Mozart 225: Legendary Opera Performances

~ Release by Mozart (see all versions of this release, 1 available)

Tracklist

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▼ Digital Media 1
#TitleArtistRatingLength
1Zaide, K. 344: "Ruhe sanft, mein holdes Leben"
producer:
Michael Woolcock (producer)
soprano vocals [Zaide]:
Renée Fleming (soprano) (in 1995-12)
orchestra:
Orchestra of St. Luke’s (in 1995-12)
conductor:
Charles Mackerras (Australian conductor) (in 1995-12)
balance engineer:
James Lock (engineer) (in 1995-12)
recorded at:
LeFrak Concert Hall (Queens College) in New York, United States (in 1995-12)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (in 1995-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart5:31
2Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln"
assistant engineer:
Douglas Ward (in 2014-07)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
soprano vocals:
Anna Prohaska (soprano) (in 2014-07)
orchestra:
Chamber Orchestra of Europe (in 2014-07)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2014-07)
balance engineer:
Rainer Maillard (in 2014-07)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2014-07)
live recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 2014-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:44
3Die Entführung aus dem Serail, K. 384: "Martern aller Arten"
recorded in:
London (Greater London), England, United Kingdom (in 1989-09)
producer:
Michael Bremner (producer/engineer) and Eva Edwards
cello:
Stephen Orton (cellist) (in 1989-09)
flute:
Christine Messiter (flutist) (in 1989-09)
oboe:
Celia Nicklin (oboist) (in 1989-09)
violin:
Kenneth Sillito (violinist) (in 1989-09)
soprano vocals and soprano vocals [Konstanze]:
Cheryl Studer (soprano) (in 1989-09)
orchestra:
Academy of St Martin in the Fields (in 1989-09)
additional conductor:
John Constable (pianist) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
balance engineer:
Bram de Groot (in 1989-09)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1989-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:42
4Idomeneo, re di Creta, K. 366: "Fuor del mar"
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Idomeneo]:
Plácido Domingo (tenor) (from 1994-03 until 1994-04)
orchestra:
Metropolitan Opera Orchestra (from 1994-03 until 1994-04)
conductor:
James Levine (US conductor and pianist) (from 1994-03 until 1994-04)
balance engineer:
Wolfgang Mitlehner (from 1994-03 until 1994-04)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04) and Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 1994-03 until 1994-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart5:08
5Idomeneo, re di Creta, K. 366: "Torna la pace al core"
producer:
Christopher Raeburn (producer) and Peter Wadland
tenor vocals:
Luciano Pavarotti (tenor) (in 1983-09)
orchestra:
Wiener Philharmoniker (in 1983-09)
conductor:
Sir John Pritchard (conductor) (in 1983-09)
balance engineer:
James Lock (engineer) (in 1983-09) and John Pellowe (audio engineer) (in 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) (in 1983-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:22
6Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1989-08)
orchestra:
Wiener Kammerorchester (in 1989-08)
conductor:
György Fischer (pianist and conductor) (in 1989-08)
balance engineer:
James Lock (engineer) (in 1989-08) and Jonathan Stokes (engineer) (in 1989-08)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1989-08)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1989-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:07
7Le nozze di Figaro, K. 492: "Non più andrai"
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
bass-baritone vocals:
Samuel Ramey (bass-baritone)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:38
8Le nozze di Figaro, K. 492: "Voi che sapete"
engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (engineer)
assistant producer:
Richard Beswick
producer:
Richard Beswick and Christopher Raeburn (producer)
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (mezzo-soprano) (in 1978-05)
vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (from 1978-04 until 1978-05, in 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05, in 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1978-04 until 1978-05, in 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1978-04 until 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:55
9Le nozze di Figaro, K. 492: "Dove sono i bei momenti"
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart4:58
10Le nozze di Figaro, K. 492: "Deh vieni, non tardar"
producer:
