Jukebox Favourites: Hits of the 20s & 30s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Swanee
vocals:
Al Jolson
recording of:
Swanee (on 1945-08-10)
lyricist:
Irving Caesar (in 1919)
composer:
George Gershwin (composer) (in 1919)
publisher:
WB Music Corp. (1929–2019) and T. B. Harms & Francis, Day & Hunter, Inc. (on 1919-10-31)
Al Jolson1:54
2Fascinating Rhythm
recorded in:
London (Greater London), England, United Kingdom (on 1926-04-19)
piano:
George Gershwin (composer) (on 1926-04-19)
vocals:
Adele Astaire (on 1926-04-19) and Fred Astaire (on 1926-04-19)
recording of:
Fascinatin’ Rhythm (on 1926-04-19)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Fred Astaire2:26
3Willie the Weeper
recorded in:
Chicago, Illinois, United States (on 1927-05-07)
banjo and guitar:
Johnny St. Cyr (on 1927-05-07)
clarinet:
Johnny Dodds (on 1927-05-07)
cornet:
Louis Armstrong (on 1927-05-07)
drums (drum set):
Baby Dodds (on 1927-05-07)
piano:
Lil Hardin Armstrong (on 1927-05-07)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-07)
tuba:
Pete Briggs (on 1927-05-07)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Willie the Weeper (on 1927-05-07)
writer:
Marty Bloom, Walter Melrose and Grant Rymal
Louis Armstrong3:15
4Makin’ Whoopee
recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Bing Crosby & Paul Whiteman Orchestra3:14
5Mood Indigo
Cab Calloway2:30
6You’d Be Surprised
Eddie Cantor3:14
7My Man
Fanny Brice3:31
8Chimes Blues
King Oliver’s Creole Jazz Band & Louis Armstrong2:52
9I Didn’t Know
Bix Beiderbecke & The Jean Goldkette Orchestra3:07
10The Blue Room
The Hamilton Sisters & Fordyce3:12
11Jazz Me Blues
The Wolverines & Bix Beiderbecke2:48
12Caution Blues
solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-09)
recording of:
Caution Blues
Earl Hines3:01
13Can’t Help Lovin’ Dat Man
Helen Morgan3:07
14Original Jelly Roll Blues
banjo:
Johnny St. Cyr
clarinet:
Omer Simeon
cornet:
George Mitchell (US jazz trumpeter and cornet player)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
drums (drum set):
Andrew Hilaire
piano:
Jelly Roll Morton
trombone:
Kid Ory
recording of:
Original Jelly-Roll Blues (on 1926-12-16)
composer:
Ferdinand Morton
Jelly Roll Morton3:07
15Washboard Blues
recorded in:
Chicago, Illinois, United States (on 1927-11-18)
alto saxophone and clarinet:
Jimmy Dorsey (on 1927-11-18)
baritone saxophone:
Charles Strickfaden (on 1927-11-18)
bass clarinet:
Chester Hazlett (on 1927-11-18)
cornet:
Bix Beiderbecke (on 1927-11-18)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-18)
guitar:
Wilbur Hall (on 1927-11-18)
piano:
Hoagy Carmichael (on 1927-11-18)
trombone:
Boyce Cullen (trombonist) (on 1927-11-18) and Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-18)
vibraphone:
Harold McDonald (drummer active in the 1920’s) (on 1927-11-18)
viola:
Matty Malneck (on 1927-11-18)
violin:
Kurt Dieterle (on 1927-11-18) and Mischa Russell (violinist) (on 1927-11-18)
vocals:
Hoagy Carmichael (on 1927-11-18)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-18)
recording of:
Washboard Blues (on 1927-11-18)
lyricist:
Fred B. Callahan and Irving Mills (in 1926)
composer:
Hoagy Carmichael (in 1925)
publisher:
Jack Mills, Inc. (on 1925-05-28)
Hoagy Carmichael4:23
16’tain’t Nobody’s Bizness If I Do
recorded in:
New York, New York, United States (on 1923-04-26)
piano:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (on 1923-04-26)
vocals:
Bessie Smith (Tennessee blues singer) (on 1923-04-26)
recording of:
T’ain’t Nobody’s Bizness If I Do (on 1923-04-26)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
cover recording of:
T’ain’t Nobody’s Bizness If I Do
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
Bessie Smith43:29
17Ida, Sweet As Apple Cider
bass saxophone:
Adrian Rollini (on 1927-08-15)
clarinet:
Pee Wee Russell (on 1927-08-15)
drums (drum set):
Vic Berton (on 1927-08-15)
guitar:
Dick McDonough (on 1927-08-15)
piano:
Lennie Hayton (on 1927-08-15)
tenor saxophone:
Fud Livingston (on 1927-08-15)
trombone:
Miff Mole (on 1927-08-15)
trumpet:
Manny Klein (on 1927-08-15), Leo McConville (on 1927-08-15) and Red Nichols (on 1927-08-15)
arranger:
Lennie Hayton (on 1927-08-15)
instrumental recording of:
Ida! Sweet as Apple Cider (on 1927-08-15)
lyricist:
Eddie Leonard (in 1903)
composer:
Eddie Munson (in 1903)
