Tracklist

CD 1
#TitleArtistRatingLength
1Carmen : Overture (Prélude)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Prélude (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (italian lyrics)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
recording of:
Carmen : Prélude (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (italian lyrics)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet4:21
2Carmen : Acte I. « Sur la place, chacun passe » (Les Soldats, Moralès)
baritone vocals [Moralès]:
Raymond Gibbs (baritone) (in 1972-09)
choir vocals:
Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-09, in 1972-10)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet6:02
3Carmen : Acte I. « Avec la garde montante » (Chœur des Gamins)Georges Bizet2:30
4Carmen : Acte I. « L'amour est un oiseau rebelle » (Havanaise)
choir vocals:
Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-10)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-10)
orchestra:
Metropolitan Opera Orchestra (in 1972-10)
conductor:
Leonard Bernstein (in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:52
5Carmen : Acte I. Chanson et Duo: « Près des remparts de Séville »
choir vocals:
Metropolitan Opera Chorus (in 1972-10)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-09, in 1972-10)
tenor vocals:
James McCracken (tenor) (in 1972-10)
tenor vocals [Don José]:
James McCracken (tenor) (in 1972-09)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:00
6Carmen : Acte I. Entracte (between Act I & II)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:44
7Carmen : Acte II. « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
choir vocals:
Metropolitan Opera Chorus (in 1972-10)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-10)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-09)
mezzo-soprano vocals [Mercédès]:
Marcia Baldwin (US mezzo-soprano) (in 1972-09)
soprano vocals [Frasquita]:
Colette Boky (soprano) (in 1972-09, in 1972-10)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:51
8Carmen : Acte II. Couplets: « Votre toast, je peux vous le rendre »
baritone vocals [Escamillo]:
Tom Krause (bass-baritone) (in 1972-09)
baritone vocals [Moralès]:
Raymond Gibbs (baritone) (in 1972-09)
bass vocals [Zuniga]:
Donald Gramm (bass-baritone) (in 1972-09)
bass-baritone vocals [Escamillo]:
Tom Krause (bass-baritone) (in 1972-10)
choir vocals:
Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-09, in 1972-10)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-09, in 1972-10)
mezzo-soprano vocals [Mercédès]:
Marcia Baldwin (US mezzo-soprano) (in 1972-09)
soprano vocals [Frasquita]:
Colette Boky (soprano) (in 1972-09, in 1972-10)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:32
9Carmen : Acte II. Quintette: « Nous avons en tête une affaire ! »
baritone vocals [Le Dancaïre]:
Russell Christopher (US baritone) (in 1972-09)
choir vocals:
Metropolitan Opera Chorus (in 1972-10)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-09, in 1972-10)
mezzo-soprano vocals [Mercédès]:
Marcia Baldwin (US mezzo-soprano) (in 1972-09)
soprano vocals [Frasquita]:
Colette Boky (soprano) (in 1972-09, in 1972-10)
tenor vocals [Le Remendado]:
Andrea Velis (US tenor) (in 1972-09)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:28
10Carmen : Acte II. « La fleur que tu m'avais jetée »
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-09)
tenor vocals [Don José]:
James McCracken (tenor) (in 1972-09)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1972-09)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1972-10)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:30
11Carmen : Acte III. Trio: « Mêlons ! Coupons ! »
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano)
mezzo-soprano vocals [Mercédès]:
Marcia Baldwin (US mezzo-soprano)
soprano vocals [Frasquita]:
Colette Boky (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
Leonard Bernstein
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet7:30
12Carmen : Acte III. « Je dis que rien ne m'épouvante » (Micaela)
soprano vocals [Micaëla]:
Adriana Maliponte (soprano) (in 1972-09)
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:22
13Carmen : Acte III. Entr'acte
orchestra:
Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
conductor:
Leonard Bernstein (in 1972-09, in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1972-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:24
14Carmen : Acte IV. « Carmen, un bon conseil » / « C'est toi ? » … « C'est moi ! »
baritone vocals [Escamillo]:
Tom Krause (bass-baritone)
bass-baritone vocals:
Tom Krause (bass-baritone) (in 1972-10)
choir vocals:
Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-10)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1972-10)
mezzo-soprano vocals [Mercédès]:
Marcia Baldwin (US mezzo-soprano)
soprano vocals [Frasquita]:
Colette Boky (soprano)
tenor vocals:
James McCracken (tenor) (in 1972-10)
vocals:
Colette Boky (soprano) (in 1972-10)
orchestra:
Metropolitan Opera Orchestra (in 1972-10)
conductor:
Leonard Bernstein (in 1972-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1973)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
partial recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (in 1972-10)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
recording of:
Carmen : Acte IV. « Place au seigneur Alcade » … « Carmen, un bon conseil » (Chœur, Frasquita, Carmen, Mercédès)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet11:06

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