It Ain’t Necessarily So

~ Release by Heifetz (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1From the Canebrake, op. 5 no. 1
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
From the Canebrake, op. 5 no. 1 (for violin and piano) (in 1944-10)
composer:
Samuel Gardner (in 1918)
Samuel Gardner1:35
2Jamaican Rumba
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jamaican Rumba (for violin or viola and piano, arr. Primrose) (in 1944-10)
composer:
Arthur Benjamin (Australian composer / pianist / conductor)
arranger:
William Primrose (violist)
arrangement of:
Jamaican Rumba (for orchestra)
Arthur Benjamin arr. William Primrose1:39
3Beau Soir
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Claude Debussy (composer) (from 1890 until 1891)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:09
4Pièce en forme de habanera
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Pièce en forme de habanera (for violin and piano, arr. Catherine) (in 1944-10)
composer:
Maurice Ravel (classical composer)
piano and violin arranger:
Georges Catherine
arrangement of:
Pièce en forme de habanera
Maurice Ravel2:39
5Levee Dance op. 27 no. 2 (based on “Go down, Moses”)
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Levee Dance op. 27 no. 2 (for violin and piano) (in 1944-10)
composer:
Clarence Cameron White (US composer and violinist)
is based on:
Go Down Moses (spiritual)
Clarence Cameron White3:07
6Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia”
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Figaro (for violin and piano) (in 1944-10)
composer:
Mario Castelnuovo‐Tedesco (composer)
is based on:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Mario Castelnuovo‐Tedesco5:22
7Jeanie with the Light Brown Hair
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Jeanie With the Light Brown Hair
Stephen Collins Foster2:58
8A la valse
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
3 Pieces, No. 3: A la valse (in 1944-10)
composer:
Victor Herbert (composer)
Victor Herbert1:38
9Humoresque in G-flat major, op. 101 no. 7
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Antonín Dvořák (composer) (in 1894)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:35
10Gweedore Brae
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Gweedore Brae (for violin and piano, arr. Crowther) (in 1944-10)
composer:
[traditional] (special purpose artist)
piano and violin arranger:
John Crowther
[traditional]3:13
11Old Folks at Home
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Old Folks at Home (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Old Folks at Home (Swanee River)
Stephen Collins Foster3:20
12Traditional: Deep River
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Deep River (for violin and piano, Heifetz) (in 1944-10)
composer:
[traditional] (special purpose artist)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Deep River
[traditional]2:24
13Viennese · Wienerisch
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
12 Impressions for Violin and Piano: Viennese (Wienerisch) (in 1944-10)
composer:
Leopold Godowsky (pianist and composer)
part of:
12 Impressions for Violin and Piano
Leopold Godowsky3:47
14White Christmas
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1944-10-17)
conductor:
Salvador Camarata (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
White Christmas (on 1944-10-17)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 15)
Irving Berlin3:23
15Porgy and Bess: Summertime
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin1:44
16Porgy and Bess: A Woman Is A Sometime Thing
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Lissen to Yo’ Daddy Warn You … A Woman Is a Sometime Thing”
George Gershwin1:50
17Porgy and Bess: My Man’s Gone Now
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin3:54
18Porgy and Bess: It Ain’t Necessarily So
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
It Ain't Necessarily So (for piano and violin, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
George Gershwin2:32
19Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York”
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:55
20Porgy and Bess: Bess, You Is My Woman Now
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:07
21Three Preludes: I. Allegro ben ritmato e deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:33
22Three Preludes: II. Andante con moto e poco rubato
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin2:53
23Three Preludes: III. Allegro ben ritmato e deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:27
▶ CD 2

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Release

ASIN:US: B000HIVQ3A [info]