Mozart 225: Complete Handel Arrangements

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

▶ Digital Media 182: Arrangements
▶ Digital Media 183: Arrangements
▶ Digital Media 184: Arrangements
▶ Digital Media 185: Arrangements
▶ Digital Media 186: Arrangements
▼ Digital Media 187: Arrangements
#TitleArtistRatingLength
1Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:07
2Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:14
3Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:30
4Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:59
5Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:27
6Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:00
7Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:25
8Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:30
9Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:02
10Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:44
11Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:51
12Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:57
13Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:21
14Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:29
15Ode auf St. Caecilia, K. 592: Overture
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Overture
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:10
16Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:19
17Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:12
18Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:25
19Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:49
20Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:05
21Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:19
22Ode auf St. Caecilia, K. 592: March
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: March
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:49
23Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:55
24Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:04
25Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:53
26Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:07
27Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:40
28Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:12
29Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:13