111 Years of Deutsche Grammophon: The Collectors’ Edition 2

~ Release by Various Artists (see all versions of this release, 54 available)

Annotation

numbers of CD:
477 9142 CD Box Set
477 9143 CD 1
477 9144 CD 2
477 9145 CD 3
477 9146 CD 4
477 9147 CD 5
477 9148 CD 6
477 9149 CD 7
477 9150 CD 8
477 9151 CD 9
477 9152 CD 10
477 9153 CD 11
477 9154 CD 12
477 9155 CD 13
477 9156 CD 14
477 9157 CD 15
477 9158 CD 16
477 9159 CD 17
477 9160 CD 18
477 9161 CD 19
477 9162 CD 20
477 9163 CD 21
477 9164 CD 22
477 9165 CD 23
477 9166 CD 24
477 9167 CD 25
477 9168 CD 26
477 9169 CD 27
477 9170 CD 28
477 9171 CD 29
477 9172 CD 30
477 9173 CD 31
477 9174 CD 32
477 9175 CD 33
477 9176 CD 34
477 9177 CD 35
477 9178 CD 36
477 9179 CD 37
477 9180 CD 38
477 9181 CD 39
477 9182 CD 40
477 9183 CD 41
477 9184 CD 42
477 9185 CD 43
477 9186 CD 44
477 9187 CD 45
477 9188 CD 46
477 9189 CD 47
477 9190 CD 48
477 9191 CD 49
477 9192 CD 50
477 9193 CD 51
477 9194 CD 52
477 9195 CD 53
477 9196 CD 54
477 9197 CD 55
477 9198 CD 56

Annotation last modified on 2018-12-05 00:25 UTC.

