The Platinum Collection

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

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▼ Digital Media 1
#TitleRatingLength
1I Got Rhythm
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06)
clarinet and soprano saxophone:
George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
I Got Rhythm (on 1931-11-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:07
2Stardust
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04) and George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Stardust (the jazz standard) (on 1931-11-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:39
3Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:02
4Ain't Misbehavin'
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (American trombonist) (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3.753:25
5I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1929-03-05)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:36
6Knockin' a Jug
recording of:
Knockin’ a Jug (on 1929-03-05)
composer:
Louis Armstrong and Eddie Condon
3:27
7Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone and George James (US jazz saxophonist)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
drums (drum set):
Tubby Hall
guitar:
Mike McKendrick (Jazz banjo and guitar)
piano:
Charlie Alexander (US jazz pianist)
tenor saxophone:
Albert Washington (jazz tenor sax)
trombone:
Preston Jackson (jazz trombonist)
trumpet:
Louis Armstrong and Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (on 1932-03-11)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:28
8That's My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08, on 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08, on 1932-12-28), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08, on 1932-12-28)
orchestra:
Louis Armstrong and His Orchestra (on 1932-12-28)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
43:12
9Hobo, You Can Ride This Train
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
alto saxophone and clarinet and clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
banjo and piano and guitar:
John Trueheart (on 1932-12-08)
bell:
Mezz Mezzrow (on 1932-12-08)
double bass [bass], double bass and tuba and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Bill Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (on 1932-12-08)
writer:
Louis Armstrong
3:04
10I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:04
11Black and Blue
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Black and Blue (on 1929-07-22)
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
3:10
12That Rhythm Man
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Thomas Waller
3:12
13I Ain't Got Nobody
recorded in:
New York, New York, United States (on 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-12-10)
guitar:
Will Johnson (jazz musician) (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
tenor saxophone:
Teddy Hill (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (jazz musician) (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (trumpet) (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:47
14Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1929-12-13)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:24
15Bessie Couldn't Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond (songwriter) and Byron Warner (active in the 1960's)
3:25
16Dallas Blues
recorded in:
New York, New York, United States (on 1929-12-10)
clarinet:
Teddy Hill (on 1929-12-10), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-12-10)
guitar:
Will Johnson (jazz musician) (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (jazz musician) (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (trumpet) (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
recording of:
Dallas Blues (on 1929-12-10)
lyricist and composer:
Lloyd Garrett and Hart Wand
3:18
17Dear Old Southland
orchestra:
Louis Armstrong and His Orchestra (on 1930-04-05)
recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard) (on 1930-04-05)
lyricist:
Henry Creamer (in 1921)
composer:
Ray Bloch (French-born composer/bandleader) and Turner Layton (in 1921)
3:20
18Sugar Foot Strut
recorded in:
Chicago, Illinois, United States (on 1928-06-29)
banjo:
Mancy "Peck" Carr (on 1928-06-29)
clarinet:
Jimmy Strong (on 1928-06-29)
cymbal:
Zutty Singleton (on 1928-06-29)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
trombone:
Fred Robinson (American trombonist) (on 1928-06-29)
trumpet:
Louis Armstrong (on 1928-06-29)
vocals:
Louis Armstrong (on 1928-06-29)
recording of:
Sugar Foot Strut (on 1928-06-28)
composer:
Henry Myers (in 1927), Billy Pierce (Choreographer) (in 1927) and Charles M. Schwab (in 1927)
3:22
19Basin Street Blues
recorded in:
Chicago, Illinois, United States (on 1928-12-04)
banjo:
Mancy "Peck" Carr (on 1928-12-04)
celesta [celeste]:
Earl Hines (jazz pianist and bandleader) (on 1928-12-04)
clarinet:
Jimmy Strong (on 1928-12-04)
drums (drum set):
Zutty Singleton (on 1928-12-04)
trombone:
Fred Robinson (American trombonist) (on 1928-12-04)
trumpet and lead vocals:
Louis Armstrong (on 1928-12-04)
vocals:
Louis Armstrong (on 1928-12-04), Mancy "Peck" Carr (on 1928-12-04) and Earl Hines (jazz pianist and bandleader) (on 1928-12-04)
recording of:
Basin Street Blues (on 1928-12-04)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:17
20Once in a While
recording of:
Once in a While (on 1937-11-15)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (soundtrack of the 1977 film)
3:11
▼ Digital Media 2
#TitleRatingLength
1Sweet Little Papa
recording of:
Sweet Little Papa (on 1926-06-23)
composer:
Kid Ory
2:51
2You Made Me Love You
recorded in:
Chicago, Illinois, United States (on 1926-11-27)
banjo:
Johnny St. Cyr (on 1926-11-27)
clarinet:
Johnny Dodds (on 1926-11-27)
cornet:
Louis Armstrong (on 1926-11-27)
piano:
Lil Hardin Armstrong (on 1926-11-27)
trombone:
Hy Clark (US jazz trombonist) (on 1926-11-27)
vocals:
Louis Armstrong (on 1926-11-27)
recording of:
