Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Disc 01 - Oberto (Marriner, 1997)
▶ CD 2: Disc 02 - Oberto (Marriner, 1997)
▶ CD 3: Disc 03 - Un giorno di regno (Gardelli, 1973)
▶ CD 4: Disc 04 - Un giorno di regno (Gardelli, 1973)
▶ CD 5: Disc 05 - Nabucco (Gardelli, 1965)
▶ CD 6: Disc 06 - Nabucco (Gardelli, 1965)
▶ CD 7: Disc 07 – I Lombardi (Gardelli, 1972)
▶ CD 8: Disc 08 – I Lombardi (Gardelli, 1972)
▶ CD 9: Disc 09 – Ernani (Bonynge, 1987/1998)
▶ CD 10: Disc 10 – Ernani (Bonynge, 1987/1998)
▶ CD 11: Disc 11 - I due Foscari (Gardelli, 1977)
▶ CD 12: Disc 11 - I due Foscari (Gardelli, 1977)
▶ CD 13: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶ CD 14: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶ CD 15: Disc 15 - Alzira (Luisi, 2001)
▶ CD 16: Disc 16 - Alzira (Luisi, 2001)
▶ CD 17: Disc 17 - Attila (Gardelli, 1972)
▼ CD 18: Disc 18 - Attila (Gardelli, 1972)
#TitleRatingLength
1Attila: Atto I. Scena “Uldino! Uldin!”
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Uldino! Uldin! … Mio Re” (Attila, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:45
2Attila: Atto I. Aria “Mentre gonfiarsi l'anima”
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Mentre gonfiarsi l'anima” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:35
3Attila: Atto I. Scena “Oltre a quel limite t'attendo”
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 “Oltre a quel limite t'attendo” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:18
4Attila: Atto I. Finale “Parla, imponi ” – “Vieni. Le menti visita”
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I “Parla, imponi ” – “Vieni. Le menti visita” (coro, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:40
5Attila: Atto I. “No!...non è sogno”
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I. “No! … non é sogno” … “Spirti, fermate (Attila, Odabella, Leone, Foresto, Uldino, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
5:00
6Attila: Atto II. Scena “Tregua è cogl'Unni”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Tregua è cogl'Unni … ” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:55
7Attila: Atto II. “Dagli immortali vertici”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:23
8Attila: Atto II. “Chi vien? - Salute ad Ezio”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:38
9Attila: Atto II. Aria “È gettata la mia sorte”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:32
10Attila: Atto II. Finale 2 “Del ciel l'immensa volta”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 Finale II. “Del ciel l'immensa volta” (Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:31
11Attila: Atto II. “Ezio, ben vieni!”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Ezio, ben vieni!” (Attila, Ezio, Druidi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:17
12Attila: Atto II. “Chi dona luce al cor? …”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Chi dona luce al cor?” (Sacerdotesse) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:48
13Attila: Atto II. “Ah! - Lo spirito de' monti”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:15
14Attila: Atto II. “L'orrenda procella”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:08
15Attila: Atto II. “Si riaccendan le quercie”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Si riaccendan le quercie” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:17
16Attila: Atto II. “Oh, miei prodi!”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Oh, miei prodi!” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
3:07
17Attila: Atto III. Scena “Qui del convegno è il loco”
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
2:47
