Bolero

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Carmen, Suite no.1: Prélude
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet3:33
2Carmen, Suite no.1: Entr'acte II
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:46
3Carmen, Suite no.1: Entr'acte III
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:59
4Carmen, Suite no.1: Entr'acte IV
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:18
5Aida: "Gloria all'Egitto"
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio) (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:27
6Aida: Triumphal March
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:35
7Aida: Ballet
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981, in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981, in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:22
8Aida: "Vieni, o guerriero vindice"
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981, in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981, in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981, in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:34
9Hungarian Dance n.1
orchestra:
Wiener Philharmoniker
conductor:
Claudio Abbado (conductor)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto
part of:
Hungarian Dances for orchestra, WoO 1, Book 2
Johannes Brahms2:56
10Hungarian Dance n.5
recording engineer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
sound engineer:
Günter Hermanns (producer/engineer) (from 1982-04 until 1982-06) and Klaus Hiemann (German audio) (from 1982-04 until 1982-06)
executive producer:
Günther Breest (producer for classical music) and Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (conductor) (from 1982-04 until 1982-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:24
11The Barber of Seville: Ouverture
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:28
12The Thieving Magpie: Ouverture
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
La gazza ladra: Ouverture
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:21
13The Firebird: Infernal Dance of Kings
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Firebird Suite: V. Infernal Dance of King Kastchei (catch-all for unknown versions)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Firebird Suite (catch‐all for unknown versions)
Игорь Фёдорович Стравинский4:55
14Symphonie fantastique op.14: March to the Scaffold
orchestra:
Chicago Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:31
15Bolero
orchestra:
London Symphony Orchestra (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1985-06)
recording of:
Boléro (in 1985-06)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:22

Credits

Release

ASIN:UK: B003M59HUY [info]
other databases:https://d-nb.info/352042044 [info]