The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

▶ CD 1: Chamber
▶ CD 2: Chamber
▶ CD 3: Chamber
▶ CD 4: Chamber
▶ CD 5: Chamber
▶ CD 6: Chamber
▶ CD 7: Chamber
▶ CD 8: Chamber
▶ CD 9: Chamber
▶ CD 10: Chamber
▶ CD 11: Chamber
▶ CD 12: Chamber
▶ CD 13: Chamber
▶ CD 14: Chamber
▶ CD 15: Chamber
▶ CD 16: Chamber
▶ CD 17: Chamber
▶ CD 18: Chamber
▶ CD 19: Chamber
▶ CD 20: Chamber
▶ CD 21: Chamber
▶ CD 22: Chamber
▶ CD 23: Chamber
▶ CD 24: Chamber
▶ CD 25: Chamber
▶ CD 26: Chamber
▶ CD 27: Chamber
▶ CD 28: Chamber
▶ CD 29: Chamber
▶ CD 30: Chamber
▶ CD 31: Chamber
▶ CD 32: Chamber
▶ CD 33: Chamber
▶ CD 34: Chamber
▶ CD 35: Chamber
▶ CD 36: Chamber
▶ CD 37: Chamber
▶ CD 38: Chamber
▶ CD 39: Chamber
▶ CD 40: Chamber
▶ CD 41: Chamber
▶ CD 42: Chamber
▶ CD 43: Chamber
▶ CD 44: Chamber
▶ CD 45: Chamber
▶ CD 46: Chamber
▶ CD 47: Chamber
▶ CD 48: Chamber
▶ CD 49: Chamber
▶ CD 50: Orchestral
▶ CD 51: Orchestral
▶ CD 52: Orchestral
▶ CD 53: Orchestral
▶ CD 54: Orchestral
▶ CD 55: Orchestral
▶ CD 56: Orchestral
▶ CD 57: Orchestral
▶ CD 58: Orchestral
▶ CD 59: Orchestral
▶ CD 60: Orchestral
▶ CD 61: Orchestral
▶ CD 62: Orchestral
▶ CD 63: Orchestral
▶ CD 64: Orchestral
▶ CD 65: Orchestral
▶ CD 66: Orchestral
▶ CD 67: Orchestral
▶ CD 68: Orchestral
▶ CD 69: Orchestral
▶ CD 70: Orchestral
▶ CD 71: Orchestral
▶ CD 72: Orchestral
▶ CD 73: Orchestral
▶ CD 74: Orchestral
▶ CD 75: Orchestral
▶ CD 76: Orchestral
▶ CD 77: Orchestral
▶ CD 78: Orchestral
▶ CD 79: Orchestral
▶ CD 80: Orchestral
▶ CD 81: Orchestral
▶ CD 82: Orchestral
▶ CD 83: Orchestral
▶ CD 84: Orchestral
▶ CD 85: Orchestral
▶ CD 86: Orchestral
▶ CD 87: Orchestral
▶ CD 88: Orchestral
▶ CD 89: Orchestral
▶ CD 90: Orchestral
▶ CD 91: Orchestral
▶ CD 92: Orchestral
▶ CD 93: Orchestral
▶ CD 94: Orchestral
▶ CD 95: Orchestral
▶ CD 96: Orchestral
▶ CD 97: Orchestral
▶ CD 98: Orchestral
▶ CD 99: Orchestral
▶ CD 100: Orchestral
▶ CD 101: Orchestral
▶ CD 102: Theatre
▶ CD 103: Theatre
▶ CD 104: Theatre
▶ CD 105: Theatre
▶ CD 106: Theatre
▶ CD 107: Theatre
▶ CD 108: Theatre
▶ CD 109: Theatre
▶ CD 110: Theatre
▶ CD 111: Theatre
▶ CD 112: Theatre
▶ CD 113: Theatre
▶ CD 114: Theatre
▶ CD 115: Theatre
▶ CD 116: Theatre
▶ CD 117: Theatre
▶ CD 118: Theatre
▶ CD 119: Theatre
▶ CD 120: Theatre
▶ CD 121: Theatre
▶ CD 122: Theatre
▶ CD 123: Theatre
▶ CD 124: Theatre
▶ CD 125: Theatre
▶ CD 126: Theatre
▶ CD 127: Theatre
▶ CD 128: Theatre
▶ CD 129: Theatre
▶ CD 130: Theatre
▶ CD 131: Theatre
▶ CD 132: Theatre
▶ CD 133: Theatre
▶ CD 134: Theatre
▶ CD 135: Theatre
▶ CD 136: Theatre
▶ CD 137: Theatre
▶ CD 138: Theatre
▶ CD 139: Theatre
▶ CD 140: Theatre
▶ CD 141: Theatre
▶ CD 142: Theatre
▶ CD 143: Theatre
▶ CD 144: Theatre
▶ CD 145: Theatre
▶ CD 146: Theatre
▼ CD 147: Theatre
#TitleArtistRatingLength
1Nehmt meinen Dank, ihr holden Gönner, K. 383
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 383) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 383)
Wolfgang Amadeus Mozart3:42
2Vorrei spigarvi, oh Dio, K. 418
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Concerto Köln
conductor:
Daniel Harding (conductor)
recording of:
Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 418) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 418)
Wolfgang Amadeus Mozart6:41
3Ch'io mi scordi di te... Non temer, amato bene, K. 505
recording engineer:
Wolf-Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (engineer) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (pianist, conductor) (in 2005-12)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 505) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 505)
Wolfgang Amadeus Mozart10:30
4Vado, ma dove? oh Dei!, K. 583
recording engineer:
Wolf-Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (engineer) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (pianist, conductor) (in 2005-12)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 2005-12)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 583) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 583)