18Attila: Atto III. Romanza: “Che non avrebbe il misero”
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
2:37
19Attila: Atto III. Scena “Che più s'indugia”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 Terzetto “Che più s'indugia” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
1:46
20Attila: Atto III. “Cessa, deh, cessa”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Tutti d'Averno i demoni” … “Cessa, deh, cessa” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:59
21Attila: Atto III. Terzetto “Te sol, te sol quest'anima”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Te sol, te sol quest'anima” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
3:02
22Attila: Atto III. Scena “Non involarti, seguimi”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:44
23Attila: Atto III. Finale (quartetto) “Tu, rea donna“
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:56
24Attila: Atto III. “Nella tenda”
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
3:09
▶ CD 19: Disc 19 - Macbeth (Abbado, 1976)
▶ CD 20: Disc 20 - Macbeth (Abbado, 1976)
▶ CD 21: Disc 21 – I masnadieri (Bonynge, 1982)
▶ CD 22: Disc 22 – I masnadieri (Bonynge, 1982)
▶ CD 23: Disc 23 - Jérusalem (Luisi, 1998)
▶ CD 24: Disc 24 - Jérusalem (Luisi, 1998)
▶ CD 25: Disc 25 - Jérusalem (Luisi, 1998)
▶ CD 26: Disc 26 - Il corsaro (Gardelli, 1975)
▶ CD 27: Disc 27 - Il corsaro (Gardelli, 1975)
▶ CD 28: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
▶ CD 29: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
▶ CD 30: Disc 30 - Luisa Miller (Maazel, 1979)
▶ CD 31: Disc 31 - Luisa Miller (Maazel, 1979)
▶ CD 32: Disc 32 - Stiffelio (1979)
▶ CD 33: Disc 33 - Stiffelio (1980)
▶ CD 34: Disc 34 - Rigoletto (Chailly, 1989)
▶ CD 35: Disc 35 - Rigoletto (Chailly, 1989)
▶ CD 36: Disc 36 – Il trovatore (Mehta, 1990)
▶ CD 37: Disc 37 – Il trovatore (Mehta, 1990)
▶ CD 38: Disc 38 – La traviata (Pritchard, 1962)
▶ CD 39: Disc 39 – La traviata (Pritchard, 1962)
▶ CD 40: Disc 40 – I vespri siciliani (Levine, 1973)
▶ CD 41: Disc 41 – I vespri siciliani (Levine, 1973)
▶ CD 42: Disc 42 – I vespri siciliani (Levine, 1973)
▶ CD 43: Disc 43 - Simon Boccanegra (Solti, 1989)
▶ CD 44: Disc 44 - Simon Boccanegra (Solti, 1989)
▶ CD 45: Disc 45 - Aroldo (Luisi, 2001)
▶ CD 46: Disc 46 - Aroldo (Luisi, 2001)
▶ CD 47: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
▶ CD 48: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
▶ CD 49: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶ CD 50: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶ CD 51: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶ CD 52: Disc 52 – Don Carlo (Solti, 1965)
▶ CD 53: Disc 53 – Don Carlo (Solti, 1965)
▶ CD 54: Disc 54 – Don Carlo (Solti, 1965)
▶ CD 55: Disc 55 - La forza del destino (Sinopoli, 1987)
▶ CD 56: Disc 56 - La forza del destino (Sinopoli, 1987)
▶ CD 57: Disc 57 - La forza del destino (Sinopoli, 1987)
▶ CD 58: Disc 58 – Aida (Karajan, 1959)
▶ CD 59: Disc 59 – Aida (Karajan, 1959)
▶ CD 60: Disc 60 - Requiem (1968)
▶ CD 61: Disc 61 - Requiem (1968)
▶ CD 62: Disc 62 – Don Carlos (Abbado, 1984)
▶ CD 63: Disc 63 – Don Carlos (Abbado, 1984)
▶ CD 64: Disc 64 – Don Carlos (Abbado, 1984)
▶ CD 65: Disc 65 – Don Carlos (Abbado, 1984)
▶ CD 66: Disc 66 - Otello (1954)
▶ CD 67: Disc 67 - Otello (1954)
▶ CD 68: Disc 68 - Falstaff (Solti, 1963)
▶ CD 69: Disc 69 - Falstaff (Solti, 1963)
▶ CD 70: Disc 70 - Opere sacre (Messa solenne) (2000)
▶ CD 71: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
▶ CD 72: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
▶ CD 73: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
▶ CD 74: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]