La Tebaldi

~ Release by Renata Tebaldi (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Madama Butterfly: “Un bel dì vedremo”
producer:
Christopher Raeburn (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
choir vocals:
Coro dell’Accademia di Santa Cecilia, Roma (in 1958-07)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1958-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) and The Decca Record Company Ltd. (for copyrights use only!) (in 1958)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:55
2La bohème: “Si mi chiamano Mimi”
soprano vocals:
Renata Tebaldi (soprano) (in 1959)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini5:32
3Tosca: “Vissi d’arte”
soprano vocals:
Renata Tebaldi (soprano) (in 1959)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:23
4Mefistofele: “L’altra notte”
soprano vocals:
Renata Tebaldi (soprano) (in 1958)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto III
Arrigo Boito7:57
5Aida: “Ritorna vincitor”
soprano vocals:
Renata Tebaldi (soprano) (in 1959)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:25
6Otello: “Mia madre aveva” … “Piangea cantando” … “Ave Maria”
soprano vocals:
Renata Tebaldi (soprano) (in 1961)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi13:31
7Il trovatore: “D’amor sull’ali rosee“
soprano vocals:
Renata Tebaldi (soprano) (in 1956)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:31
8La forza del destino: “Pace pace mio Dio!”
soprano vocals:
Renata Tebaldi (soprano) (in 1955)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi6:02
9Guillaume Tell: “S’allontanano alfine!“ … “Selva opaca”
soprano vocals:
Renata Tebaldi (soprano) (in 1955)
recording of:
Guglielmo Tell: Atto II, scena 2. “S’allontanano alfine!”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
recording of:
Guglielmo Tell: Atto II, scena 2. “Selva opaca, deserta brughiera”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini8:13
10Adriana Lecouvreur: “Ecco respiro appena” … “Io son l’umile ancella”
soprano vocals:
Renata Tebaldi (soprano) (in 1955)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Alberto Erede (conductor)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:42
11Cecilia: “Grazie sorelle”
soprano vocals:
Renata Tebaldi (soprano) (in 1955)
recording of:
Cecilia: Atto III: "Grazie sorelle" (Cecilia)
composer:
Licinio Refice
part of:
Cecilia: Atto III
Licinio Refice7:36
▼ CD 2
#TitleArtistRatingLength
1Gianni Schicchi: “O mio babbino caro”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:19
2Suor Angelica: “Senza mamma, o bimbo”
soprano vocals:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1962-07)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:50
3Andrea Chénier: “La mamma morta”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
part of:
Andrea Chénier: Atto III
Umberto Giordano5:10
4La Wally: “Ebben? … Ne andro lontana”
soprano vocals:
Renata Tebaldi (soprano) (on 1968-06-26, in 1969)
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
orchestra:
Orchestre National de l’Opéra de Monte‐Carlo (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
performer:
Orchestre National de l’Opéra de Monte‐Carlo
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1969)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
Alfredo Catalani4:58
5Don Carlo: “Tu che la vanità”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi11:07
6Un ballo in maschera: “Ma dall’arido stelo”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:19
7Un ballo in maschera: “Morrò ma prima in grazia”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:55
8Giovanna d’Arco: “Sempre all’alba”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Giovanna d'Arco: Prologo, Nº 4b. Cavatina "Sempre all'alba ed alla sera" (Giovanna)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi4:50
9Turandot: “In questa reggia”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II
Giacomo Puccini5:53
10La Gioconda: “Suicidio!”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:47
11La rondine: “Sogno di Doretta”
soprano vocals [Magda]:
Renata Tebaldi (soprano)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:55
12Cavalleria rusticana: “Voi lo sapete”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:55
13L’Arlesiana: “Esser madre e un inferno”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
L’arlesiana: Atto III. “Esser madre è un inferno” (Rosa)
composer:
Francesco Cilea (composer)
part of:
L’arlesiana: Atto III
Francesco Cilea4:41

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ASIN:US: B0000041Y8 [info]