You Can’t Keep a Good Band Down

~ Release by Uriah Heep (see all versions of this release, 1 available)

Annotation

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
* VERY 'EAVY ... VERY 'UMBLE
SALISBURY
LOOK AT YOURSELF
DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
* SALISBURY
LOOK AT YOURSELF
DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
SALISBURY
* LOOK AT YOURSELF
DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
SALISBURY
LOOK AT YOURSELF
* DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
SALISBURY
LOOK AT YOURSELF
DEMONS AND WIZARDS
* THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
SALISBURY
LOOK AT YOURSELF
DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
* LIVE 1973 &
HIGH AND MIGHTY)

YOU CAN'T KEEP A GOOD BAND DOWN Box Set B000065CTT

July 2002
UK: Castle CMXBX527, 7-cd box set

(Includes miniature lp replicas of
VERY 'EAVY ... VERY 'UMBLE
SALISBURY
LOOK AT YOURSELF
DEMONS AND WIZARDS
THE MAGICIAN'S BIRTHDAY
LIVE 1973 &
* HIGH AND MIGHTY)

Annotation last modified on 2007-09-14 11:44 UTC.

Tracklist

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▼ CD 1: …very ’Eavy …very ’Umble
#TitleRatingLength
1Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.56:37
2Walking in Your Shadow
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Walking in Your Shadow
writer:
David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:28
3Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
33:47
4Lucy Blues
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Lucy Blues
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:07
5Dreammare
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Dreammare
lyricist and composer:
Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:36
6Real Turned On
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Real Turned On
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:37
7I’ll Keep On Trying
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
I’ll Keep On Trying
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:24
8Wake Up (Set Your Sights)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Wake Up (Set Your Sights)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
6:20
▼ CD 2: Salisbury
#TitleRatingLength
1Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:12
2The Park
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
The Park (from 1969 until 1970)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
recording of:
The Park (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3.355:40
3Time to Live
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971)
recording of:
Time to Live
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:00
4Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
4.54:42
5High Priestess
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971)
recording of:
High Priestess
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:39
6Salisbury
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971)
recording of:
Salisbury
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
16:12
▼ CD 3: Look at Yourself
#TitleRatingLength
1Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:10
2I Wanna Be Free
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Wanna Be Free (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:01
3July Morning
engineer:
Peter Gallen
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
July Morning (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4.6510:32
4Tears in My Eyes
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Tears in My Eyes (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
55:01
5Shadows of Grief
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Shadows of Grief (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
48:40
6What Should Be Done
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
What Should Be Done (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:14
7Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
33:40
▼ CD 4: Demons and Wizards
#TitleRatingLength
1The Wizard
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
The Wizard
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:00
2Traveller in Time
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
Traveller in Time
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:26
3Easy Livin’
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
live recording of:
Easy Livin’ (on 2003-11-08)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
4.62:35
4Poet’s Justice
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
Poet's Justice
composer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:16
5Circle of Hands
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
Circle of Hands
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
6:25
6Rainbow Demon
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
Rainbow Demon
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:26
7All My Life
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
All My Life
writer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2:42
8Paradise
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
Paradise
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:12
9The Spell
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
recording of:
The Spell
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
7:28
▼ CD 5: The Magician’s Birthday
#TitleRatingLength
1Sunrise
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sunrise (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:05
2Spider Woman
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Spider Woman (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:27
3Blind Eye
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Mercury Record Productions, Inc. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Blind Eye (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
Blind Eye
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:34
4Echoes in the Dark
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Echoes in the Dark (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:49
5Rain
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Rain (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:03
6Sweet Lorraine
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sweet Lorraine (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:15
7Tales
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Tales (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:08
8The Magician’s Birthday
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
The Magician’s Birthday (from 1972-09 until 1972-10)
writer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
10:20
▼ CD 6: Live
#TitleRatingLength
1Introduction
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
0:50
2Sunrise
