Trésors

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▼ CD 3
#TitleRatingLength
1The Minor Goes Muggin'
recorded in:
New York, New York, United States (on 1945-05-14)
alto saxophone:
Gus Bivona (on 1945-05-14), Bruce Branson (on 1945-05-14) and Sid Cooper (flute & clarinet player) (on 1945-05-14)
baritone saxophone:
Bruce Branson (on 1945-05-14)
cello [2 cellos], harp, viola [2 violas] and violin [14 violins]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1945-05-14)
clarinet and reeds:
Gus Bivona (on 1945-05-14)
double bass:
Bob Haggart (on 1945-05-14) and Sid Block (Jazz bassist, band leader) (on 1945-05-14)
drums (drum set):
Buddy Rich (on 1945-05-14)
guitar:
Bob Bain (guitarist) (on 1945-05-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-05-14)
tenor saxophone:
Babe Fresk (on 1945-05-14) and Vido Musso (on 1945-05-14)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1945-05-14), Karl de Karske (on 1945-05-14), Dick Noel (trombone) (on 1945-05-14) and Tex Satterwhite (on 1945-05-14)
trumpet:
Gerry Goff (on 1945-05-14), Mickey Mangano (on 1945-05-14), George Seaberg (on 1945-05-14) and Charlie Shavers (on 1945-05-14)
tuba:
Joseph Park (on 1945-05-14)
arranger:
Sy Oliver (on 1945-05-14)
recording of:
The Minor Goes Muggin’ (on 1945-05-14)
composer:
Sy Oliver
3:01
2It Don't Mean a Thing (if it Ain't Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1945-05-14)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:01
3Time's a Waistin'
alto saxophone:
Johnny Hodges (on 1945-07-30)
double bass:
Junior Raglin (on 1945-07-30)
drums (drum set):
Sonny Greer (on 1945-07-30)
guitar:
Fred Guy (on 1945-07-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-07-30)
reeds:
Harry Carney (on 1945-07-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1945-07-30) and Otto Hardwick (on 1945-07-30)
tenor saxophone:
Al Sears (on 1945-07-30)
trombone:
Lawrence Brown (jazz trombonist) (on 1945-07-30), Claude Jones (on 1945-07-30) and Joe "Tricky Sam" Nanton (on 1945-07-30)
trumpet:
William “Cat” Anderson (on 1945-07-30), Shelton "Scad" Hemphill (on 1945-07-30), Taft Jordan (on 1945-07-30), Ray Nance (on 1945-07-30) and Rex Stewart (on 1945-07-30)
recording of:
Things Ain’t What They Used to Be (on 1945-07-30)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
3:06
4Just Squeeze me
3:18
5Midriff
recording of:
Midriff
composer:
Billy Strayhorn and Gerald Valentine (trombone, aka Jerry Valentine)
3:15
6Long Long Journey
alto saxophone:
Johnny Hodges (on 1946-01-10)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1946-01-10)
double bass:
Chubby Jackson (on 1946-01-10)
drums (drum set):
Sonny Greer (on 1946-01-10)
guitar:
Remo Palmier (on 1946-01-10)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1946-01-10) and Billy Strayhorn (on 1946-01-10)
tenor saxophone:
Don Byas (on 1946-01-10)
trumpet:
Louis Armstrong (on 1946-01-10) and Charlie Shavers (on 1946-01-10)
lead vocals:
Louis Armstrong (on 1946-01-10)
performer:
Leonard Feather’s Esquire All‐Americans (on 1946-01-10)
recording of:
Long Long Journey (on 1946-01-10)
lyricist and composer:
Leonard Feather
4:30
7Caravan
live recording of:
Caravan (on 1952-03-25)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
4:15
8Come Sunday
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
alto saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
baritone saxophone:
Harry Carney (on 1965-12-26)
clarinet and reeds:
Harry Carney (on 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26) and Russell Procope (on 1965-12-26)
double bass:
John Lamb (on 1965-12-26)
drums (drum set):
Louie Bellson (on 1965-12-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1965-12-26)
saxophone:
Harry Carney (on 1965-12-26), Paul Gonsalves (on 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26), Johnny Hodges (on 1965-12-26) and Russell Procope (on 1965-12-26)
tenor saxophone:
Paul Gonsalves (on 1965-12-26)
trombone:
Lawrence Brown (jazz trombonist) (on 1965-12-26), Charles Connors (on 1965-12-26), Buster Cooper (on 1965-12-26) and Quentin Jackson (on 1965-12-26)
trumpet:
William “Cat” Anderson (on 1965-12-26), Mercer Ellington (on 1965-12-26), Herbie Jones (on 1965-12-26) and Cootie Williams (on 1965-12-26)
vocals:
Esther Marrow (on 1965-12-26)
orchestra:
Duke Ellington and His Orchestra (on 1965-12-26)
recorded at:
Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (on 1965-12-26)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:56
9The Brotherhood
double bass:
Joe Benjamin (US jazz bassist) (on 1973-10-24)
drums (drum set):
Quentin White (on 1973-10-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-10-24)
