The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Vol 1. Cantatas CD 1
▶ CD 2: Vol 1. Cantatas CD 2
▶ CD 3: Vol 1. Cantatas CD 3
▶ CD 4: Vol 1. Cantatas CD 4
▶ CD 5: Vol 2. Cantatas CD 1
▶ CD 6: Vol 2. Cantatas CD 2
▶ CD 7: Vol 2. Cantatas CD 3
▶ CD 8: Vol 2. Cantatas CD 4
▶ CD 9: Vol 3. Cantatas CD 1
▶ CD 10: Vol 3. Cantatas CD 2
▶ CD 11: Vol 3. Cantatas CD 3
▶ CD 12: Vol 3. Cantatas CD 4
▶ CD 13: Vol 4. Cantatas CD 1
▶ CD 14: Vol 4. Cantatas CD 2
▶ CD 15: Vol 4. Cantatas CD 3
▶ CD 16: Vol 4. Cantatas CD 4
▶ CD 17: Vol 5. Cantatas CD 1
▶ CD 18: Vol 5. Cantatas CD 2
▶ CD 19: Vol 5. Cantatas CD 3
▼ CD 20: Vol 5. Cantatas CD 4
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1Kantate, BWV 62 „Nun komm, der Heiden Heiland“: I. Coro „Nun komm, der Heiden Heiland“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:43
2Kantate, BWV 62 „Nun komm, der Heiden Heiland“: II. Aria (Tenore) „Bewundert, o Menschen“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
6:54
3Kantate, BWV 62 „Nun komm, der Heiden Heiland“: III. Recitativo (Basso) „So geht aus Gottes Herrlichkeit“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:43
4Kantate, BWV 62 „Nun komm, der Heiden Heiland“: IV. Aria (Basso) „Streite, siege, starker Held!“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
5:40
5Kantate, BWV 62 „Nun komm, der Heiden Heiland“: V. Recitativo (Duetto: Soprano, Alto) „Wir ehren diese Herrlichkeit“
alto vocals:
Helen Watts (contralto)
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:55
6Kantate, BWV 62 „Nun komm, der Heiden Heiland“: VI. Choral „Lob sei Gott, dem Vater, g’ton“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (from 1979-10 until 1980-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:42
7Kantate, BWV 63 „Christen, ätzet diesen Tag“: I. Coro „Christen, ätzet diesen Tag“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:07
8Kantate, BWV 63 „Christen, ätzet diesen Tag“: II. Recitativo (Alto) „O selger Tag! o ungemeines Heute“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:09
9Kantate, BWV 63 „Christen, ätzet diesen Tag“: III. Aria (Duetto: Soprano, Basso) „Gott, du hast es wohl gefüget“
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:42
10Kantate, BWV 63 „Christen, ätzet diesen Tag“: IV. Recitativo (Tenore) „So kehret sich nun heut das bange Leid“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:57
11Kantate, BWV 63 „Christen, ätzet diesen Tag“: V. Aria (Duetto: Alto, Tenore) „Ruft und fleht den Himmel an“
alto vocals:
Hildegard Laurich (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1971-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
4:25
12Kantate, BWV 63 „Christen, ätzet diesen Tag“: VI. Recitativo (Basso) „Verdoppelt euch demnach, ihr heißen Andachtsflammen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
1:13
13Kantate, BWV 63 „Christen, ätzet diesen Tag“: VII. Coro „Höchster, schau in Gnaden an diese Glut gebückter Seelen!“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
7:04
14Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: I. Coro „Sehet, welch eine Liebe hat uns der Vater erzeiget“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
3:23
15Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: II. Choral „Das hat er alles uns getan“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1977-09 until 1978-01)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:45
16Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: III. Recitativo (Alto) „Geh, Welt! behalte nur das Deine“