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Sunrise (in 1973-01)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
Sunrise (in 1973)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:17
3Sweet Lorraine
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Sweet Lorraine (in 1973-01)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
Sweet Lorraine (in 1973)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:01
4Traveller in Time
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Traveller in Time (in 1973-01)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
Traveller in Time (in 1973)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:24
5Easy Livin’
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Easy Livin’ (in 1973-01)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
2:57
6July Morning
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
July Morning (in 1973-01)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
July Morning (in 1973)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:47
7Tears in My Eyes
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Tears in My Eyes (in 1973-01)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
Tears in My Eyes (in 1973)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:57
8Gypsy
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Gypsy (in 1973-01)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
Gypsy (in 1973)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
313:58
9Circle of Hands
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Circle of Hands (in 1973-01)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
Circle of Hands (in 1973)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:55
10Look at Yourself
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Look at Yourself (in 1973-01)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
Look at Yourself (in 1973)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
7:24
11The Magician’s Birthday
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
The Magician’s Birthday (in 1973-01)
writer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
The Magician’s Birthday (in 1973)
writer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
1:45
12Love Machine
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live recording of:
Love Machine (in 1973-01)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
live recording of:
Love Machine (in 1973)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:26
13Rock ’n’ Roll Medley: Roll Over Beethoven / Blue Suede Shoes / Mean Woman Blues / Hound Dog / At the Hop / Whole Lotta Shakin’ Goin’ On / Blue Suede Shoes
recorded in:
England, United Kingdom (in 1973-01)
engineer:
Richard Band, Richard Brand, Neville Crozier and Alan Perkins
assistant producer:
Peter Gallen
producer:
Gerry Bron
mixer:
Peter Gallen and Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
live medley including a cover recording of:
At the Hop (in 1973-01)
writer:
John L. Medora, Arthur Singer and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
live medley including a cover recording of:
Blue Suede Shoes (in 1973-01)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
live medley including a cover recording of:
Hound Dog (in 1973-01)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
live medley including a cover recording of:
Mean Woman Blues (in 1973-01)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
live medley including a cover recording of:
Roll Over Beethoven (in 1973-01)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
live medley including a cover recording of:
Whole Lotta Shakin’ Goin’ On (in 1973-01)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
live medley including a cover recording of:
At the Hop (in 1973)
writer:
John L. Medora, Arthur Singer and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
live medley including a cover recording of:
Blue Suede Shoes (in 1973)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
live medley including a cover recording of:
Hound Dog (in 1973)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
live medley including a cover recording of:
Mean Woman Blues (in 1973)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
live medley including a cover recording of:
Roll Over Beethoven (in 1973)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
live medley including a cover recording of:
Whole Lotta Shakin’ Goin’ On (in 1973)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
8:33
▼ CD 7: High and Mighty
#TitleRatingLength
1One Way or Another
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
One Way or Another (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:39
2Weep in Silence
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975, in 1976) and Castle Copyrights Ltd. (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Weep in Silence (from 1975-12 until 1976-03)
writer:
Ken Hensley and John Wetton
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., S. Bron Music Co. Ltd. and United Artists Music Ltd.
5:06
3Misty Eyes
assistant engineer:
John Gallen
engineer:
Ashley Howe
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Misty Eyes (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:15
4Midnight
assistant engineer:
John Gallen
engineer:
Ashley Howe
producer:
Gerry Bron and Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Midnight (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:40
5Can’t Keep a Good Band Down
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Can't Keep a Good Band Down
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:38
6Woman of the World
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Woman of the World
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:08
7Footprints in the Snow
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Footprints in the Snow
writer:
Ken Hensley and John Wetton
publisher:
S. Bron Music Co. Ltd. and United Artists Music Ltd.
3:56
8Can’t Stop Singing
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Can't Stop Singing
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:02
9Make a Little Love
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Make a Little Love
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:27
10Confession
assistant engineer:
John Gallen
engineer:
Ashley Howe
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Confession (from 1975-12 until 1976-03)
lyricist and composer:
Ken Hensley
publisher:
EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2:08

Credits

Release

liner notes:Malcolm Dome (English music journalist)
design and artwork:www.gilmourdesign.co.uk
copyrighted (©) by and phonographic copyright (℗) by:Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2002)
Discogs:https://www.discogs.com/release/3701966 [info]
ASIN:UK: B000065CTT [info]