Don Carlo

~ Release by Giuseppe Verdi (see all versions of this release, 6 available)

Tracklist

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▼ CD 1
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1Atto Primo: Introduzione - Coro di cacciatori: "Su, cacciator! pronti la bleva..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
version of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
1:24
2Atto Primo: Scena e romanza: "Fontainebleau! Foresta immensa e solitaria"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto I. N°2. Scena e romanza: "Fontainebleau! Foresta immensa e solitaria!" (Carlo) by Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto I. N°2. Scena e romanza: "Io la vidi e al suo sorriso" (Carlo) by Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
4:23
3Atto Primo: Scena: "Il suon del como alfin nel bosco tace"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
2:37
4Atto Primo: Scena e duetto: "Al mio pie' perché?"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
4:37
5Atto Primo: Scena e duetto: "Di qual amor, di quanto ardor"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Di qual amor, di quant'ardor” (Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
5:30
6Atto Primo: Scena e duetto: "Al fedel ch'ora viene, o signora"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Al fedel ch'ora viene, o signora” (Tebaldo, Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
1:15
7Atto Primo: Scena e duetto: "L'ora fatale è suonata!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
0:54
8Atto Primo: Coro, scena e finale primo: "Inni di festa lieta echeggiate"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
tenor vocals [Lerma]:
Ryland Davies (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
1:28
9Atto Primo: Coro, scena e finale primo: "Il glorioso Re di Francia"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Il glorioso Re di Francia" (Lerma, Coro, Elisabetta) by John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Ryland Davies (tenor), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto I. N°4. Coro, scena e finale primo “Vi benedica, Iddio dal ciel!” (Coro, Elisabetta, Carlo) by John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Vi benedica, Iddio dal ciel!” (Coro, Elisabetta, Carlo)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
5:23
10Atto Secondo. Prima Scena: Coro ed aria: "Carlo il sommo Imperatore"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [un frate]:
Simon Estes (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: Preludio by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Carlo il sommo Imperatore" (Coro, Un frate) by John McCarthy (British choral conductor, scholar, composer and arranger), Simon Estes (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
6:37
11Atto Secondo. Prima Scena: Scena: "Al chiostro di San Giusto"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:58
12Atto Secondo. Prima Scena: Scena e duetto: "È lui! desso! l'Infante!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [un frate]:
Simon Estes (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:34
13Atto Secondo. Prima Scena: Scena e duetto: "Ascolta! Le porte dell'asil s'apron già"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 1. N°3 “Ascolta! Le porte dell’asil s’apron già” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
0:55
14Atto Secondo. Prima Scena: Scena e duetto: "Dio, che nell'alma infondere amor..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:57
15Atto Secondo. Seconda Scena: Coro e scena: "Sotto ai folti, immensi abeti"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:54
16Atto Secondo. Seconda Scena: Coro e scena: "Tra queste mura pie la Regina..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
0:57
17Atto Secondo. Seconda Scena: Canzone del velo: "Nei giardin del bello..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:57
18Atto Secondo. Seconda Scena: Romanze di Rodrigo: "La Regina!"..."Un'arcana mestizia..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:11
19Atto Secondo. Seconda Scena: Romanze di Rodrigo: "Che mai si fa nel suol francese"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:16
20Atto Secondo. Seconda Scena: Romanze di Rodrigo: "Carlo ch'è sol il nostro amore"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:51
21Atto Secondo. Seconda Scena: Gran scena e duetto: "lo vengo a domandar"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Io vengo a domandar" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Perduto ben, mio sol tesor" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
8:31
▼ CD 2
#TitleRatingLength
1Atto Secondo. Seconda Scena: "Oh! Carlo! oh! Carlo!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:15
2Atto Secondo. Seconda Scena: Scena: "Il Re!"..."Perché sola è la Regina?"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:27
3Atto Secondo. Seconda Scena: Romanza: "Non pianger, mia companga"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:23
4Atto Secondo. Seconda Scena: Scena e Duetto: "Restate! Al mio regal cospetto"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:28
5Atto Secondo. Seconda Scena: Scena e Duetto: "O Signor, di Fiandra arrivo"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:29
6Atto Secondo. Seconda Scena: Scena e Duetto: "Quest'è la pace che voi date al mondo?"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:21
7Atto Secondo. Seconda Scena: Scena e Duetto: "Osò lo sguardo tuo penetrar il mio soglio"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:46
8Act Terzo. Prima Scena: Preludio (Orchestra)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II. Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
3:03