Tracklist

▶ CD 1: Bizet: Carmen: Acts 1 & 2 (beginning)
▶ CD 2: Bizet: Carmen: Acts 2 (continued) & 3
▶ CD 3: Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit
▶ CD 4: Beethoven: Piano Sonatas No. 14 "Moonlight", No. 13 "Pathétique" & No. 23 "Appassionata"
▶ CD 5: Bach, J.S.: Arias
▶ CD 6: Mahler: Symphony No. 1
▶ CD 7: Chopin: Piano Concertos Nos. 1 & 2
▶ CD 8: Mozart, W.A.: Clarinet Concerto, K. 622; Flute Concerto, K. 313; Bassoon Concerto, K. 191
▶ CD 9: Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette
▶ CD 10: Brahms: Symphony No. 4 / Strauss, R.: Tod und Verklärung, Op. 24
▶ CD 11: Pasión española
▶ CD 12: Fiesta
▶ CD 13: Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82
▶ CD 14: Strauss, J.: Overture "Die Fledermaus"; Annen-Polka, Op. 117; Kaiser-Walzer, Op. 437; Tritsch-Tratsch-Polka, Op. 214; Radetzky-March, Op. 228; An der schönen, blauen Donau, Op. 314; Eljen a Magyar!, Op. 332; G'schichten aus dem Wienerwald, Op. 325
▶ CD 15: Schubert: Symphony No. 9; Rosamunde (Overture to "Die Zauberharfe", D.644
▶ CD 16: Aria Cantilena
▶ CD 17: Brahms: Piano Concerto No. 1
▶ CD 18: Fauré: Requiem, Op.48 / Ravel: Pavane
▶ CD 19: Golijov: Ayre for voice and chamber ensemble / Berio: Folksongs
▶ CD 20: Reflection
▶ CD 21: Schubert: String Quartet, D. 810 "Death and the Maiden" / Beethoven: String Quartet, Op. 135
▶ CD 22: Schoenberg: Violin Concerto, Op. 36 / Sibelius: Violin Concerto, Op. 47
▶ CD 23: Air. A Baroque Journey
▶ CD 24: Horowitz at Home
▶ CD 25: Bruckner: Symphony No. 4 "Romantic"
▶ CD 26: Brahms: Ein deutsches Requiem, Op. 45
▶ CD 27: Schumann: Fantasie, Op. 17 / Brahms: Variations and Fugue on a Theme by Handel, Op. 24
▶ CD 28: Verdi: La Traviata: Act 1 & 2, Scene 1
▶ CD 29: Verdi: La Traviata: Act 2, Scene 2 & Act 3
▶ CD 30: Mozart: Arias
▶ CD 31: Glass: Violin Concerto / Schnittke: Concerto Grosso No. 5
▶ CD 32: Memory
▶ CD 33: Gershwin: Rhapsody in Blue; An American in Paris; "Porgy and Bess" Suite; Cuban Overture
▶ CD 34: Mozart, W.A.: Great Mass, K. 427 / Haydn: Scena di Berenice, Hob XXIVa:10 / Beethoven: "Ah! perido", Op. 65
▶ CD 35: Tchaikovsky: Symphony No. 6 "Pathétique"
▶ CD 36: Music of the Gothic Era
▶ CD 37: Carmen Fantasy, Op.25
▶ CD 38: Duets
▶ CD 39: Liszt: 12 Études d'exécution transcendante
▼ CD 40: Weill: Speak Low & The Seven Deadly Sins, Songs
#TitleArtistRatingLength
1Die sieben Todsünden: Prolog: “Meine Schwester und ich stammen aus Louisiana”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:24
2Die sieben Todsünden: I. Faulheit: “Hoffentlich nimmt sich unsre Anna auch zusammen”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:47
3Die sieben Todsünden: II. Stolz: “Als wir aber ausgestattet waren”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:19
4Die sieben Todsünden: III. Zorn: “Das geht nicht vorwärts”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:00
5Die sieben Todsünden: IV: Völlerei “Da ist ein Brief aus Philadelphia”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:58
6Die sieben Todsünden: V. Unzucht: “Und wir fanden einen Mann in Boston”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:38
7Die sieben Todsünden: VI. Habsucht: “Wie hier in der Zeitung steht, ist Anna”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:57
8Die sieben Todsünden: VII. Neid: “Und die letzte Stadt der Reise war San Francisco”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
baritone vocals:
Christfried Biebrach (in 1993-09)
bass vocals:
Frederick Martin (Bass vocalist) (in 1993-09)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
tenor vocals:
Karl-Heinz Lampe (in 1993-09) and James Sims (Tenor) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:06
9Die sieben Todsünden: Epilog: “Darauf kehrten wir zurück nach Louisiana”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals [Anna]:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:56
10Lady in the Dark: My Ship
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Lady in the Dark: My Ship (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
Kurt Weill2:42
11Lady in the Dark: One Life to Live
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lady in the Dark: One Life to Live (in 1993-09)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Glamour Dream
Kurt Weill3:04
12Buddy on the Nightshift
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Buddy on the Nightshift (in 1993-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Kurt Weill (composer)
Kurt Weill2:09
13Nannas Lied
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Lied eines Freudenmädchens (Nanna's Lied) (music by Kurt Weill) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1939-12)
dedicated to:
Lotte Lenya
Kurt Weill4:06
14Happy End: Bilbao‐Song
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 1. No. 1: Bilbao-Song. "Bills Ballhaus in Bilbao" (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill4:27
15Happy End: Surabaya‐Johnny
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya-Johnny. "Ich war jung, Gott, erst sechzehn Jahre" (original German version) (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill6:01
16Happy End: Das Lied von der harten Nuss
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1993-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill1:08
17Je ne t’aime pas
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:29
18Schickelgruber
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
19Der Abschiedsbrief
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Der Abschiedsbrief (in 1993-09)
lyricist:
Erich Kästner
composer:
Kurt Weill (composer)
Kurt Weill3:28
20One Touch of Venus: Foolish Heart
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 1993-09 to present)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
cover recording of:
Foolish Heart (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill2:28
21One Touch of Venus: Speak Low
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Speak Low (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:59
22One Touch of Venus: I’m a Stranger Here Myself
recording engineer:
Jürgen Bulgrin (Sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
orchestra:
NDR-Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (in 1993-09)
conductor:
John Eliot Gardiner (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
I’m a Stranger Here Myself (One Touch of Venus) (in 1993-09)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:13
▶ CD 41: Bach, J.S.: Brandenburg Concertos Nos. 1 - 3
▶ CD 42: Mozart, W.A.: Piano Concertos Nos. 14, K. 449 & 26, K. 537 "Coronation"
▶ CD 43: Stravinsky: 3 Dances from Petrouchka / Prokofiev: Sonata for piano No. 7 / Boulez: Sonata for piano No. 2 / Webern: Piano Variations, Op. 27
▶ CD 44: Schubert: Die schöne Müllerin
▶ CD 45: Reich: Drumming, Parts 1 - 3
▶ CD 46: Reich: Drumming, Part 4; Six Pianos; Music for Mallet Instruments
▶ CD 47: Bach, C.P.E.: Symphonies Nos. 1 - 4
▶ CD 48: Schumann: Marsch No. 2, Op. 76; Waldszenen, Op. 82; Fantasiestücke, Op. 12
▶ CD 49: Tchaikovsky: Ballet Suites - Swan Lake, Op.20, The Sleeping Beauty, Op.66a & The Nutcracker, Op.71a
▶ CD 50: Paganini for Two
▶ CD 51: Opera Choruses
▶ CD 52: Rita Streich singt Opern-Arien
▶ CD 53: Bryn Terfel: Opera Arias
▶ CD 54: Sonatas & Etudes
▶ CD 55: Rodrigo: Concierto de Aranjuez
▶ CD 56: Chopin: Ballades; Barcarolle; Fantasie