Wolfgang Amadeus Mozart4:22
5Il re pastore, K. 208: "Aer tranquillo"
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act I
Wolfgang Amadeus Mozart6:15
6Zaide, K. 344: "Tiger! Wetze nur die Klauen"
soprano vocals:
Mojca Erdmann (soprano)
orchestra:
La Cetra Barockorchester Basel
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Zaide, K. 336b/344 (fragment): Akt II. No. 13 Arie "Tiger! wetze nur die Klauen" (Zaide)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt II
Wolfgang Amadeus Mozart4:43
7Così fan tutte, K. 588: "Come scoglio"
soprano vocals:
Rachel Yakar (soprano)
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble)
conductor:
Arnold Östman (Swedish conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:33
8Don Giovanni, K. 527: Overture
producer:
Markus Heiland
orchestra:
La Cetra Barockorchester Basel (in 2010-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2010-10)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 2010-10)
recorded at:
Landgasthof Riehen in Riehen, Basel-Stadt, Switzerland (in 2010-10)
recording of:
Don Giovanni: Ouvertura (in 2010-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:22
9Don Giovanni, K. 527: "Vedrai, carino"
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [Zerlina]:
Anne Sofie von Otter (mezzo-soprano) (in 1995-01)
orchestra:
The English Concert (in 1995-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1995-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:11
10Don Giovanni, K. 527: "Don Giovanni, a cenar teco m'invitasti!"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:30
11Die Zauberflöte, K. 620: "Der Vogelfänger bin ich ja"
baritone vocals:
Gerald Finley (bass-baritone)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:29
12Die Zauberflöte, K. 620: "O Isis und Osiris"
bass vocals:
Kristinn Sigmundsson (operatic bass)
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble)
conductor:
Arnold Östman (Swedish conductor)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
13Die Zauberflöte, K. 620: "Ach, ich fühl's"
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Drottningholm Court Theatre Orchestra (Swedish period instrument ensemble)
conductor:
Arnold Östman (Swedish conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:30
14La clemenza di Tito, K. 621: "Non più di fiori"
mezzo-soprano vocals:
Della Jones (mezzo-soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:45
15La clemenza di Tito, K. 621: "Parto, ma tu ben mio"
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:16
16La clemenza di Tito, K. 621: "Se all'impero"
tenor vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:53
▶ CD 148: Theatre
▶ CD 149: Theatre
▶ CD 150: Theatre
▶ CD 151: Theatre
▶ CD 152: Theatre
▶ CD 153: Sacred
▶ CD 154: Sacred
▶ CD 155: Sacred
▶ CD 156: Sacred
▶ CD 157: Sacred
▶ CD 158: Sacred
▶ CD 159: Sacred
▶ CD 160: Sacred
▶ CD 161: Sacred
▶ CD 162: Sacred
▶ CD 163: Sacred
▶ CD 164: Sacred
▶ CD 165: Sacred
▶ CD 166: Sacred
▶ CD 167: Sacred
▶ CD 168: Sacred
▶ CD 169: Sacred
▶ CD 170: Sacred
▶ CD 171: Private
▶ CD 172: Private
▶ CD 173: Private
▶ CD 174: Fragments
▶ CD 175: Fragments
▶ CD 176: Completions
▶ CD 177: Completions
▶ CD 178: Completions
▶ CD 179: Arrangements
▶ CD 180: Arrangements
▶ CD 181: Arrangements
▶ CD 182: Arrangements
▶ CD 183: Arrangements
▶ CD 184: Arrangements
▶ CD 185: Arrangements
▶ CD 186: Arrangements
▶ CD 187: Arrangements
▶ CD 188: Self-Arrangements
▶ CD 189: Self-Arrangements
▶ CD 190: Self-Arrangements
▶ CD 191: Self-Arrangements
▶ CD 192: Self-Arrangements
▶ CD 193: Self-Arrangements
▶ CD 194: Doubtful Works
▶ CD 195: Doubtful Works
▶ CD 196: Doubtful Works
▶ CD 197: Doubtful Works
▶ CD 198: Doubtful Works
▶ CD 199: Doubtful Works
▶ CD 200: Doubtful Works