Complete Works

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Orchestral Works
▶ CD 2: Orchestral Works
▶ CD 3: Orchestral Works
▶ CD 4: Orchestral Works
▶ CD 5: Préludes
▶ CD 6: Études
▶ CD 7: Other Piano Works I
▶ CD 8: Other Piano Works II
▶ CD 9: Other Piano Works III / Chamber Music
▶ CD 10: Works for Piano Duet & Two Pianos
▶ CD 11: Chamber Music
▶ CD 12: Mélodies I
▶ CD 13: Mélodies II
▶ CD 14: Mélodies III
▶ CD 15: Mélodies IV
▶ CD 16: Pelléas et Mélisande I
▼ CD 17: Pelléas et mélisande II
#TitleRatingLength
1Pelléas et Mélisande, L. 88 : 20. Act 3 : Interlude. Ah ! Je respire enfin !
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
4:14
2Pelléas et Mélisande, L. 88 : 21. Act 3 (interlude)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
1:06
3Pelléas et Mélisande, L. 88 : 22. Act 3 : Viens, nous allons nous asseoir ici
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
5:13
4Pelléas et Mélisande, L. 88 : 23. Act 3 : Qu'ils s'embrassent, petit père ?
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
4:21
5Pelléas et Mélisande, L. 88 : 24. Act 4 : Ou vas-tu ?
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
2:49
6Pelléas et Mélisande, L. 88 : 25. Act 4 : Maintenant que le père de pelléas est sauvé
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
5:46
7Pelléas et Mélisande, L. 88 : 26. Act 4 : Pelléas part ce soir
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
2:53
8Pelléas et Mélisande, L. 88 : 27. Act 4 : Ne mettez pas ainsi votre main la gorge
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
3:25
9Pelléas et Mélisande, L. 88 : 28. Act 4 (interlude)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
3:54
10Pelléas et Mélisande, L. 88 : 29. Act 4 : Oh ! Cette pierre est lourde
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Un berger]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
4:03
11Pelléas et Mélisande, L. 88 : 30. Act 4 : C'est le dernier soir
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
3:25
12Pelléas et Mélisande, L. 88 : 31. Act 4 : Nous sommes venus ici il y a bien longtemps
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
1:46
13Pelléas et Mélisande, L. 88 : 32. Act 4 : On dirait que ta voix a pass sur la mer au printemps
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
3:47
14Pelléas et Mélisande, L. 88 : 33. Act 4 : Quel est ce bruit
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
4:06
15Pelléas et Mélisande, L. 88 : 34. Act 5 : Ce n'est pas de cette petite blessure qu'elle peut mourir
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:53
16Pelléas et Mélisande, L. 88 : 35. Act 5 : Attention, je crois qu'elle s'eveille
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
5:18
17Pelléas et Mélisande, L. 88 : 36. Act 5 : Mélisande, as-tu piti de moi comme j'ai piti de toi ?
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93
2:40
18Pelléas et Mélisande, L. 88 : 37. Act 5 : Non, non, nous n'avons pas été coupables
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
1:54
19Pelléas et Mélisande, L. 88 : 38. Act 5 : Qu'avez-vous fait ?
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:34
20Pelléas et Mélisande, L. 88 : 39. Act 5 : Qu'y a-t-il ?
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:24
21Pelléas et Mélisande, L. 88 : 40. Act 5 : Attention... Attention. Il faut parler a voix basse, maintenant
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
6:42
▶ CD 18: Le Martyre de Saint Sébastien / 3 Chansons de Charles d'Orléans
▶ CD 19: Le Gladiateur / L'Enfant prodigue / La Chute de la maison Usher
▶ CD 20: Historical & Bonus I
▶ CD 21: Historical & Bonus II
▶ CD 22: Historical & Bonus III

Credits