Die großen Minnesänger

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Walter von der Vogelweide: Lieder von Liebe, Macht und Religion
#TitleArtistRatingLength
1Im Wiener Hofton: I. Einlassbitte “Mir ist verspert der saelden tor” / Klage des Wiener Hofes “Der hof ze Wiene sprach ze mir”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide2:49
2Im Wiener Hofton: II. Nachtanz im Wiener Hofton
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide1:52
3Im Wiener Hofton: III. Winterklage “Die welt was gelf rot unde bla”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide4:34
4Im Wiener Hofton: IV. Estampie “Der mönch ze Toberlu”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, Gautier d'Espinal3:28
5Im Wiener Hofton: V. Minnelied “Bin ich dir unmaere”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide4:53
6Im Wiener Hofton: VI. Estampie über den Goldener Ton
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
orchestra:
Per-Sonat
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide2:36
7Im Reichston: I. Reichsklage “Ich saz ûf einem steine” / Weltklage “Ich horte diu wazzer diezen” / Kirchenklage “Ich sach mit minen ougen”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, Wolfram von Eschenbach8:01
8Im Reichston: II. Lindenlied “Under der linden”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, [anonymous]3:22
9Im Reichston: III. Nahtegal
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide; Tobie Miller2:41
10Im Reichston: IV. Prophetentanz
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide3:26
11Im Reichston: V. Kranz‐Tanz‐Lied “Nemt, frouwe disen kranz”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, Baptiste Romain3:54
12Im Unmutston: I. Innozenz und Gerbreht “Der stuol ze Rôme” / Erste Opferstockstophe “Ahi wie kristenliche nu der babest lachet” / Kunstklage “In nomine domini”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide7:41
13Im Unmutston: II. Traumglück “Do der sumer komen was”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, Meister Alexander4:12
14Im Unmutston: III. Palästinalied “Alrest lebe ich mir werde”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde) (from 2014-05-06 until 2014-05-08)
lyricist and composer:
Walther von der Vogelweide
Walther von der Vogelweide7:31
15Im langen Ton: I. Testamenstrophe “Ich wil nû teilen ê ich far” / “Sit mir din niht mer werde mac” / “Man mac wol offenbare sehen”
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide5:55
16Im langen Ton: II. Iferunge
recording engineer:
Markus Spatz (engineer)
engineer:
Bernd Stoll
additional producer:
Joachim Berenbold (task: Executive producer) and Thorsten Preuß (task: Executive producer)
producer:
Lutz Wildner (task: Recording producer)
editor:
Lutz Wildner
bagpipe [Dudelsack / bagpipe] and bowed lyre [Streichleier / bowed lyre]:
Baptiste Romain
hurdy gurdy [Drehleier / hurdy gurdy] and transverse flute [Mittelalterflöten / medieval flutes]:
Tobie Miller (hurdy-gurdy and recorder player)
vielle [Fidel / vielle]:
Baptiste Romain and Elizabeth Rumsey (gamba player)
soprano vocals:
Sabine Lutzenberger
phonographic copyright (℗) by:
℗ + © 2015 note 1 music gmbh, Heidelberg, Germany
recorded at:
Kloster Heilsbronn, Refektorium in Heilsbronn, Bayern, Germany (from 2014-05-06 until 2014-05-08)
Walther von der Vogelweide, Baptiste Romain4:30
▼ CD 2: Neidhart von Reuental: Minnesang einmal anders
#TitleArtistRatingLength
1Sing ein guldein hun
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Sing ein guldein hun
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal2:44
2Mir ist von herczen laide
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Mir ist von herczen laide
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal5:15
3Ich gesach heide nye so gestalt
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Ine gesach die heide nye so gestalt
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal3:33
4Mayenzeit one neidt
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Mayenzeit one neidt
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal5:08
5Mann hort nicht mer süssen schal
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Mann hort nicht mer süssen schal
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal3:21
6Do der liebe sumer
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Do der liebe summer
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal5:51
7Maye dein wunnewerde zeit
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Meye dein wunnewerde zeit
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal4:46
8Do man den gumpel gampel sank
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Do man den gumpel gempel sank
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal5:04
9Meie dein lihter schein
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Meye dein / lichter schein
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal3:14
10Wie schöne wir den anger ligen sahen
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Blozen wir den anger ligen sahen
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal4:03
11Freut euch wol gemuten kindt
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Freut euch wolgemuten kindt
