Ave Maria: Berühmte geistliche Arien

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Ave Maria
soprano vocals:
Cheryl Studer (soprano) (in 1991-03)
orchestra:
London Symphony Orchestra (in 1991-03)
conductor:
Ion Marin (conductor) (in 1991-03)
arranger:
Carlo Sabatini
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-03)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
arrangement of:
Ave Maria (Bach/Gounod)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach / Charles Gounod / Carlo Sabatini2:07
2Salve Regina Es-dur: Andantino
vocals:
Barbara Bonney (soprano) and Bernarda Fink (mezzo-soprano)
conductor:
Reinhard Goebel (violinist and conductor)
performer:
Musica Antiqua Köln
partial recording of:
Salve Regina in E-flat major
composer:
Johann Adolf Hasse (composer)
Johann Adolf Hasse5:25
3Ave Maria, op. 12
organ:
Gerhard Dickel
vocals:
NDR Chor
chorus master:
Günter Jena
recorded at:
Studio 10 of the NDR Hamburg in Hamburg, Germany (from 1981-09 until 1981-10, in 1982-06, in 1982-10)
recording of:
Ave Maria, op. 12
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 12)
Johannes Brahms4:04
4Agnus Dei
choir vocals:
Wiener Sängerknaben
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Symphoniker
conductor:
Uwe Christian Harrer (chorus master)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recording of:
Agnus Dei
composer:
Georges Bizet (composer)
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:39
5Was mir behagt (Kantate, BWV 208): "Schafe können sicher weiden"
soprano vocals:
Magdalena Kožená (mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž, Zlínský kraj, Czechia
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:04
6Donna, che in ciel (Marienkantate, HWV 233): Maria, salute e speme
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (in 1993-03)
alto vocals:
Dagmar Brinken (alto) (in 1993-03), Andrea Mutert (contralto) (in 1993-03) and Andrea Wahl (alto) (in 1993-03)
bass vocals:
Michael Gräf (bass) (in 1993-03), Christoph Heimbucher (bass) (in 1993-03), Bernd Heyder (in 1993-03) and Stephan MacLeod (bass-baritone / conductor) (in 1993-03)
solo mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-03)
soprano vocals:
Susanne Jötten (soprano) (in 1993-03), Claudia Rott (soprano) (in 1993-03), Christina Schulz (soprano) (in 1993-03) and Helga Späth (soprano) (in 1993-03)
tenor vocals:
Konrad Buers (tenor) (in 1993-03), Frank Fabian (tenor) (in 1993-03) and Florian Simson (tenor) (in 1993-03)
conductor:
Reinhard Goebel (violinist and conductor) (in 1993-03)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1993-03)
partial recording of:
Donna, che in ciel, HWV 233 (in 1993-03)
premiered in:
Roma, Roma, Lazio, Italy (on 1708-02-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 233)
George Frideric Handel4:45
7Panis angelicus
choir vocals:
St Paul’s Cathedral Choir (London)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
arranger:
Alan Boustead
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1984)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian-born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian-born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck / Alan Boustead3:40
8Ave Maria (Ellens Gesang III, D 839)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Ion Marin (conductor)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert6:13
9Vasperae solennes de confessore, KV 339: Laudate Dominum
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing (engineer, producer)
organ:
Paul Nicholson (harpsichordist & organist) (in 1993-09)
bass vocals:
Stephen Gadd (baritone) (in 1993-09)
choir vocals:
The English Concert Choir (in 1993-09)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (in 1993-09)
soprano vocals:
Barbara Bonney (soprano) (in 1993-09)
tenor vocals:
Jamie MacDougall (tenor) (in 1993-09)
orchestra:
The English Concert (in 1993-09)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1993-09)
balance engineer:
Hans-Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1993-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:57
10Matthäus-Passion, BWV 244: Aus Liebe will mein Heiland sterben
soprano vocals:
Lucia Popp (soprano)
vocals:
Lucia Popp (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:53
11Dido and Aeneas: "Thy hand, Belinda... When I am laid in earth"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra and performer:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:26
12Messa da Requiem: Ingemisco
vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Claudio Abbado (conductor)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:53
13Ave Maria
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Ion Marin (conductor)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni (composer & conductor)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni / Giacomo Zani3:19
14Requiem: Pie Jesu
organ:
Timothy Farrell (organist)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré4:05
15O Divine Redeemer (Repentir)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Repentir (“O Divine Redeemer”)
composer:
Charles Gounod (French composer)
Charles Gounod6:03
16Ave Maria in B minor
soprano vocals:
Cristina Gallardo‐Domâs (soprano)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi
conductor:
Riccardo Chailly (conductor)
recording of:
Ave Maria in B minor
composer:
Giuseppe Verdi (Italian opera composer)
Giuseppe Verdi5:30
17Jubilate-Amen, op. 3
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Cheryl Studer (soprano)
orchestra:
London Symphony Orchestra
conductor:
Ion Marin (conductor)
recording of:
Jubilate-Amen, op. 3
composer:
Max Bruch (composer and conductor) (in 1858)
part of:
Works of Max Bruch by opus number (number: op. 3)
Max Bruch4:05

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ASIN:DE: B002OIM3NI [info]