Osteroratorium BWV 249 / Bleib bei uns BWV 6

~ Release by Johann Sebastian Bach; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling (see all versions of this release, 1 available)

Annotation

SPARS: AAD (all tracks)

Annotation last modified on 2021-07-15 18:49 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Kommt, eilet und laufet (Osteroratorium), BWV 249: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:04
2Kommt, eilet und laufet (Osteroratorium), BWV 249: II. Adagio
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:18
3Kommt, eilet und laufet (Osteroratorium), BWV 249: III. Duetto e Coro (T,B,Chor) "Kommt, eilet und laufet"
choir vocals:
Gächinger Kantorei Stuttgart
solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:43
4Kommt, eilet und laufet (Osteroratorium), BWV 249: IV. Recitativo (S,A,T,B) "O kalter Männer Sinn!"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach1:07
5Kommt, eilet und laufet (Osteroratorium), BWV 249: V. Aria (S) "Seele, deine Spezereien"
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach8:21
6Kommt, eilet und laufet (Osteroratorium), BWV 249: VI. Recitativo (A,T,B) "Hier ist die Gruft"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:48
7Kommt, eilet und laufet (Osteroratorium), BWV 249: VII. Aria (T) "Sanfte soll mein Todeskummer"
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach6:11
8Kommt, eilet und laufet (Osteroratorium), BWV 249: VIII. Recitativo (S,A) "Indessen seufzen wir"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:56
9Kommt, eilet und laufet (Osteroratorium), BWV 249: IX. Aria (A) "Saget, saget mir geschwinde"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
Johann Sebastian Bach6:58
10Kommt, eilet und laufet (Osteroratorium), BWV 249: X. Recitativo (B) "Wir sind erfreut"
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:43
11Kommt, eilet und laufet (Osteroratorium), BWV 249: XI. Coro "Preis und Dank"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:55
12Bleib bei uns, BWV 6: I. Coro "Bleib bei uns"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:41
13Bleib bei uns, BWV 6: II. Aria (A) "Hochgelobter Gottessohn"
alto vocals and solo mezzo-soprano vocals [Alt]:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:07
14Bleib bei uns, BWV 6: III. Choral (S) "Ach bleib bei uns, Herr Jesu Christ"
solo soprano vocals and soprano vocals:
Edith Wiens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:26
15Bleib bei uns, BWV 6: IV. Recitativo (B) "Es hat die Dunkelheit"
bass vocals and solo bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:59
16Bleib bei uns, BWV 6: V. Aria (T) "Jesu, laß uns auf dich sehen"
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:06
17Bleib bei uns, BWV 6: VI. Choral "Beweis dein Macht, Herr Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:47

Credits

Release

recorded at:Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
ASIN:DE: B000ENNJOC [info]