| # | Title | Rating | Length |
|---|
| 1 | Madhouse | 3.5 | 4:22 |
| 2 | A.I.R. | 3.35 | 5:47 |
| 3 | Armed and Dangerous | 4 | 5:46 |
| 4 | I Am the Law | 3.75 | 5:56 |
| 5 | I’m the Man ’91- recording engineer:
- Joe Barbaria (in 1991) and Charlie Benante (in 1991)
- producer:
- Anthrax and Charlie Benante
- mixer:
- Michael Barbiero and Steve Thompson
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1991)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1991)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- samples:
- Girls by Beastie Boys
- recording of:
- I'm the Man '91 (in 1991)
- composer:
- Frank Bello , Charlie Benante, Joseph Bellardini, Scott Ian Rosenfeld and Dan Spitz
- publisher:
- Black Lion Music and NFP Music
- version of:
- I'm the Man
| 3 | 5:03 |
| 6 | Make Me Laugh | 4 | 5:43 |
| 7 | Antisocial | 3.5 | 4:26 |
| 8 | In My World- assistant engineer:
- Brian Schueble, Ed Korenco, Greg Goldman and Marnie Bryant
- engineer:
- Mark Dodson
- executive producer:
- Jon Zazula and Marsha Zazula
- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero and Steve Thompson
- bass guitar [bass]:
- Frank Bello
- drums (drum set):
- Charlie Benante
- guitar:
- Dan Spitz
- guitar [rhythm guitar]:
- Scott Ian
- lead vocals:
- Joe Belladonna
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Soundtrack Studios in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- In My World
- composer:
- Joey Belladonna, Frank Bello , Charlie Benante, Scott Ian and Dan Spitz
- publisher:
- Anthrax Music, Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| 3 | 6:27 |
| 9 | Got the Time- assistant engineer:
- Brian Schueble, Ed Korenco, Greg Goldman and Marnie Bryant
- engineer:
- Mark Dodson
- executive producer:
- Jon Zazula and Marsha Zazula
- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero and Steve Thompson
- bass guitar [bass]:
- Frank Bello
- drums (drum set):
- Charlie Benante
- guitar:
- Dan Spitz
- guitar [lead guitar] and guitar [rhythm guitar]:
- Scott Ian
- lead vocals:
- Joe Belladonna
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1990)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Soundtrack Studios in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- cover recording of:
- Got the Time
- lyricist and composer:
- Joe Jackson
- publisher:
- Chappell Music Ltd. and Pokazuka Limited
| 4.5 | 2:46 |
| 10 | Keep It in the Family- assistant engineer:
- Brian Schueble, Ed Korenco, Greg Goldman and Marnie Bryant
- engineer:
- Mark Dodson
- executive producer:
- Jon Zazula and Marsha Zazula
- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero and Steve Thompson
- bass guitar [bass]:
- Frank Bello
- drums (drum set):
- Charlie Benante
- guitar:
- Dan Spitz
- guitar [rhythm guitar]:
- Scott Ian
- lead vocals:
- Joe Belladonna
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Soundtrack Studios in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Keep It in the Family
- composer:
- Joey Belladonna, Frank Bello , Charlie Benante, Scott Ian and Dan Spitz
- publisher:
- Anthrax Music, NFP Music, Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| 3 | 7:11 |
| 11 | Bring the Noise- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero , Charlie Benante and Steve Thompson
- additional vocals:
- Frank Bello , Charlie Benante and Flavor Flav
- vocals:
- Chuck D and Scott Ian
- performer:
- Public Enemy
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1991)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 36)
- recording of:
- Bring the Noise
- writer:
- Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
- publisher:
- Island Music Ltd. and Zomba Music Publishers Ltd.
- recording of:
- Bring the Noise with Anthrax
- lyricist:
- Chuck D and Hank Shocklee
- writer:
- Joey Belladonna, Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- composer:
- Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- publisher:
- Def American Songs, Inc. and NFP Music
- revision of:
- Bring tha Noize
| 3.25 | 3:32 |
| 12 | Indians | 3.5 | 5:43 |
| 13 | Efilnikufesin (N.F.L.) | 3 | 4:57 |
| 14 | H8 Red- assistant engineer:
- Brian Schueble, Ed Korenco, Greg Goldman and Marnie Bryant
- engineer:
- Mark Dodson
- executive producer:
- Jon Zazula and Marsha Zazula
- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero and Steve Thompson
- bass guitar [bass]:
- Frank Bello
- drums (drum set):
- Charlie Benante
- guitar:
- Dan Spitz
- guitar [rhythm guitar]:
- Scott Ian
- lead vocals:
- Joe Belladonna
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Soundtrack Studios in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- H8 Red
- composer:
- Joey Belladonna, Frank Bello , Charlie Benante, Scott Ian and Dan Spitz
- publisher:
- Anthrax Music
| 3 | 5:06 |
| 15 | Pipeline | 3 | 2:03 |
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