Motets

~ Release by Josquin des Prez; Orlando Consort (see all versions of this release, 1 available)

Annotation

Motet-cycle “Vultum tuum deprecabuntur”: This release has the motet-cycle Vultum tuum deprecabuntur recast for stylistic-aestethic reasons (booklet page 4—5). The whole cycle is recorded, but its last motet (Christe fili Dei) is lifted “out of cycle” as headed in tracklist (tracks 6—12), to track 4; and another motet Ave Maria, gratia plena is (not substituted where Christe fili was lifted out, but) inserted between parts 1 & 2, offsetting following numbers. (This is to get the ‘Amen’ conclusion from original part 6 while retaining number of parts to the symbolic 7 (as in 7 sorrows of the virgin).)

Original Petrucci printed cycle:

1. Vultum tuum deprecabuntur
2. Sancta Dei genitrix
3. O intemerata virgo
4. O Maria, nullam tam gravem
5. Mente tota tibi supplicamus
6. Ora pro nobis
7. Christe fili Dei / J’ay pris amours

https://imslp.org/wiki/Vultum_tuum_deprecabuntur%2C_NJE_25.14_(Josquin_Desprez)
https://josquin.stanford.edu/work/?id=Jos2514

This release:

(Christe fili Dei)

1. Vultum tuum deprecabuntur
2. Ave Maria, gratia plena
3. Sancta Dei genitrix
4. O intemerata virgo
5. O Maria, nullam tam gravem
6. Mente tota tibi supplicamus
7. Ora pro nobis

Annotation last modified on 2022-02-08 12:29 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Inviolata, integra, et casta es Maria (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:45
2Ut Phoebi radiis (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
3De profundis clamavi (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:12
4Christe Fili Dei – J’ay pris amours (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Christe Fili Dei - J'ay pris amours (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Christe Fili Dei - J'ay pris amours
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Christe, fili Dei
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:00
5O Virgo virginum (à 6)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:44
6Vultum tuum deprecabuntur (à 4): Vultum tuum deprecabuntur
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:29
7Vultum tuum deprecabuntur (à 4): Ave Maria, gratia plena
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ave Maria (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez2:37
8Vultum tuum deprecabuntur (à 4): Sancta Dei genitrix
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:13
9Vultum tuum deprecabuntur (à 4): O intemerata Virgo
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Intemerata virgo (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Intemerata virgo
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:30
10Vultum tuum deprecabuntur (à 4): O Maria, nullam tam gravem
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
Vultum tuum deprecabuntur: O Maria, nullam tam gravem (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:02
11Vultum tuum deprecabuntur (à 4): Mente tota tibi supplicamus
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Mente tota (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Mente tota
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:40
12Vultum tuum deprecabuntur (à 4): Ora pro nobis
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ora pro nobis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Ora pro nobis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:35
13La déploration de Johannes Ockeghem: Nymphes des boys (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
14O Bone et dulcis Domine Jesus – Pater noster – Ave Maria (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
Pater noster / Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:01
15Huc me sydereo (à 5) / Plangent eum (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:07
16O Virgo prudentissima (à 6) / Beata Mater (à 6)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo prudentissima (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo prudentissima
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez6:50

Credits

Release

manufactured in:E. U.
printed in:Wittingen, Niedersachsen, Germany
art direction:Lutz Bode (art director)
photography:Marco Borggreve (photographer)
liner notes:Jaap van Benthem (musicologist)
liner notes translator:Dennis Collins (liner notes translator)
Stefan Lerche (liner notes)
miscellaneous support:Jaap van Benthem (musicologist) (task: musicological adviser)
Alison Wray (prof. language, communication) (task: pronunciation adviser)
artwork:Jean Colombe (painter)
manufactured by:Universal M & L, Germany (CD manufacturing plant)
copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
printed by:Neef + Stumme (printing)
ASIN:UK: B00004R9F5 [info]