Don Giovanni

~ Release by Mozart; Siepi, Dermota, Corena, Danco, Della Casa, Gueden, Wiener Philharmoniker, Josef Krips (see all versions of this release, 5 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Don Giovanni: Ouvertura
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Ouvertura (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:25
2Don Giovanni: Atto I. “Notte e giorno faticar” (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:52
3Don Giovanni: Atto I. “Ma qual mai s’offre, o dei” (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:30
4Don Giovanni: Atto I. “Orsù, spicciati presto” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:36
5Don Giovanni: Atto I. “Ah! chi mi dice mai” Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:07
6Don Giovanni: Atto I. “Madamina, il catalogo è questo” (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:49
7Don Giovanni: Atto I. “Giovinette che fate all’amore” (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
8Don Giovanni: Atto I. “Manco male è partita” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:13
9Don Giovanni: Atto I. “Ho capito, signor sì!” (Masetto)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:31
10Don Giovanni: Atto I. “Alfin siam liberati” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:59
11Don Giovanni: Atto I. “Là ci darem la mano” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:44
12Don Giovanni: Atto I. “Ah! fuggi il traditor!” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
CD 2
#TitleArtistRatingLength
1Don Giovanni: Atto I. “Mi par ch’oggi il demonio si diverta” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:14
2Don Giovanni: Atto I. “Non ti fidar, o misera” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:16
3Don Giovanni: Atto I. “Don Ottavio, son morta!” (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
4Don Giovanni: Atto I. “Or sai chi l’onore” (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:08
5Don Giovanni: Atto I. “Dalla sua pace” (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:09
6Don Giovanni: Atto I. “Io deggio ad ogni patto” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
7Don Giovanni: Atto I. “Fin ch’han dal vino” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
8Don Giovanni: Atto I. “Masetto, senti un po’!” (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:16
9Don Giovanni: Atto I. “Batti, batti, o bel Masetto” (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:13
10Don Giovanni: Atto I. “Presto presto pria ch’ei venga” (Masetto)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:46
11Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:30
12Don Giovanni: Atto I. “Riposate, vezzose ragazze!” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart9:27
13Don Giovanni: Atto II. “Eh via, buffone” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:40
14Don Giovanni: Atto II. “Ah! taci, ingiusto core” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:39
15Don Giovanni: Atto II. “Deh, vienni alla finestra” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:59
16Don Giovanni: Atto II. “Metà di voi qua vadano” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:58
17Don Giovanni: Atto II. “Vedrai, carino” (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:44
CD 3
#TitleArtistRatingLength
1Don Giovanni: Atto II. “Di molte faci il lume” (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:29
2Don Giovanni: Atto II. “Sola, sola, in buio loco” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:14
3Don Giovanni: Atto II. “Ah, pietà, signori miei” (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:39
4Don Giovanni: Atto II. “Il mio tesoro intanto” (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:15
5Don Giovanni: Atto II. “In quali eccessi, o numi” (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:07
6Don Giovanni: Atto II. “Ah, ah, ah, ah, questa è buona!” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:42
7Don Giovanni: Atto II. “O statua gentilissima” (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:22
8Don Giovanni: Atto II. “Calmatevi, idol mio” (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:34
9Don Giovanni: Atto II. “Non mi dir, bell’idol mio” (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:43
10Don Giovanni: Atto II. “Già la mensa è preparata” (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:37
11Don Giovanni: Atto II. “Don Giovanni, a cenar teco” (Il Commendatore)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:14
12Don Giovanni: Atto II. “Ah, dov’è il perfido?” (Donna Elvira, Donna Anna, Don Ottavio, Zerlina, Masetto)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:18

Credits

Release

manufactured in:West Germany
printed in:West Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
part of:Grand Opera (Decca Classics / London Records reissue series) (order: 2)
Discogs:https://www.discogs.com/release/13096671 [info]
ASIN:FR: B000009I7C [info]