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:53
17Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: IV. Choral „Was frag ich nach der Welt“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1977-09 until 1978-01)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:58
18Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: V. Aria (Soprano) „Was die Welt in sich hält“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:32
19Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: VI. Recitativo (Basso) „Der Himmel bleibet mir gewiß“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:26
20Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: VII. Aria (Alto) „Von der Welt verlang ich nichts“
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
6:39
21Kantate, BWV 64 „Sehet, welch eine Liebe hat uns der Vater erzeiget“: VIII. Choral „Gute Nacht, o Wesen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1977-09 until 1978-01)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:13
▶ CD 21: Vol 6. Cantatas CD 1
▶ CD 22: Vol 6. Cantatas CD 2
▶ CD 23: Vol 6. Cantatas CD 3
▶ CD 24: Vol 6. Cantatas CD 4
▶ CD 25: Vol 7. Cantatas CD 1
▶ CD 26: Vol 7. Cantatas CD 2
▶ CD 27: Vol 7. Cantatas CD 3
▶ CD 28: Vol 7. Cantatas CD 4
▶ CD 29: Vol 8. Cantatas CD 1
▶ CD 30: Vol 8. Cantatas CD 2
▶ CD 31: Vol 8. Cantatas CD 3
▶ CD 32: Vol 8. Cantatas CD 4
▶ CD 33: Vol 9. Cantatas CD 1
▶ CD 34: Vol 9. Cantatas CD 2
▶ CD 35: Vol 9. Cantatas CD 3
▶ CD 36: Vol 9. Cantatas CD 4
▶ CD 37: Vol 10. Cantatas CD 1
▶ CD 38: Vol 10. Cantatas CD 2
▶ CD 39: Vol 10. Cantatas CD 3
▶ CD 40: Vol 10. Cantatas CD 4
▶ CD 41: Vol 11. Cantatas CD 1
▶ CD 42: Vol 11. Cantatas CD 2
▶ CD 43: Vol 11. Cantatas CD 3
▶ CD 44: Vol 11. Cantatas CD 4
▶ CD 45: Vol 12. Cantatas CD 1
▶ CD 46: Vol 12. Cantatas CD 2
▶ CD 47: Vol 12. Cantatas CD 3
▶ CD 48: Vol 12. Cantatas CD 4
▶ CD 49: Vol 13. Cantatas CD 1
▶ CD 50: Vol 13. Cantatas CD 2
▶ CD 51: Vol 13. Cantatas CD 3
▶ CD 52: Vol 13. Cantatas - CD 4
▶ CD 53: Vol 14. Cantatas - CD 1
▶ CD 54: Vol 14. Cantatas - CD 2
▶ CD 55: Vol 14. Cantatas - CD 3
▶ CD 56: Vol 14. Cantatas - CD 4
▶ CD 57: Vol 15. Cantatas - CD 1
▶ CD 58: Vol 15. Cantatas - CD 2
▶ CD 59: Vol 15. Cantatas - CD 3
▶ CD 60: Vol 15. Cantatas - CD 4
▶ CD 61: Vol 16. Cantatas CD 1
▶ CD 62: Vol 16. Cantatas CD 2
▶ CD 63: Vol 16. Cantatas CD 3
▶ CD 64: Vol 16. Cantatas CD 4
▶ CD 65: Vol 17. Cantatas CD 1
▶ CD 66: Vol 17. Cantatas CD 2
▶ CD 67: Vol 17. Cantatas CD 3
▶ CD 68: Vol 17. Cantatas CD 4
▶ CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
▶ CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
▶ CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
▶ CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
▶ CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
▶ CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
▶ CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
▶ CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
▶ CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
▶ CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
▶ CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
▶ CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
▶ CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
▶ CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
▶ CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
▶ CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
▶ CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
▶ CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
▶ CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
