- Nikolaus Harnoncourt
- chorus master:
- Gerhard Schmidt‐Gaden
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| | 1:58 |
7 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 2. Aria (Tenore) "Herr, so weit die Wolken gehen" | | 3:58 |
8 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 3. Recitativo (Alto) "Du süßer Jesus-Name du" | | 1:05 |
9 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 4. Aria (Soprano) "Jesus soll mein erstes Wort" | | 5:18 |
10 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 5. Recitativo (Basso) "Und da du, Herr, gesagt"- bass vocals:
- Robert Holl
- orchestra:
- Concentus Musicus Wien
- conductor:
- Nikolaus Harnoncourt
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt"
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| | 1:40 |
11 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": 6. Choral (Coro) "Laß uns das Jahr vollbringen" | | 2:12 |
12 | Cantata, BWV 172 "Erschallet, ihr Lieder": 1. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten"- choir vocals:
- Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- chorus master:
- Heinz Hennig (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 4:06 |
13 | Cantata, BWV 172 "Erschallet, ihr Lieder": 2. Recitativo (Basso) "Wer mich liebet"- bass vocals:
- Max van Egmond (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 0:54 |
14 | Cantata, BWV 172 "Erschallet, ihr Lieder": 3. Aria (Basso) "Heiligste Dreieinigkeit"- bass vocals:
- Max van Egmond (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 2:09 |
15 | Cantata, BWV 172 "Erschallet, ihr Lieder": 4. Aria (Tenore) "O Seelenparadies"- tenor vocals:
- Marius van Altena (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 4:40 |
16 | Cantata, BWV 172 "Erschallet, ihr Lieder": 5. Aria (Duetto: Soprano, Alto) "Komm, laß mich nicht länger warten"- alto vocals:
- Paul Esswood (from 1985-12-18 until 1985-12-20)
- treble vocals:
- Matthias Echternach (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 3:48 |
17 | Cantata, BWV 172 "Erschallet, ihr Lieder": 6. Choral (Coro) "Von Gott kömmt mir ein Freudenschein"- choir vocals:
- Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- chorus master:
- Heinz Hennig (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Philipp Nicolai (in 1599)
- part of:
- Breitkopf 389 Choralgesänge (number: 376)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 1:25 |
18 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 1. Recitativo (Tenore) "Erhöhtes Fleisch und Blut" | | 0:35 |
19 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 2. [Aria] (Tenore) "Ein geheiligtes Gemüte" | | 4:13 |
20 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 3. [Aria] (Alto) "Gott will, o ihr Menschenkinder" | | 1:45 |
21 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 4. Aria (Duetto: Soprano, Basso) "So hat Gott die Welt geliebt" | | 4:04 |
22 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 5. Recitativo (Duetto: Soprano, Tenore) "Unendlichster, den man doch Vater nennt" | | 1:11 |
23 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut": 6. Coro "Rühre, Höchster, unsren Geist" | | 2:07 |