The Masterworks

~ Release by Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Music for the Royal Fireworks / Water Music
▶ CD 2: Concerti grossi, op. 6 nos. 1-6
▶ CD 3: Concerti grossi, op. 6, nos. 7-11
▶ CD 4: Concerto grosso, op. 6 no. 12 / Concerti grossi, op. 3
▶ CD 5: Organ Concerti, op.7, nos. 1-5
▶ CD 6: Organ Concerti, op. 4
▶ CD 7: Organ Concerti
▶ CD 8: Concerti a due cori
▶ CD 9: Trio Sonatas
▶ CD 10: Trio Sonatas
▶ CD 11: Flute Sonatas
▶ CD 12: Messiah
▼ CD 13: Messiah
#TitleArtistRatingLength
1Messiah: Part II: Surely He hath borne our griefs
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
2Messiah: Part II: And with His stripes we are healed
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
3Messiah: Part II: All we like sheep
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:28
4Messiah: Part II: All they that see Him ... He trusted in God
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:51
5Messiah: Part II: Thy rebuke hath broken His heart ... Behold, and see
producer:
Chris Hazell
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:49
6Messiah: Part II: He was cut off ... But Thou didst not leave
producer:
Chris Hazell
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
7Messiah: Part II: Lift up your heads
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
8Messiah: Part II: Unto which of the Angels" ... Let all the angels of God
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:42
9Messiah: Part II: Thou art gone up on high
producer:
Chris Hazell
bass vocals:
Gwynne Howell (operatic bass) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:11
10Messiah: Part II: The Lord gave the word
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:03
11Messiah: Part II: How beautiful are the feet
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:17
12Messiah: Part II: Their sound is gone out
producer:
Chris Hazell
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
13Messiah: Part II: Why do the nations ... Let us break their bonds asunder
producer:
Chris Hazell
bass vocals:
Gwynne Howell (operatic bass) (in 1976-07)
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:08
14Messiah: Part II: He that dwelleth in heaven ... Thou shalt break them
producer:
Chris Hazell
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:34
15Messiah: Part II: Hallelujah
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:40
16Messiah: Part III: I know that my Redeemer liveth
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:14
17Messiah: Part III: Since by man came death
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:51
18Messiah: Part III: Behold, I tell you a mystery ... The trumpet shall sound
producer:
Chris Hazell
bass vocals:
Gwynne Howell (operatic bass) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I Tell you a Mystery” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel10:10
19Messiah: Part III: Then shall be brought to pass ... O death, where is thy sting? ... But thanks be to God
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
tenor vocals:
Philip Langridge (tenor) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:57
20Messiah: Part III: If God be for us
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (alto) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:40
21Messiah: Part III: Worthy is the Lamb ... Amen
producer:
Chris Hazell
choir vocals:
Academy of St. Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:37
▶ CD 14: Israel In Egypt
▶ CD 15: Israel In Egypt
▶ CD 16: Coronation Anthems
▶ CD 17: Dixit Dominus / Nisi Dominus
▶ CD 18: Dettingen Te Deum / Dettingen Anthem
▶ CD 19: Ode for St. Cecilia's Day
▶ CD 20: Hercules
▶ CD 21: Hercules
▶ CD 22: Judas Maccabaeus
▶ CD 23: Judas Maccabaeus
▶ CD 24: Judas Maccabaeus
▶ CD 25: Solomon
▶ CD 26: Solomon
▶ CD 27: Solomon
▶ CD 28: Giulio Cesare
▶ CD 29: Giulio Cesare
▶ CD 30: Giulio Cesare