▶ CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
▶ CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
▶ CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
▶ CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
▶ CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
▶ CD 93: Vol 24. A Book Of Chorale-Settings CD 1
▶ CD 94: Vol 24. A Book Of Chorale-Settings CD 2
▶ CD 95: Vol 24. A Book Of Chorale-Settings CD 3
▶ CD 96: Vol 24. A Book Of Chorale-Settings CD 4
▶ CD 97: Vol 25. Organ Works CD 1
▶ CD 98: Vol 25. Organ Works CD 2
▶ CD 99: Vol 25. Organ Works CD 3
▶ CD 100: Vol 25. Organ Works CD 4
▶ CD 101: Vol 26. Organ Works CD 1
▶ CD 102: Vol 26. Organ Works CD 2
▶ CD 103: Vol 26. Organ Works CD 3
▶ CD 104: Vol 26. Organ Works CD 4
▶ CD 105: Vol 27. Organ Works CD 1
▶ CD 106: Vol 27. Organ Works CD 2
▶ CD 107: Vol 27. Organ Works CD 3
▶ CD 108: Vol 27. Organ Works CD 4
▶ CD 109: Vol 28. Organ Works CD 1
▶ CD 110: Vol 28. Organ Works CD 2
▶ CD 111: Vol 28. Organ Works CD 3
▶ CD 112: Vol 28. Organ Works CD 4
▶ CD 113: Vol 29. Organ Works CD 1
▶ CD 114: Vol 29. Organ Works CD 2
▶ CD 115: Vol 29. Organ Works CD 3
▶ CD 116: Vol 29. Organ Works CD 4
▶ CD 117: Vol 30. Harpsichord Music CD 1
▶ CD 118: Vol 30. Harpsichord Music CD 2
▶ CD 119: Vol 30. Harpsichord Music CD 3
▶ CD 120: Vol 30. Harpsichord Music CD 4
▶ CD 121: Vol 31. Keyboard Works CD 1
▶ CD 122: Vol 31. Keyboard Works CD 2
▶ CD 123: Vol 31. Keyboard Works CD 3
▶ CD 124: Vol 31. Keyboard Works CD 4
▶ CD 125: Vol 32. Keyboard Works CD 1
▶ CD 126: Vol 32. Keyboard Works CD 2
▶ CD 127: Vol 32. Keyboard Works CD 3
▶ CD 128: Vol 32. Keyboard Works CD 4
▶ CD 129: Vol 33. Keyboard Works CD 1
▶ CD 130: Vol 33. Keyboard Works CD 2
▶ CD 131: Vol 33. Keyboard Works CD 2
▶ CD 132: Vol 33. Keyboard Works CD 4
▶ CD 133: Vol 34. Keyboard Works CD 1
▶ CD 134: Vol 34. Keyboard Works CD 2
▶ CD 135: Vol 34. Keyboard Works CD 3
▶ CD 136: Vol 34. Keyboard Works CD 4
▶ CD 137: Vol 35. Keyboard Works CD 1
▶ CD 138: Vol 35. Keyboard Works CD 2
▶ CD 139: Vol 35. Keyboard Works CD 3
▶ CD 140: Vol 35. Keyboard Works CD 4
▶ CD 141: Vol 36. Keyboard Works CD 1
▶ CD 142: Vol 36. Keyboard Works CD 2
▶ CD 143: Vol 36. Keyboard Works CD 3
▶ CD 144: Vol 36. Keyboard Works CD 4
▶ CD 145: Vol 37. Keyboard Works CD 1
▶ CD 146: Vol 37.Keyboard Works CD 2
▶ CD 147: Vol 37. Keyboard Works CD 3
▶ CD 148: Vol 37. Keyboard Works CD 4
▶ CD 149: Vol 38. Orchestral Music CD 1
▶ CD 150: Vol 38. Orchestral Music CD 2
▶ CD 151: Vol 38. Orchestral Music CD 3
▶ CD 152: Vol 38. Orchestral Music CD 4
▶ CD 153: Vol 39. Works For Violin CD 1
▶ CD 154: Vol 39. Works For Violin CD 2
▶ CD 155: Vol 39. Works For Violin CD 3
▶ CD 156: Vol 39. Works For Violin CD 4
▶ CD 157: Vol 40. Harpsichord Concertos CD 1
▶ CD 158: Vol 40. Harpsichord Concertos CD 2
▶ CD 159: Vol 40. Harpsichord Concertos CD 3
▶ CD 160: Vol 40. Harpsichord Concertos CD 4
▶ CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
▶ CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
▶ CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
▶ CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
▶ CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
▶ CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
▶ CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
▶ CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
▶ CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
▶ CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
▶ CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3