# | Title | Rating | Length |
---|
1 | A Foggy Day- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- lead vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- A Foggy Day (in London Town) (from 1995-09-27 until 1995-09-30)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp.
- part of:
- A Damsel in Distress
| | 3:18 |
2 | We're in the Money- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- We’re in the Money (from 1995-09-27 until 1995-09-30)
- lyricist:
- Al Dubin
- composer:
- Harry Warren
- part of:
- 42nd Street
| | 2:50 |
3 | It's So Peaceful in the Country- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- It’s So Peaceful in the Country (from 1995-09-27 until 1995-09-30)
- lyricist and composer:
- Alec Wilder
| | 4:10 |
4 | Limehouse Blues- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Limehouse Blues (from 1995-09-27 until 1995-09-30)
- lyricist:
- Douglas Furber
- composer:
- Philip Braham
- publisher:
- Harms, Inc. and Warner Bros. Mus. (ASCAP)
| | 2:31 |
5 | Do You Know What It Means to Miss New Orleans?- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Do You Know What It Means to Miss New Orleans (from 1995-09-27 until 1995-09-30)
- lyricist:
- Eddie DeLange and Cathrine Legardh
- composer:
- Louis Alter
| | 3:51 |
6 | I Got It Bad and That Ain't Good- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- I Got It Bad (and That Ain’t Good) (from 1995-09-27 until 1995-09-30)
- lyricist:
- Paul Francis Webster (in 1941)
- composer:
- Duke Ellington (in 1941)
- publisher:
- EMI Robbins Catalog Inc. , Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
- part of:
- The Real Book
| | 3:19 |
7 | The Continental- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- The Continental (from 1995-09-27 until 1995-09-30)
- lyricist:
- Herb Magidson (in 1934)
- composer:
- Con Conrad (in 1934)
- publisher:
- Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc.
- part of:
- Academy Award for Best Original Song (number: 7)
| | 3:12 |
8 | Mean to Me- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Mean to Me (from 1995-09-27 until 1995-09-30)
- lyricist:
- Roy Turk
- composer:
- Fred Ahlert
- publisher:
- Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music
| | 3:43 |
9 | You're in Kentucky- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- You're in Kentucky (from 1995-09-27 until 1995-09-30)
- lyricist:
- Haven Gillespie and George A. Little
- composer:
- Larry Shay
| | 2:56 |
10 | As Time Goes By- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- As Time Goes By (from 1995-09-27 until 1995-09-30)
- lyricist, writer and composer:
- Herman Hupfeld
- publisher:
- WB Music Corp. (ended), Chappell , Redwood Music, Redwood Music Ltd. , Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (in 1931)
- sub-publisher:
- Warner/Chappell Music Taiwan Ltd.
- part of:
- Casablanca
| | 4:11 |
11 | Haven't Got a Worry- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Haven’t Got a Worry (from 1995-09-27 until 1995-09-30)
- writer:
- Ray Evans and Jay Livingston
| | 2:39 |
12 | Mangos- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (from 1995-09-27 until 1995-09-30) and Larry Hall (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Mangos (from 1995-09-27 until 1995-09-30)
- lyricist:
- Sid Wayne
- composer:
- Dee Libbey
- publisher:
- Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. , シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | 2:46 |
13 | At Sundown- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (from 1995-09-27 until 1995-09-30) and Larry Hall (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- At Sundown (from 1995-09-27 until 1995-09-30)
- lyricist and composer:
- Walter Donaldson (in 1927)
- publisher:
- Donaldson Publishing Co. and Leo Feist, Inc.
| | 2:27 |
14 | A Woman Likes to Be Told- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- A Woman Likes to Be Told (from 1995-09-27 until 1995-09-30)
- lyricist:
- Harold Adamson
- composer:
- Hoagy Carmichael
| | 3:55 |
15 | What Is This Thing Called Love- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- cello:
- Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- harp:
- Marcia Dickstein (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (from 1995-09-27 until 1995-09-30) and Larry Hall (from 1995-09-27 until 1995-09-30)
- violin:
- Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- concertmaster:
- Endré Granat (from 1995-09-27 until 1995-09-30)
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- What Is This Thing Called Love? (from 1995-09-27 until 1995-09-30)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
| | 2:52 |
16 | Come Rain or Come Shine- assistant recording engineer:
- Steve Genewick (from 1995-09-27 until 1995-09-30)
- recording engineer:
- Leslie Ann Jones (from 1995-09-27 until 1995-09-30)
- producer:
- John Burk and Allen Sviridoff
- bass:
- Chuck Berghofer (from 1995-09-27 until 1995-09-30)
- bass trombone:
- George Roberts (from 1995-09-27 until 1995-09-30)
- brass [trumpet, flugelhorn]:
- Warren Luening (from 1995-09-27 until 1995-09-30)
- drums (drum set):
- Gregg Field (from 1995-09-27 until 1995-09-30)
- guitar:
- Dennis Budimir (from 1995-09-27 until 1995-09-30)
- piano:
- John Oddo (from 1995-09-27 until 1995-09-30)
- trombone:
- Charley Loper (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
- trumpet:
- Wayne Bergeron (from 1995-09-27 until 1995-09-30), George Graham (from 1995-09-27 until 1995-09-30) and Larry Hall (from 1995-09-27 until 1995-09-30)
- woodwind [baritone saxophone, oboe]:
- Gene Cipriano (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, alto saxophone]:
- Gary Foster (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
- woodwind [woodwinds, tenor saxophone]:
- Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
- vocals:
- Rosemary Clooney (from 1995-09-27 until 1995-09-30)
- conductor:
- John Oddo (from 1995-09-27 until 1995-09-30)
- remixer:
- Leslie Ann Jones
- arranger:
- Nelson Riddle
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
- remixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Come Rain or Come Shine (from 1995-09-27 until 1995-09-30)
- lyricist:
- Johnny Mercer (in 1946)
- composer:
- Harold Arlen (in 1946)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , S.A. Music Co. and Warner/Chappell Music Scandinavia AB
| | 3:05 |