Red Nichols & His Five Pennies2:51
18Blue Skies
Vaughn Deleath3:23
19Me and My Shadow
Whispering Jack Smith3:17
20Ol’ Man River
Paul Robeson & Paul Whiteman Orchestra4:10
21The Man I Love
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Sophie Tucker2:54
22High Society
cornet:
Ed Allen (trumpeter) (on 1929-07-02)
drums (drum set) and washboard:
Floyd Casey (on 1929-07-02)
piano:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (on 1929-07-02)
recording of:
High Society (Armand J. Piron/Clarence Williams) (on 1929-07-02)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
is based on:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Clarence Williams and His Jazz Kings3:12
23Minnie the Moocher
banjo:
Morris White (jazz guitarist) (on 1933-12-18)
double bass:
Al Morgan (jazz double-bassist) (on 1933-12-18)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1933-12-18)
piano:
Benny Payne (jazz pianist and vocalist) (on 1933-12-18)
reeds:
Eddie Barefield (on 1933-12-18), Andrew Brown (jazz saxophonist) (on 1933-12-18), Arville Harris (on 1933-12-18) and Walter Thomas (on 1933-12-18)
trombone:
DePriest Wheeler (on 1933-12-18) and Harry White (jazz trombonist) (on 1933-12-18)
trumpet:
Doc Cheatham (on 1933-12-18), Edwin Swayze (on 1933-12-18) and Lammar Wright (on 1933-12-18)
vocals:
Cab Calloway (on 1933-12-18)
recording of:
Minnie the Moocher (on 1933-12-18)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music
is based on:
Willie the Weeper
Cab Calloway33:37
24A Fine Romance
recorded in:
Los Angeles, California, United States (on 1936-07-28)
vocals:
Fred Astaire (on 1936-07-28)
orchestra:
Johnny Green and His Orchestra (on 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-07-28)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Fred Astaire2:56
25Mad About the Boy
Gertrude Lawrence3:16
26Mean to Me
The Dorsey Brothers3:21
27Dippermouth Blues
banjo:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06) and Bud Scott (on 1923-04-06)
clarinet:
Johnny Dodds (on 1923-04-06)
cornet:
Louis Armstrong (on 1923-04-06) and King Oliver (jazz cornetist) (on 1923-04-06)
drums (drum set):
Warren “Baby” Dodds (on 1923-04-06)
piano:
Lil Hardin Armstrong (on 1923-04-06)
trombone:
Honoré Dutrey (on 1923-04-06)
vocals:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06)
recording of:
Dippermouth Blues (on 1923-04-06)
composer:
King Oliver (jazz cornetist)
King Oliver’s Creole Jazz Band & Louis Armstrong2:28
28Bugle Call Rag
Benny Goodman & Gene Krupa3:03
29Lookin’ Good, But Feelin’ Bad
recording of:
Lookin’ Good but Feelin’ Bad
composer:
Fats Waller
Fats Waller & Gene Krupa2:41
30Doggin’ That Thing
Henry Allen3:30
31Sweet Rhythm
Jimmie Lunceford and his Chicksaw Syncopaters2:46
32Dinah
Bing Crosby2:51
33When I Take My Sugar to Tea
vocals:
The Boswell Sisters (on 1931-03-19)
recording of:
When I Take My Sugar to Tea (on 1931-03-19)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
The Boswell Sisters & The Dorsey Brothers Orchestra3:12
34The Sun Has Got His Hat On
vocals:
Sam Browne & Chorus (on 1932-07-06)
recording of:
The Sun Has Got His Hat On (on 1932-07-06)
lyricist:
Ralph Butler
composer:
Noel Gay
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Ambrose & Sam Browne2:52
35Weary Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-11)
banjo:
Johnny St. Cyr (on 1927-05-11)
clarinet:
Johnny Dodds (on 1927-05-11)
cornet:
Louis Armstrong (on 1927-05-11)
drums (drum set):
Baby Dodds (on 1927-05-11)
piano:
Lil Hardin Armstrong (on 1927-05-11)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-11)
tuba:
Pete Briggs (on 1927-05-11)
remixer:
House of Pain
recording of:
Weary Blues (on 1927-05-11)
lyricist:
George Cates and Mort Greene
composer:
Artie Matthews
Louis Armstrong3:07
36We’re in the Money
Jack Hylton2:39
37King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman3:12
38Smoke Gets in Your Eyes
vocals:
Bob Lawrence (vocalist with Paul Whiteman Orchestra) (on 1933-11-03)
recording of:
Smoke Gets in Your Eyes (on 1933-11-03)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Paul Whiteman3:30
39Oh Lady Be Good
recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Django Reinhardt & Stéphane Grappelli2:56
40Blue Moon
Frankie Trumbauer & Dick Robertson3:14
41Panama Blues
New Orleans Rhythm Kings & Wingy Manone3:00
42How Could We Be Wrong?
