Choruses and Ballet Music (Coro e Orchestra del Teatro alla Scala feat. conductor: Claudio Abbado)

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Don Carlos: Ce jour heureux est plein d'allégresse!
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-01)
conductor:
Claudio Abbado (conductor) (in 1982-01)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1982-01)
recording of:
Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … » (le Peuple, moines, le Héraut royal) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
7:13
2Nabucco: Va, pensiero, sull'ali dorate. Prisoners' Chorus
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1974-11-01 until 1974-11-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1974-11-01 until 1974-11-03)
conductor:
Claudio Abbado (conductor) (from 1974-11-01 until 1974-11-03)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1974-11-01 until 1974-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1974-11-01 until 1974-11-03)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:23
3Macbeth: Ballett: Allegro vivacissimo - Un poco ritenuto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1976-01)
2:00
4Macbeth: Ballett: Allegro - Andante - Allegro
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1976-01)
5:09
5Macbeth: Ballett: Valzer. Allegro vivacissimo - Poco più mosso
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1976-01)
2:50
6Il Trovatore: Vedi! le fosche notturne spoglie
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1974-11)
3:55
7Don Carlos: Ballet of the Queen
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-01)
conductor:
Claudio Abbado (conductor) (in 1982-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1982-01)
recording of:
Don Carlos : Acte IV. Ballet de la Reine “La peregrina” (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlos: Acte IV
15:10
8Aida: Gloria all'Egitto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio) (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:27
9Aida: Triumphal Schene
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
1:35
10Aida: Ballett
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981, in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981, in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
4:22
11Aida: Vieni, o guerriero vindice
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981, in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981, in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981, in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:28

Credits

Release

part of:Deutsche Grammophon Collection (number: 037) (order: 38)