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal4:08
12Sumer deiner suzzen wunne
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Sumer deiner suzzen wunne
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal6:13
13Winter deine mail
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Winter deine mail
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal7:07
14Sie clagen das der winder
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1990-07)
recording of:
Si klagent, daz der winder
writer:
Neidhart von Reuenthal
Neidhart von Reuenthal4:27
▼ CD 3: Konrad von Würzburg: Der Meister unter den Minnesängern
#TitleArtistRatingLength
1Die meister habent wol gesungen
garklein recorder:
Timothy C. Nelson (medieval instrumentalist) (in 1987-05)
harp:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Barthel Regenbogen2:04
2Im Hofton: Ein hävescher hunt / Dem adelarn von Rôme / Ein lob geblüemet vert / Mir ist als ich niht lebende si
garklein recorder and tin whistle:
Timothy C. Nelson (medieval instrumentalist) (in 1987-05)
vielle:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Konrad von Würzburg8:52
3Nun ist niht mere min gedinge
hurdy gurdy:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Rudolf von Neuenburg3:27
4Geviolierte blüete kunst
hurdy gurdy:
Timothy C. Nelson (medieval instrumentalist) (in 1987-05)
vielle:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Frauenlob (Heinrich von Meissen)2:12
5Im Aspis-Ton: Aspis ein wurm geheizen ist / Der karge riche vert von hûs / Nieman ist âne bresten gar
lira da braccio [lira]:
Sterling Jones (classical strings player) (in 1987-05)
spoken vocals:
Christian Schmid-Cadalbert (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Konrad von Würzburg4:49
6Willekomen, sumerweter süeze!
rebec:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
recording of:
Willekomen sumerweter süeze
writer:
Neidhart von Reuenthal
Göli3:32
7Von allen Singern
vielle:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Lüpold Hornburg4:29
8Morgenwîse: Winter uf der heide bluomen selwet / Wart ie bezzer iht / Daz die milten alsô früegen sterbent
soprano recorder:
Timothy C. Nelson (medieval instrumentalist) (in 1987-05)
vielle:
Sterling Jones (classical strings player) (in 1987-05)
vocals:
Andrea von Ramm (mezzo-soprano) (in 1987-05)
recorded at:
St Albankirche (Basel) in Basel, Basel-Stadt, Switzerland (in 1987-05)
Konrad von Würzburg6:10
▼ CD 4: Mönch von Salzburg: Weltliche Lieder des späten Minnesang
#TitleArtistRatingLength
1Das taghorn
Mönch von Salzburg5:31
2Ich han in ainem garten gesehen
Mönch von Salzburg3:34
3Caldy valdy
Mönch von Salzburg2:23
4Was ich hewer das iar anvach
Mönch von Salzburg2:41
5Der tewfel und ain klaffent schalkch
Mönch von Salzburg2:23
6Vil maniger gewd von sweigen sich
Mönch von Salzburg2:38
7In aller werlt mein liebster hort
Mönch von Salzburg6:07
8Das kchühorn
Mönch von Salzburg3:38
9Wolauf lieben gesellen unverzeit / Seyt willekumen her Mertein
Mönch von Salzburg2:56
10Der herbst mit süessen trawben
Mönch von Salzburg2:03
11Ich klag dir traut gesell
Mönch von Salzburg3:42
12Dem allerlibsten schönsten weib
Mönch von Salzburg2:51
13Trawt allerliebstes frewlein czart
Mönch von Salzburg5:36
14Ich het czu hannt geloket mir
Mönch von Salzburg2:33
15Mein traut gesell
Mönch von Salzburg2:42
16Das nachthorn
Mönch von Salzburg5:12
▼ CD 5: Oswald von Wolkenstein: Der letzte Minnesänger
#TitleArtistRatingLength
1Es fuegt sich (Str. 1, 2)
orchestra:
Ensemble für frühe Musik Augsburg (German early music ensemble) (in 1987)
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1987)
partial recording of:
Es fuegt sich (in 1987)
composer:
Oswald von Wolkenstein
recording of:
Es fuegt sich
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:33
2Vil lieber grösse süsse
orchestra:
Ensemble für frühe Musik Augsburg (German early music ensemble)
recording of:
Vil lieber grüsse
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein4:19
3Herz prich
Oswald von Wolkenstein2:34
4Qui contre fortune
Oswald von Wolkenstein1:09
5Nur rue mit sorgen
Oswald von Wolkenstein2:10
6Der himel fürst uns heut bewar
Oswald von Wolkenstein2:45
7Es fuegt sich (Str. 4)
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1987)
partial recording of:
Es fuegt sich (in 1987)
composer:
Oswald von Wolkenstein
recording of:
Es fuegt sich
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein1:27
8Mein herz das ist versert
Oswald von Wolkenstein2:29
9Frölich zärtlich
recording of:
Frölich, zärtlich
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:20
10Die minne fueget niemand
Oswald von Wolkenstein1:54
11Ain graserin
recording of:
Ain graserin
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:54
12Wol auf gesellen an die vart
Oswald von Wolkenstein3:27
13Es fuegt sich (Str. 7)
recorded at:
Barbarasaal, Stetteninstitut Augsburg in Augsburg, Bayern, Germany (in 1987)
partial recording of:
Es fuegt sich (in 1987)
composer:
Oswald von Wolkenstein
recording of:
Es fuegt sich
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein1:55
14Los frau und hör des hornes schall
Oswald von Wolkenstein1:26
15Komm liebster man
recording of:
Kum, liebster man!