Credits

Release Group

includes:4 Balladen / Barcarolle / Fantasie by Chopin (composer); Krystian Zimerman (pianist)
12 Etudes d'exécution transcendante by Franz Liszt; Alice Sara Ott (pianist)
Air. A Baroque Journey by Daniel Hope (violinist)
Aria cantilena by Elīna Garanča (Latvian operatic lyric mezzo-soprano)
Arias by Johann Sebastian Bach (German Baroque period composer & musician); Kathleen Battle (soprano), Itzhak Perlman (violinist and conductor), Orchestra of St. Luke’s, John Nelson (American conductor)
Arias by Mozart (classical composer); Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
Ayre by Osvaldo Golijov (composer); The Andalucian Dogs, Dawn Upshaw (soprano)
Ballett‐Suiten: Dornröschen / Schwanensee / Nußknacker by Tschaicowsky (Russian romantic composer); Berliner Philharmoniker, Mstislav Rostropovich (cellist)
Brahms: Symphony no. 4 / Strauss: Tod Und Verklärungn by Johannes Brahms (German composer), Richard Strauss (German composer); Berliner Philharmoniker, Victor de Sabata (conductor and composer)
Brandenburg Concertos Nos. 1-3 by Johann Sebastian Bach (German Baroque period composer & musician); The English Concert, Trevor Pinnock (conductor / harpsichord)
Carmen (1977 studio cast) by Bizet (composer); Teresa Berganza (mezzo soprano), Plácido Domingo (tenor), Ileana Cotrubas (Romanian soprano), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
Carmen‐Fantasie by Anne‐Sophie Mutter (violinist), Wiener Philharmoniker, James Levine (US conductor and pianist)
Clarinet Concerto / Flute Concerto no. 1 / Bassoon Concerto by Wolfgang Amadeus Mozart (classical composer); Wiener Philharmoniker, Karl Böhm (Austrian conductor), Alfred Prinz (clarinetist), Werner Tripp (flute player), Dietmar Zeman (bassoonist)
Concierto de Aranjuez / Fantasía para un gentilhombre by Joaquín Rodrigo (Spanish composer and virtuoso pianist); Narciso Yepes (classical guitarist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), English Chamber Orchestra, García Navarro (conductor)
Die schöne Müllerin by Schubert (composer); Thomas Quasthoff (bass-baritone), Justus Zeyen (pianist)
Drumming / Six Pianos / Music for Mallet Instruments, Voices and Organ by Steve Reich (American composer)
Duets by Anna Netrebko (soprano) & Rolando Villazón (tenor)
Ein deutsches Requiem by Johannes Brahms (German composer); Gundula Janowitz (soprano), Eberhard Waechter (baritone), Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (conductor)
Fantasy in C major by Schumann (German classical composer); Wilhelm Kempff (pianist)
Faure: Requiem / Ravel: Pavane pour une infante défunte by Fauré (French composer), Ravel (classical composer); Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Carlo Maria Giulini (conductor), Kathleen Battle (soprano), Andreas Schmidt (bass-baritone & teacher)
Fiesta by Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel (conductor and violinist)
Glass: Violin Concerto / Schnittke: Concerto grosso no. 5 by Philip Glass (US composer & pianist), Alfred Schnittke (composer and pianist); Wiener Philharmoniker, Christoph von Dohnányi (German conductor), Gidon Kremer (violinist)
Great Mass in C minor, K. 427 by Wolfgang Amadeus Mozart (classical composer), Paul McCreesh (conductor), Camilla Tilling (soprano), Sarah Conolly (mezzo-soprano), Gabrieli Consort & Players (UK early music ensemble)
Horowitz at Home by Владимир Самойлович Горовиц (American pianist and composer)
Ich Will Den Kreuzstab Gerne Tragen / Ich Habe Genug by Johann Sebastian Bach (German Baroque period composer & musician); Dietrich Fischer‐Dieskau (baritone), Hermann Töttcher (oboist), Kammerorchester Karl Ristenpart, Karl Ristenpart (conductor)
Kaiserwalzer by Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Ferenc Fricsay (conductor)