saxophone:
Harold Ashby (on 1973-10-24), Harry Carney (on 1973-10-24), Percy Marion (on 1973-10-24), Harold "Geezil" Minerve (on 1973-10-24) and Russell Procope (on 1973-10-24)
trombone:
Art Baron (on 1973-10-24), Chuck Connors (on 1973-10-24) and Vince Prudente (on 1973-10-24)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1973-10-24), Mercer Ellington (on 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (on 1973-10-24) and Harold Johnson (US jazz trumpeter aka "Money") (on 1973-10-24)
choir vocals:
The John Alldis Choir (on 1973-10-24)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1973-10-24)
5:33
10Ain't Nobody Nowhere Nothin' Without God
double bass:
Joe Benjamin (US jazz bassist) (on 1973-10-24)
drums (drum set):
Quentin White (on 1973-10-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1973-10-24)
saxophone:
Harold Ashby (on 1973-10-24), Harry Carney (on 1973-10-24), Percy Marion (on 1973-10-24), Harold "Geezil" Minerve (on 1973-10-24) and Russell Procope (on 1973-10-24)
trombone:
Art Baron (on 1973-10-24), Chuck Connors (on 1973-10-24) and Vince Prudente (on 1973-10-24)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1973-10-24), Mercer Ellington (on 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (on 1973-10-24) and Harold Johnson (US jazz trumpeter aka "Money") (on 1973-10-24)
choir vocals:
The John Alldis Choir (on 1973-10-24)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1973-10-24)
4:15
11Isfahan
engineer:
Ed Begley (sound engineer in RCA Victor) (on 1966-12-20)
producer:
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (on 1966-12-20)
baritone saxophone:
Harry Carney (on 1966-12-20)
double bass:
John Lamb (on 1966-12-20)
drums (drum set):
Rufus "Speedy" Jones (drums, aka Speedy Jones) (on 1966-12-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1966-12-20)
reeds:
Paul Gonsalves (on 1966-12-20), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1966-12-20) and Russell Procope (on 1966-12-20)
trombone:
Lawrence Brown (jazz trombonist) (on 1966-12-20), Chuck Connors (on 1966-12-20) and Buster Cooper (on 1966-12-20)
trumpet:
Cat Anderson (on 1966-12-20), Mercer Ellington (on 1966-12-20), Herbie Jones (on 1966-12-20) and Cootie Williams (on 1966-12-20)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1966-12-20)
recording of:
Isfahan (on 1966-12-20)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
4:12
12Blue Pepper (Far East of The Blues)
3:01
13Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1966-05-09)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:38
14Sophisticated Lady
alto saxophone:
Otto Hardwick (on 1933-05-16) and Johnny Hodges (on 1933-05-16)
double bass and double bass [bass]:
Wellman Braud (on 1933-05-16)
drums (drum set):
Sonny Greer (on 1933-05-16)
guitar:
Fred Guy (on 1933-05-16)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1933-05-16)
reeds:
Barney Bigard (on 1933-05-16), Harry Carney (on 1933-05-16), Otto Hardwick (on 1933-05-16) and Johnny Hodges (on 1933-05-16)
saxophone:
Harry Carney (on 1933-05-16)
trombone:
Lawrence Brown (jazz trombonist) (on 1933-05-16) and Joe "Tricky Sam" Nanton (on 1933-05-16)
trumpet:
Freddy Jenkins (on 1933-05-16), Arthur Whetsel (on 1933-05-16) and Cootie Williams (on 1933-05-16)
valve trombone:
Juan Tizol (on 1933-05-16)
orchestra:
Duke Ellington and His Orchestra (on 1933-05-16)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1933-05-16)
instrumental recording of:
Sophisticated Lady (on 1933-05-16)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
15Blood Count
producer:
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (on 1967-09-01) and Russell Procope (on 1967-09-01)
bass trombone:
Chuck Connors (on 1967-09-01)
double bass:
Aaron Bell (jazz double bassist) (on 1967-09-01)
drums (drum set):
Steve Little (on 1967-09-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-09-01)
reeds:
Harry Carney (on 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-09-01) and Russell Procope (on 1967-09-01)
tenor saxophone:
Paul Gonsalves (on 1967-09-01)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-09-01) and Buster Cooper (on 1967-09-01)
trumpet:
Cat Anderson (on 1967-09-01), Mercer Ellington (on 1967-09-01), Herbie Jones (on 1967-09-01) and Cootie Williams (on 1967-09-01)
DJ-mixer:
Ray Hall (engineer)
recording of:
Blood Count (on 1967-09-01)
composer:
Billy Strayhorn (in 1967)
4:17
16Raincheck
recording of:
Raincheck
composer:
Billy Strayhorn
4:37
17Basin Street Blues
recording of:
Carnegie Blues
composer:
Bennie R. Crawford, Jr
2:50
▶ CD 4

Credits

Release

ASIN:FR: B0002KP4ZE [info]