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:39
16Stand auff Maredel – Frowe ich enmag
recording of:
Stand auff, Maredel
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:17
17Je voy mon cuer
Oswald von Wolkenstein2:41
18Wenn ich betracht
recording of:
Wenn ich betracht die gueten Nacht
writer:
Der Mönch von Salzburg
Oswald von Wolkenstein4:15
19Ich klag
Oswald von Wolkenstein2:21
20Wer die ougen wil verschuren
Oswald von Wolkenstein2:14
21Tröstlicher hort – Frölich das tun ich
Oswald von Wolkenstein1:42
22Ich spür ain tier
Oswald von Wolkenstein5:38
23Ave mater o Maria
Oswald von Wolkenstein1:58
24Her wiert uns dürstet also sere
recording of:
Her wiert uns dürstet
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:02
▼ CD 6: Oswald von Wolkenstein: Der Kosmopolit
#TitleArtistRatingLength
1Do fraig amors
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Do fraig amors (Kl.69)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:09
2Stampanie über “Do frayg amors”
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
instrumental recording of:
Do fraig amors (Kl.69)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:06
3Freu dich du weltlich creatúr
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
instrumental recording of:
Mich tröst ain adeliche mait (Kl.78)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:01
4Durch aubenteuer tal und perg
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Durch aubenteuer tal und perg (Kl.26)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein12:05
5Gar wunnichlich hat si mein herz besessen
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Gar wunnichlich (Kl.64)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:49
6Es seusst dort her von orient
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Es seusst dort her von orient (Kl.20)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein11:28
7Ach senliches leiden
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Ach senliches leiden (Kl.51)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:42
8Wes mich mein búl ie hat erfreut
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Wes mich mein bül ie hat erfreut (Kl.55)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:29
9Wol auff, wol an
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Wol auff, wol an (Kl.75)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein6:35
10Ain gút geboren edel man
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Ain güt geboren edel man (Kl.43)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:37
11Nu rue mit sorgen
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Nu rue mit sorgen (Kl.121)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:38
12Wer ist die da durchleuchtet
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Wer ist, die da durchleuchtet?
composer:
Oswald von Wolkenstein
Oswald von Wolkenstein6:10
13Ich klag
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Ich klag (Kl.108)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein4:00
14Mit gúnstlichem herzen
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Mit günstlichem herzen (Kl.71)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein2:55
15Herz, prich
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
recording of:
Herz, prich (Kl.93)
writer:
Oswald von Wolkenstein
Oswald von Wolkenstein3:42
16Wol auff wir wellen slauffen / Bog de primi was dustu da
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft, Switzerland (from 2013-04-02 until 2013-04-05)
partial recording of:
Bog dep’mi was dustu da (Kl.119)
writer:
Oswald von Wolkenstein
instrumental recording of:
Wol auff, wir wellen slauffen (Kl.84)
lyricist and composer:
Oswald von Wolkenstein
Oswald von Wolkenstein7:17
▶ CD 7: Minnesang in Europa: Troubadours, Trouvères, Minnesänger
▶ CD 8: Mittelalterliche Frauenlieder
▶ CD 9: Der Taugenhort: Mystische Betrachtungen von Frauenlob
▶ CD 10: Geistliche Lieder des späten Minnesang
▶ CD 11: Codex Manesse: Die große Heidelberger Liederhandschrift