Friedemann Engelbrecht
soprano vocals:
Anna Netrebko (soprano) (from 2006-07-17 until 2006-08-06)
orchestra:
Wiener Philharmoniker (from 2006-07-17 until 2006-08-06)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-07-17 until 2006-08-06)
balance engineer:
Michael Brammann (from 2006-07-17 until 2006-08-06), Gregor Hornacek (from 2006-07-17 until 2006-08-06) and Philipp Knop (from 2006-07-17 until 2006-08-06)
recorded at:
Mozart Residence in Salzburg, Salzburg, Austria (from 2006-07-17 until 2006-08-06)
edit of:
Le nozze di Figaro, K 492: Act IV: (h) "Giunse alfin il momento ... Deh vieni, non tardar" ... by Anna Netrebko (soprano), Wiener Philharmoniker, Nikolaus Harnoncourt (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 2006-07-17 until 2006-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart3:10
11Don Giovanni, K. 527: "Là ci darem la mano"
producer:
Evans Mirageas and Christopher Raeburn (producer)
bass-baritone vocals [Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Zerlina]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
12Don Giovanni, K. 527: "Or sai chi l'onore"
producer:
Christopher Raeburn (producer)
soprano vocals:
Margaret Price (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
London Philharmonic Orchestra (LPO) (in 1978-11)
conductor:
Sir Georg Solti (conductor) (in 1978-11)
balance engineer:
Stanley Goodall (engineer) (in 1978-11) and Kenneth Wilkinson (engineer) (in 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
13Don Giovanni, K. 527: "Fin ch'han dal vino"
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Sir Thomas Allen (baritone) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
14Don Giovanni, K. 527: "Batti, batti, o bel Masetto"
cello:
Franz Bartolomey (cellist) (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1993-04)
orchestra:
Wiener Kammerorchester (in 1993-04)
conductor:
György Fischer (pianist and conductor) (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
15Don Giovanni, K. 527: "Deh! vieni alla finestra"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mandolin:
James Ellis (violin, Classical) (in 1990-07)
baritone vocals:
Sir Thomas Allen (baritone) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:13
16Così fan tutte, K. 588: "Soave sia il vento"
engineer:
Jürgen Bulgrin (Sound engineer)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer) (in 2006-04)
mezzo-soprano vocals:
Christine Rice (mezzo-soprano) (in 2006-04)
soprano vocals:
Miah Persson (soprano) (in 2006-04)
orchestra:
Scottish Chamber Orchestra (in 2006-04)
conductor:
Charles Mackerras (Australian conductor) (in 2006-04)
balance engineer:
Stephan Flock
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (in 2006-04)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 2006-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:50
17Così fan tutte, K. 588: "Ah, scostati!"
recorded in:
London (Greater London), England, United Kingdom (in 1974-06)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1974-06)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1974-06)
conductor:
Sir Colin Davis (English conductor) (in 1974-06)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:36
18Così fan tutte, K. 588: "Come scoglio"
soprano vocals:
Montserrat Caballé (soprano) (in 1974-06)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1974-06)
conductor:
Sir Colin Davis (English conductor) (in 1974-06)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:18
19Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
tenor vocals:
Jonas Kaufmann (tenor) (in 2008-12)
orchestra:
Mahler Chamber Orchestra (in 2008-12)
conductor:
Claudio Abbado (conductor) (in 2008-12)
recorded at:
Auditorium Paganini in Parma, Parma, Emilia-Romagna, Italy (in 2008-12)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 2008-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:53
20Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn"
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:42
21Die Zauberflöte, K. 620: "In diesen heil'gen Hallen"
producer:
Michael Haas (classical music producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-12)
orchestra:
Wiener Philharmoniker (in 1990-12)
conductor:
Sir Georg Solti (conductor) (in 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:50
22La clemenza di Tito, K. 621: "Ah perdona al primo affetto"
engineer:
Jürgen Bulgrin (Sound engineer)
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-05)
soprano vocals:
Anna Netrebko (soprano) (in 2006-05)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-05)
conductor:
Sebastian Weigle (hornist and conductor) (in 2006-05)
