Messe in h-moll, BWV 232

~ Release by Johann Sebastian Bach; Amsterdam Baroque Orchestra, Ton Koopman (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Messe H-moll, BWV 232: I. Kyrie, "Kyrie eleison"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach8:53
2Messe H-moll, BWV 232: I. Kyrie, "Christe eleison"
soprano vocals [Sop I]:
Barbara Schlick (soprano) (from 1994-03 until 1994-05)
soprano vocals [Sop II]:
Kai Wessel (countertenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:04
3Messe H-moll, BWV 232: I. Kyrie, "Kyrie eleison"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:44
4Messe H-moll, BWV 232: II. Gloria, "Gloria in excelsis"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:41
5Messe H-moll, BWV 232: II. Gloria, "Et in terra pax"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:40
6Messe H-moll, BWV 232: II. Gloria, "Laudamus te"
soprano vocals [Sop II]:
Kai Wessel (countertenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:24
7Messe H-moll, BWV 232: II. Gloria, "Gratias agimus tibi"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:55
8Messe H-moll, BWV 232: II. Gloria, "Domine Deus"
soprano vocals [Sop I]:
Barbara Schlick (soprano) (from 1994-03 until 1994-05)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:31
9Messe H-moll, BWV 232: II. Gloria, "Qui tollis peccata mundi"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:26
10Messe H-moll, BWV 232: II. Gloria, "Qui sedes ad dexteram Patris"
alto vocals:
Kai Wessel (countertenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:26
11Messe H-moll, BWV 232: II. Gloria, "Quoniam tu solus sanctus"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:06
12Messe H-moll, BWV 232: II. Gloria, "Cum Sancto Spiritu"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:54
▼ CD 2
#TitleArtistRatingLength
1Messe H-moll, BWV 232: III. Credo, "Credo in unum Deum"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:28
2Messe H-moll, BWV 232: III. Credo, "Patrem omnipotentem"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:50
3Messe H-moll, BWV 232: III. Credo, "Et in unum Dominum"
alto vocals:
Kai Wessel (countertenor) (from 1994-03 until 1994-05)
soprano vocals [Sop I]:
Barbara Schlick (soprano) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:21
4Messe H-moll, BWV 232: III. Credo, "Et incarnatus est"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:23
5Messe H-moll, BWV 232: III. Credo, "Crucifixus"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:13
6Messe H-moll, BWV 232: III. Credo, "Et resurrexit"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:55
7Messe H-moll, BWV 232: III. Credo, "Et in Spiritum Sanctum Dominum"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:17
8Messe H-moll, BWV 232: III. Credo, "Confiteor"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:00
9Messe H-moll, BWV 232: III. Credo, "Et expecto"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:10
10Messe H-moll, BWV 232: IV. Sanctus, "Sanctus"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:04
11Messe H-moll, BWV 232: IV. Sanctus, "Hosanna"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:34
12Messe H-moll, BWV 232: IV. Sanctus, "Benedictus"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:57
13Messe H-moll, BWV 232: V. Agnus Dei, "Agnus Dei"
alto vocals:
Kai Wessel (countertenor) (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:21
14Messe H-moll, BWV 232: V. Agnus Dei, "Dona nobis pacem"
choir vocals:
Amsterdam Baroque Choir (from 1994-03 until 1994-05)
orchestra:
Amsterdam Baroque Orchestra (from 1994-03 until 1994-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-03 until 1994-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-03 until 1994-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1994-03 until 1994-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:00