9Act Terzo. Prima Scena: Scena, duetto e terzetto: "A mezzanotte, ai giardin della Regina"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "A mezzanotte, ai giardin della Regina" (Carlo, Eboli) by Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ciel! Non è la Regina!" (Carlo, Eboli) by Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Che disse mai?" (Rodrigo, Eboli) by Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Al mio furor, sfuggite invano" (Eboli, Rodrigo, Carlo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
8:21
10Act Terzo. Prima Scena: Scena, duetto e terzetto: "Ed io, che tramava al suo aspetto!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ed io, che tremava al suo aspetto!" (Eboli, Rodrigo, Carlo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Trema per te, falso figliuolo" (Eboli, Rodrigo, Carlo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Carlo! se mai su te fogli importanti serbi" (Rodrigo, Carlo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
5:05
11Act Terzo. Seconda Scena: Gran finale: "Spuntato ecco il dì d'esultanza"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
4:31
12Act Terzo. Seconda Scena: Gran finale: "Schiusa or sia la porta del tempio"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [un araldo reale]:
John Noble (baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
3:39
13Act Terzo. Seconda Scena: Gran finale: Il corteggio reale
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°6 Il corteggio reale (Orchestra, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto II (III)
2:15
14Act Terzo. Seconda Scena: Gran finale: "Nel posar sul mio capo la corona"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto III, Scena II, No. 9. Gran finale: "Nel posar sul mio capo la corona" (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) by John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto III, Scena II, No. 9. Gran finale: "A Dio voi foste infidi, infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati) by John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Delia Wallis (mezzo-soprano), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
6:26
15Act Terzo. Seconda Scena: Gran finale: "Sire! egli è tempo ch'io viva!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
2:12
16Act Terzo. Seconda Scena: Gran finale: "O ciel! Tu! Rodrigo!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
soprano vocals [una voce dal cielo]:
Maria-Rosa del Campo
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
2:56
▼ CD 3
#TitleRatingLength
1Atto Quarto. Prima Scena: Introduzione e Scena: "Ella giammai m'amò!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, scena 1. N°10. Introduzione e scena: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) by Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Dormirò sol nel manto mio regal" (Filippo) by Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
10:31
2Atto Quarto. Prima Scena: Scena: "Il Grand' Inquisitor!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena I, No. 11. Scena: "Il Grand'Inquisitor!" (Lerma, L'Inquisitore, Filippo) by Ryland Davies (tenor), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 11. Scena: "Nell'ispano suol mai l'eresia dominò" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 11. Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
9:06
3Atto Quarto. Prima Scena: Scena e quartetto: "Giustizia, giustizia, Sire!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:02
4Atto Quarto. Prima Scena: Scena e quartetto: "Ardita troppo voi favellate!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
1:59
5Atto Quarto. Prima Scena: Scena e quartetto: "Ah! sii maledetto, sospetto fatale"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
4:35
6Atto Quarto. Prima Scena: Scena: "Pietà! pietà! perdon!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:48
7Atto Quarto. Prima Scena: Aria: "O don fatale, o don crudel"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto IV, scena 1. N°13. Scena ed aria: "Ah più non vedrò la Regina! O don fatale, o don crudel" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 13. Scena ed aria: "O mia Regina, io t'immolai" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
5:01
8Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Son io, mio Carlo."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:32
9Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Per me giunto è il dì supremo" "O Carlo ascolta, la madre..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Per me giunto è il dì supremo" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Che parli tu di morte?" (Carlo, Rodrigo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "O Carlo, ascolta, la madre t'aspetta" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
5:43
10Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "lo morrò ma lieto in core"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
2:39
11Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Mio Carlo, a te la spada io rendo."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:32
12Atto Quinto: Scena ed aria: "Tu che le vanità..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto V, No. 15. Scena ed aria: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Addio! Addio, bei sogni d'ôr" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
11:02
13Atto Quinto: Scena e duetto d'addio e scena finale: "È dessa!"... "Un detto, un sol"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "È dessa!" - "Un detto, un sol" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Vago sogno m'arrise!" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
6:07
14Atto Quinto: Scena e duetto d'addio e scena finale: "Ma lassù ci vedremo"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "Ma lassù ci vedremo" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Sì, per sempre!" (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Simon Estes (bass-baritone), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
6:10