balance engineer:
Rainer Maillard
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen, Germany (in 2006-05)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 2006-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:05
▼ Digital Media 2
#TitleArtistRatingLength
1Idomeneo, K. 366: "Non temer, amato bene", K. 490
violin:
Wolfgang Schneiderhan (violinist) (in 1952-09)
soprano vocals:
Irmgard Seefried (soprano) (in 1952-09)
orchestra:
Wiener Symphoniker (in 1952-09)
conductor:
Ferdinand Leitner (conductor) (in 1952-09)
recording of:
Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto zascoltai...Non temer, amato bene" (in 1952-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 490) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 490)
Wolfgang Amadeus Mozart6:45
2Die Entführung aus dem Serail, K. 384: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:19
4Le nozze di Figaro, K. 492: "Se vuol ballare, signor Contino"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:39
5Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:18
6Le nozze di Figaro, K. 492: "Porgi amor"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:22
7Le nozze di Figaro, K. 492: "Venite... inginocchiatevi"
harpsichord:
John Constable (pianist) (in 1971-04)
soprano vocals:
Mirella Freni (soprano) (in 1971-04)
orchestra:
BBC Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:20
8Le nozze di Figaro, K. 492: "Che soave zeffiretto"
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:35
9Don Giovanni, K. 527: "Là ci darem la mano"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Güden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
edit of:
Don Giovanni: Atto I. “Là ci darem la mano” by Cesare Siepi (operatic bass), Hilde Gueden (soprano), Lisa della Casa (soprano), Wiener Philharmoniker, Josef Krips (conductor and violinist)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
10Don Giovanni, K. 527: "Dalla sua pace"
recorded in:
Austria (in 1954-05)
tenor vocals [Don Ottavio]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (in 1954-05)
conductor:
Bernhard Paumgartner (in 1954-05)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:39
11Don Giovanni, K. 527: "Riposate, vezzose ragazze"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart9:19
12Don Giovanni, K. 527: "Il mio tesoro intanto"
producer:
James Mallinson (producer)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-02)
orchestra:
London Philharmonic Orchestra (LPO) (in 1973-02)
conductor:
Sir John Pritchard (conductor) (in 1973-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
13Don Giovanni, K. 527: "Mi tradi quell'alma ingrata"
producer:
Ray Minshull (record producer)
soprano vocals [Donna Elvira]:
Leontyne Price (soprano)
orchestra:
Wiener Philharmoniker
conductor:
Erich Leinsdorf (conductor)
balance engineer:
Gordon Parry (engineer) (in 1959-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1959-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:39
14Così fan tutte, K. 588: "La mia Dorabella"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:45
15Così fan tutte, K. 588: "Fuor la spada"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:16
16Così fan tutte, K. 588: "E la fede delle femminine"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:15
17Così fan tutte, K. 588: "Scioccerie di poeti"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:27
18Così fan tutte, K. 588: "Una bella serenata"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:15
19Così fan tutte, K. 588: "Un'aura amorosa"
recorded in:
Austria (in 1954-05)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (in 1954-05)
conductor:
Bernhard Paumgartner (in 1954-05)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:52
20Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:40
21Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen"
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals and baritone vocals [Papageno]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals and soprano vocals [Pamina]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:05
22Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herzen"
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
23Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen"
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52

Credits

Release

part of:Mozart 225 (Decca Classics/Deutsche Grammophon) (order: 2)
purchase for download:https://play.google.com/store/music/album?id=Bhnsg7cyzhszsqqncq2mkag4uv4 [info] (until 2020-10-12)
stream for free:https://open.spotify.com/album/35VuHpiNLVbyPCJ0C0LFaQ [info]