You Made Me Love You (on 1926-11-27)
writer:
Louis Armstrong and Percy Venable
2:59
3Chicago Breakdown
alto saxophone:
Boyd Atkins (on 1927-05-09) and Joe Walker (US early jazz saxophonist) (on 1927-05-09)
banjo and guitar:
Rip Bassett (on 1927-05-09)
baritone saxophone:
Joe Walker (US early jazz saxophonist) (on 1927-05-09)
clarinet and soprano saxophone:
Boyd Atkins (on 1927-05-09)
cornet:
Louis Armstrong (on 1927-05-09) and Bill Wilson (US early jazz cornetist) (on 1927-05-09)
drums (drum set):
Tubby Hall (on 1927-05-09)
piano:
Earl Hines (jazz pianist and bandleader) (on 1927-05-09)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1927-05-09)
trombone:
Honoré Dutrey (on 1927-05-09)
tuba:
Pete Briggs (on 1927-05-09)
recording of:
Chicago Breakdown (on 1927-05-09)
composer:
Jelly Roll Morton
3:27
4Coal Cart Blues
recording of:
Coal Cart Blues (on 1940-05-27)
writer:
Louis Armstrong, Lil Hardin Armstrong and Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:56
5Down in Honky Tonk Town
recording of:
Down in Honky Tonk Town (on 1940-05-27)
writer:
Charles McCarron (in 1916) and Chris Smith (Ragtime composer) (in 1916)
3:05
6Perdido Street Blues
recording of:
Perdido Street Blues (on 1940-05-27)
composer:
Lil Armstrong
3:02
7Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:41
8Dippermouth Blues
recorded in:
Los Angeles, California, United States (on 1936-08-07)
clarinet:
Jimmy Dorsey (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Dippermouth Blues (on 1936-08-07)
composer:
King Oliver (jazz cornetist)
2:44
9Eventide
recording of:
Ev'ntide
lyricist and composer:
Hoagy Carmichael
2:53
10Swing That Music
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
2:51
11I'm in the Mood for Love
recorded in:
New York, New York, United States (on 1935-10-03)
bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd. and EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963)
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
43:09
12I Can't Believe That You're in Love With Me
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05)
tenor saxophone:
Castor McCord (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (on 1930-04-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:12
13I'm a Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy (on 1930-07-21)
writer:
Phil Baxter (US songwriter, singer and band leader)
3:10
14I'm in the Market for You
recorded in:
New York, New York, United States (on 1935-10-03)
bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd. and EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963)
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
43:16
15If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
banjo:
Ceele Burke (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (jazz trombonist) (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
If I Could Be With You (One Hour Tonight) (on 1930-08-19)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
3:39
16Body & Soul
recording of:
Body and Soul (on 1930-10-09)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:20
17Memories of You
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Les Hite (on 1930-10-16) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set) and vibraphone:
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
Memories of You (on 1930-10-16)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
18You're Lucky to Me
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
baritone saxophone:
Les Hite (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set):
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
You’re Lucky to Me (on 1930-10-16)
lyricist:
Andy Razaf
composer:
Eubie Blake
3:26
19Sweethearts on Parade
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
3:14
▼ Digital Media 3
#TitleRatingLength
1Zip-A-Dee-Doo-Dah
recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South)
lyricist:
Ray Gilbert
composer:
Allie Wrubel
publisher:
Joy Music Inc. and Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
part of:
Academy Award for Best Original Song (number: 20)
part of:
Song of the South (1946 live action/animated film)
2:22
2Ten Feet Off the Ground
recording of:
Ten Feet Off the Ground
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
2:46
3Heigh-Ho (The Dwarf's Marching Song)
recording of:
Heigh‐Ho (The Dwarfs’ Marching Song)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
On est toutes Blanche-Neige
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
2:37
4Whistle While You Work
cover recording of:
Whistle While You Work (from "Snow White and the Seven Dwarfs")
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
41:56
5Chim Chim Cher-Ee
cover recording of:
Chim Chim Cher-ee (Mary Poppins)
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
part of:
Academy Award for Best Original Song (number: 37)
part of:
Mary Poppins (stage version)
part of:
Mary Poppins (1964 film version)
46:39
6Bibbidi-Bobbidi-Boo
recording of:
Bibbidi‐Bobbidi‐Boo (Cinderella, 1950 animated film)
writer:
Mack David (American lyricist and songwriter) (in 1948), Al Hoffman (in 1948) and Jerry Livingston (songwriter) (in 1948)
publisher:
Campbell Connelly & Co. Ltd. and Walt Disney Music Company (music publisher, do not use as release label) (in 1948)
part of:
Cinderella (1950 Disney animated film)
2:08
7'Bout Time
recording of:
'Bout Time
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
2:53
8The Ballad of Davy Crocket
recording of:
The Ballad of Davy Crockett
lyricist:
Tom Blackburn
composer:
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
3:15
9The Bare Necessities
cover recording of:
The Bare Necessities (From "The Jungle Book")
lyricist and composer:
Terry Gilkyson
publisher:
Campbell Connelly & Co. Ltd. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
part of:
The Jungle Book (1967 Disney film soundtrack)
2:26
10When You Wish Upon a Star
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
Academy Award for Best Original Song (number: 13)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
44:28