Switched On Classics, Volume I

~ Release by Neon Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1“Classics on 45”: Piano Concerto no. 1 / Flight of the Bumble Bee / Symphony no. 40 / Rhapsody in Blue / Karelia Suite / Symphony no. 5 / Toccata in D minor / Eine kleine Nachtmusik / Symphony no. 9 / Wilhelm Tell Overture / Aria from “The Marriage of Figaro” / Romeo and Juliet / Trumpet Voluntary / Hallelujah Chorus / Piano Concerto in A minor / Toreadors March / 1812 Overture
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley including a recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
medley including a recording of:
Karelia-sarja, op. 11: I. Intermezzo (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
medley including a instrumental recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
medley including a instrumental recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
medley including a recording of:
Romeo and Juliet, TH 42, ČW 39 (catch-all for arrangements)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1869)
arrangement of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
medley including a recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley including a recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley including a recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley including a recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (in 1700)
medley including a recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
medley including a recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
medley including a recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture
medley including a recording of:
Полёт шмеля (Flight of the Bumblebee; original for orchestra)
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski‐Korsakov) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan
Tchaikovsky / Rimsky‐Korsakov / Mozart / Gershwin / Sibelius / Beethoven / Bach / Mozart / Beethoven / Rossini / Mozart / Tchaikovsky / Clarke / Handel / Grieg / Bizet / Tchaikovsky5:31
2Fantasy
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
RachmaninoffPaganini3:46
3Air on the G‐String / Ave Maria / Liebstraum / Chorale / Moonlight Sonata: 1st movement / Pathetique Sonata: 2nd movement / Clarinet Concerto in A: 2nd movement / Largo
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
arrangement of:
Ave Maria (Bach/Gounod)
medley including a recording of:
Chorale
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Concerto for Clarinet in A major, K. 622: II. Adagio
medley including a recording of:
Lyrische Andante "Liebestraum" (for orchestra)
composer:
Max Reger (composer) (in 1898)
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (catch all for arrangements)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
medley including a recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (catch-all for arrangements)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Bach / BachGounod / Liszt / Bach / Beethoven / Beethoven / Mozart / Handel6:11
4Tchaikovsky Suite: Capriccio italien / Swan Lake: Adagio / Nutcracker: Dance of the Reed Flutes / Romeo and Juliet / Pathetique Symphony / Nutcracker Suite: Trepak / Dance of the Sugar Plum Fairy / March / Dance of the Chinese / Overture / Piano Concerto in B♭ minor
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Capriccio italien (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
Capriccio italien, op. 45
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
dedicated to:
Hans von Bülow
premiered at:
[concert] (1875-10-25)
premiered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1875-10-25)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 23) and The Tchaikovsky Handbook (number: TH 55)
medley including a recording of:
Romeo and Juliet, TH 42, ČW 39 (catch-all for arrangements)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1869)
arrangement of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
medley including a recording of:
Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I, no. 4: Pas de trois
medley including a recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
premiered in:
Sankt-Peterburg, Russia (on 1893-10-28)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
dedicated to:
Vladimir Davydov
publisher:
P. Jurgenson (in 1894-02)
part of:
The Tchaikovsky Handbook (number: TH 30), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 27) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 74)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
medley including a recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
part of:
The Nutcracker Suite, op. 71a (catch-all for arrangements)
Tchaikovsky5:37
5Rondo alla Turca
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Mozart2:41
6Orpheus in the Underworld: Can Can / Thunder & Lightning Polka / Hungarian Dance no. 5 / Galop / Medley / Hora Staccato / Orpheus in the Underworld
orchestra:
The Neon Philharmonic Orchestra
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a partial recording of:
Hora Staccato (catch-all for arrangements)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
arrangement of:
Hora Staccato (for solo violin)
medley including a partial recording of:
Hungarian Dance no. 5 (catch-all for arrangements)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
medley including a partial recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
medley including a partial recording of:
Orpheus in the Underworld
composer:
Jacques Offenbach
translated version of:
Orphée aux enfers (opéra féerie in four acts, 1874)
medley including a partial recording of:
Unter Donner und Blitz, op. 324
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Offenbach / Strauss Ⅱ / Brahms / Strauss / Offenbach / Dinicu / Offenbach4:58

Credits

Release

rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
copyrighted (©) by:Tring International PLC (not for release label use - for copyrights only)
licensed from:Long Island Music Co. Ltd. (not an imprint; rights holders/licensors of music recordings)
Discogs:https://www.discogs.com/release/23154470 [info]