Klavierkonzerte no. 14 & 26 »Krönungskonzert« by Wolfgang Amadeus Mozart (classical composer); Wiener Philharmoniker, Claudio Abbado (conductor), Maria João Pires (pianist)
Klaviersonaten no. 14 “Mondschein” / No. 8 “Pathétique” / No. 23 “Appassionata” (1984 recordings) by Beethoven (German composer); Daniel Barenboim (pianist and conductor)
La Mer / Nocturnes / Jeux / Rhapsodie pour clarinette et orchestre by Claude Debussy (composer); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
La traviata (1976-77 studio cast) by Giuseppe Verdi (Italian opera composer); Ileana Cotrubas (Romanian soprano), Placido Domingo (tenor), Sherrill Milnes (baritone), Plácido Domingo (tenor), Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
Marsch nr.2 G‐moll / Waldszenen / Sechs Stücke aus Fantasiestücke, op. 12 by Robert Schumann (German classical composer); Svjatoslav Richter (Sviatoslav Richter, pianist)
Memory by Lang Lang (Chinese pianist)
Music of the Gothic Era by Early Music Consort of London, David Munrow (UK early music historian & musician)
Opera Arias by Bryn Terfel (bass-baritone opera singer), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
Opern‐Chöre by Chor und Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli (conductor)
Paganini for Two by Niccolò Paganini (composer and violinist); Gil Shaham (violinist), Göran Söllscher (classical guitarist)
Pasión española by Plácido Domingo (tenor)
Piano Concerto no. 1 by Johannes Brahms (German composer); Emil Gilels (pianist), Berlin Philharmonic Orchestra, Eugen Jochum (conductor)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Russian composer), Ravel (classical composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker, Claudio Abbado (conductor)
Réflexions by Hélène Grimaud (pianist), Esa‐Pekka Salonen (conductor and composer), Staatskapelle Dresden (Dresden Symphonic Orchestra), Truls Mørk (Norwegian cellist), Anne Sofie von Otter (mezzo-soprano)
Rhapsody in Blue / An American in Paris / “Porgy and Bess” Suite (Catfish Row) / Cuban Overture by George Gershwin (composer); Chicago Symphony Orchestra, James Levine (US conductor and pianist)
Rita Streich singt Opern‐Arien by Rita Streich (soprano)
Schubert: Death & the Maiden / Beethoven: String Quartet Op. 135 by Schubert (composer), Beethoven (German composer); Hagen Quartett (Austrian string quartet)
Sonatas & Études by Chopin (composer), Scriabin (pianist and composer), Liszt, Ligeti (contemporary classical composer); Yuja Wang (pianist)
Speak Low: Songs by Kurt Weill & The Seven Deadly Sins by Kurt Weill (composer); Anne Sofie von Otter (mezzo-soprano), John Eliot Gardiner
Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, op. 27 / Boulez: Sonate No. 2 by Stravinsky (Russian composer), Prokofiev (Russian composer), Webern (composer), Boulez (composer and conductor); Maurizio Pollini (pianist)
Symphonie no. 1 by Mahler (composer); Concertgebouworkest Amsterdam, Leonard Bernstein
Symphonie Nr. 4 »Romantische« by Anton Bruckner (composer); Berliner Philharmoniker, Eugen Jochum (conductor)
Symphonie nr. 9 / Rosamunde‐Ouvertüre by Franz Schubert (composer); Berliner Philharmoniker, Wilhelm Furtwängler (conductor)
Symphony no. 6 by Tchaikovsky (Russian romantic composer); Leningrad Philharmonic (founded in 1882; read the annotation to avoid incorrect use), Yevgeny Mravinsky (conductor)
The Piano Concertos by Chopin (composer); Rafał Blechacz (Polish pianist), Jerzy Semkow (conductor), Royal Concertgebouw Orchestra
Vier Orchester‐Sinfonien, Wq 183 by Carl Philipp Emanuel Bach; Münchener Bach‐Orchester, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Violin Concertos by Schoenberg (composer), Sibelius (Finnish composer); Hilary Hahn (violinist), Esa-Pekka Salonen (conductor and composer), Swedish Radio Symphony Orchestra
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 3)