# | Title | Rating | Length |
---|
1 | The Minor Goes Muggin' | | 3:01 |
2 | It Don't Mean a Thing (if it Ain't Got That Swing) | | 3:01 |
3 | Time's a Waistin' | | 3:06 |
4 | Just Squeeze me | | 3:18 |
5 | Midriff | | 3:15 |
6 | Long Long Journey | | 4:30 |
7 | Caravan | | 4:15 |
8 | Come Sunday- recording engineer:
- Ed Begley
- producer:
- Brad McCuen
- alto saxophone:
- Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- baritone saxophone:
- Harry Carney (on 1965-12-26)
- clarinet and reeds:
- Harry Carney (on 1965-12-26), Jimmy Hamilton (on 1965-12-26) and Russell Procope (on 1965-12-26)
- double bass:
- John Lamb (on 1965-12-26)
- drums (drum set):
- Louie Bellson (on 1965-12-26)
- piano:
- Duke Ellington (on 1965-12-26)
- saxophone:
- Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
- tenor saxophone:
- Paul Gonsalves (on 1965-12-26)
- trombone:
- Lawrence Brown (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
- trumpet:
- William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
- vocals:
- Esther Marrow (on 1965-12-26)
- orchestra:
- Duke Ellington and His Orchestra (on 1965-12-26)
- recorded at:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
- recording of:
- Come Sunday (on 1965-12-26)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
| | 3:56 |
9 | The Brotherhood | | 5:33 |
10 | Ain't Nobody Nowhere Nothin' Without God | | 4:15 |
11 | Isfahan | | 4:12 |
12 | Blue Pepper (Far East of The Blues) | | 3:01 |
13 | Take the "A" Train | | 4:38 |
14 | Sophisticated Lady | | 3:15 |
15 | Blood Count | | 4:17 |
16 | Raincheck | | 4:37 |
17 | Basin Street Blues | | 2:50 |