Das Jahrhundertkonzert

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Carmen-Suite Nr. 1: Prélude
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet3:29
2Das Land des Lächelns: Dein ist mein ganzes Herz
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Karl-Heinz Loges
arranger:
Karl-Heinz Loges
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:38
3Klarinettenkonzert A-dur, KV. 622: Adagio
clarinet:
Karl Leister (German clarinetist)
orchestra:
Berliner Philharmoniker
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:01
4Der Freischütz: Was gleicht wohl auf Erden (Jägerchor)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Carlos Kleiber (conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:36
5Aida: Triumphmarsch
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:43
6Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": Largo
orchestra:
Berliner Philharmoniker
conductor:
Rafael Kubelík (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák5:15
7Trompetenkonzert Es-dur, Hob. VIIe:1: Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Joseph Haydn4:39
8Granada
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara3:57
9Thais: Meditation
solo violin:
Christer Thorvaldsson (Swedish violinist) (from 1989-06 until 1989-09)
violin:
Christer Thorvaldsson (Swedish violinist)
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1989-06 until 1989-09)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet4:59
10Turandot: Nessun Dorma
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (tenor) (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (conductor) (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:30
11Der Karneval der Tiere: Der Schwan
engineer:
Gernot von Schultzendorff (Engineer)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
Camille Saint‐Saëns4:00
12Klavierkonzert Nr.1 b-moll, op. 23: Allegro ma non troppo (Ausschnitt)
solo piano:
Святослав Теофилович Рихтер (Sviatoslav Richter, pianist)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский4:19
13Rigoletta: La donna e mobile
solo tenor vocals and tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:49
14Die vier Jahreszeiten - Der Frühling: Allegro
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans-Peter Schweigmann
concertmaster:
Michael Davis (classical violinist) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1980-02)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:11
15Kaiserwalzer, op. 437 (Ausschnitt)
producer:
Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
edit of:
Kaiserwalzer, op. 437 by Wiener Philharmoniker, Karl Böhm (Austrian conductor)
partial recording of:
Kaiser-Walzer, op. 437 (in 1972-09)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II5:36
16Klaviersonate Nr. 14 cis-moll, op. 27 Nr. 2 "Mondschein-Sonate": Adagio sostenuto
piano:
Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:09
17Rhapsody in Blue (Ausschnitt)
solo piano:
Siegfried Stöckigt (pianist)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
edit of:
Rhapsody in Blue by Kurt Hiltawsky (clarinetist), Siegfried Stöckigt (pianist), Gewandhausorchester Leipzig, Kurt Masur (conductor)
partial recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:11
18Prélude du Te Deum
recording engineer:
Jürgen Bulgrin (Sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:23
19Carmina Burana: O Fortuna
recording engineer:
Jürgen Bulgrin (Sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (Engineer)
choir vocals:
Arnold Schoenberg Chor (in 1993-10)
orchestra:
Wiener Philharmoniker (in 1993-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1993-10)
chorus master:
Erwin Ortner (in 1993-10)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1993-10)
live recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1993-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:46
20Radetzky-Marsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-12-28 until 1966-12-29)
conductor:
Herbert von Karajan (conductor) (from 1966-12-28 until 1966-12-29)
balance engineer:
Hans-Peter Schweigmann (from 1966-12-28 until 1966-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-12-28 until 1966-12-29)
recording of:
Radetzky‐Marsch, op. 228 (from 1966-12-28 until 1966-12-29)
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:53

Credits

Release

part of:Präsent (Deutsche Grammophon) (order: 5)
ASIN:DE: B000031W7Q [info]