recording of:
How Could We Be Wrong? (Nymph Errant)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Al Bowlly & Lew Stone3:14
43I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Ethel Merman3:07
44Sing As We Go
Gracie Fields2:30
45You’re Driving Me Crazy - What Did I Do
recording of:
You’re Driving Me Crazy
lyricist and writer:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Guy Lombardo & His Royal Canadians3:19
46Stormy Weather
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Harold Arlen & Leo Reisman3:19
47Sweet Georgia Brown
The Mills Brothers2:37
48Over the Rainbow
vocals:
Judy Garland (on 1938-10-07)
orchestra:
MGM Orchestra (on 1938-10-07)
conductor:
Georgie Stoll and Herbert Stothart (composer) (on 1938-10-07)
arranger:
Herbert Stothart (composer)
orchestrator:
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (on 1938-10-07)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:47
49Jeepers Creepers
alto saxophone:
Musky Ruffo (Mascagni Ruffo) (on 1938-11-18) and Bob Snyder (Jazz woodwind player) (on 1938-11-18)
double bass:
Horace Rollins (on 1938-11-18)
drums (drum set):
Gene Krupa (on 1938-11-18)
guitar:
Ray Biondi (on 1938-11-18)
piano:
Milt Raskin (Milton Raskin) (on 1938-11-18)
tenor saxophone:
Sam Donahue (on 1938-11-18) and Sam Musiker (on 1938-11-18)
trombone:
Dalton Rizzotto (Jazz trombonist) (on 1938-11-18), Bruce Squires (on 1938-11-18) and Toby Tyler (on 1938-11-18)
trumpet:
Charles Frankhauser (on 1938-11-18), Tommy Gonsoulin (on 1938-11-18) and Nick Prospero (on 1938-11-18)
vocals:
Leo Watson (on 1938-11-18)
phonographic copyright (℗) by:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
Jeepers Creepers (on 1938-11-18)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gene Krupa & Leo Watson3:04
50Hello Mr. Kringle
Kay Kyser3:02
51My Prayer
recording of:
My Prayer (on 1939-09-18)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
is based on:
Avant de mourir
The Ink Spots3.53:09
52It’s a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
Fats Waller2:59
53Cheek to Cheek
Lew Stone3:05
54Top Hat, White Tie, and Tails
Ray Noble3:31
55Lets Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Fred Astaire2:28
56Jubilee Stomp
Duke Ellington & His Cotton Club Orchestra2:38
57Pennies from Heaven
recording of:
Pennies From Heaven (on 1936-10-21)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
Billie Holiday & Teddy Wilson3:18
58Boogie Woogie
double bass:
Walter Page (on 1938-11-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-11-09)
guitar:
Freddie Green (on 1938-11-09)
piano:
Count Basie (pianist) (on 1938-11-09)
recording of:
Boogie Woogie (on 1938-11-09)
composer:
Clarence “Pine Top” Smith
Count Basie3:07
59But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Fats Waller & Lee Wiley2:29
60When I’m Cleaning Windows
George Formby2:56
61I’m an Old Cowhand
Eddy Duchin3:35
62Blackstick
Sidney Bechet2:47
63Slumming On Park Avenue
vocals:
Alice Faye (on 1937-01-24)
orchestra:
Cy Feuer and His Orchestra (on 1937-01-24)
recording of:
Slumming on Park Avenue (on 1937-01-24)
lyricist and composer:
Irving Berlin (in 1937)
Alice Faye2:41
64Bei Mir Bist Du Schön
vocals:
The Andrews Sisters (on 1937-11-24)
recording of:
Bei mir bist du schön (English version) (on 1937-11-24)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:10
65Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Billie Holiday & Teddy Wilson3:08
66I’ve Got My Love to Keep Me Warm
Carroll Gibbons, The Savoy Orpheans & George Melachrino3:05
67One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie3:00
68A Foggy Day
recording of:
A Foggy Day (in London Town) (in 1938)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Geraldo & Cyril Grantham2:55
69Basin Street Blues
recording of:
Basin Street Blues (on 1937-09-25)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Connee Boswell2:58
70Slap That Bass
The Ink Spots2:26
71Run Rabbit Run
Flanagan & Allen2:49
72Heat Wave
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
Ethel Merman2:47
73Cherokee
recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Charlie Barnet3:21
74Ain’t Misbehavin’
The Mills Brothers3:06
75Crazy Rhythm
alto saxophone:
André Ekyan (on 1937-04-28)
clarinet:
Alix Combelle (on 1937-04-28)
double bass:
Eugène d’Hellemmes (on 1937-04-28)
drums (drum set):
Tommy Benford (on 1937-04-28)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-28)
piano:
Stéphane Grappelli (jazz violinist) (on 1937-04-28)
tenor saxophone:
Coleman Hawkins (on 1937-04-28)
trumpet:
Benny Carter (on 1937-04-28)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1743-1) and Swing (by matrix number) (number: OLA 1743-1)
instrumental recording of:
Crazy Rhythm (on 1937-04-28)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
Coleman Hawkins And His All Star Jam Band3:02
76He Ain’t Got Rhythm
vocals:
Nat Gonella (on 1937-07-19)
orchestra:
Nat Gonella & His Georgians (on 1937-07-19)
recording of:
He Ain’t Got Rhythm (on 1937-07-19)
lyricist and composer:
Irving Berlin
Nat Gonella And His Georgians3:14
77Wish Me Luck
recording of:
Wish Me Luck as You Wave Me Goodbye
lyricist:
Phil Park
composer:
Harry Parr-Davies
publisher:
Chappell & Co Ltd.
Gracie Fields3:00
78I Wonder Who’s Kissing Her Now
recording of:
I Wonder Who’s Kissing Her Now
lyricist:
Frank R. Adams (American author, screenwriter, composer & newspaper reporter) and Will M. Hough
composer:
Joseph E. Howard and Harold Orlob
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
Ted Weems and His Ochestra & Perry Como3:19
79Thanks for the Memory
recording of:
Thanks for the Memory
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
Academy Award for Best Original Song (number: 11)
Bob Hope & Shirley Ross3:11
80Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (trombone player) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw3:15
81Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Cole Porter3:06
82In the Mood
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller43:36
83Spring in My Heart
Deanna Durbin3:07
84Falling in Love Again
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-11)
orchestra:
Victor Young and His Orchestra (on 1939-12-11)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-11)
recording of:
Falling in Love Again (Can’t Help It) (on 1939-12-11)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
Marlene Dietrich2:58
85My Melancholy Baby
double bass:
Moses Allen (on 1938-04-12)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1938-04-12)
guitar:
Al Norris (on 1938-04-12)
piano:
Edwin Wilcox (on 1938-04-12)
reeds:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1938-04-12)
trombone:
Russell Bowles (on 1938-04-12), Elmer Crumbley (on 1938-04-12) and Trummy Young (on 1938-04-12)
trumpet:
Sy Oliver (on 1938-04-12), Eddie Tompkins (on 1938-04-12) and Paul Webster (trumpet, jazz musician) (on 1938-04-12)
recording of:
My Melancholy Baby (on 1938-04-12)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Jimmie Lunceford3:05
86Ciribiribin
recording of:
Ciribiribin (They’re So in Love) (Harry James theme song)
lyricist:
Harry James (US big band leader, trumpeter & actor) and Jack Lawrence (US songwriter)
composer:
Alberto Pestalozza
is based on:
Ciribiribin (original Italian version)
part of:
Hit the Deck (1955 movie)
Harry James2:32
87Two Sleepy People
Kay Kyser & His Orchestra3:02
88At the Woodchoppers’ Ball
alto saxophone:
Joe Estren (on 1939-04-12) and Ray Hopfner (on 1939-04-12)
double bass:
Walter Yoder (on 1939-04-12)
drums (drum set):
Frankie Carlson (on 1939-04-12)
flugelhorn:
Joe Bishop (on 1939-04-12)
guitar:
Hy White (on 1939-04-12)
piano:
Tommy Linehan (on 1939-04-12)
reeds:
Woody Herman (on 1939-04-12)
tenor saxophone:
Pete Johns (30s jazz saxophonist) (on 1939-04-12) and Saxie Mansfield (on 1939-04-12)
trombone:
Neal Reid (on 1939-04-12)
trumpet:
Mac MacQuordale (on 1939-04-12), Steady Nelson (on 1939-04-12) and Clarence Willard (on 1939-04-12)
recording of:
Woodchopper’s Ball (on 1939-04-12)
composer:
Joe Bishop and Woody Herman
part of:
The Real Book (compilation of jazz standards, Volume I)
Woody Herman3:19