Verve 6 Great Jazz

~ Release by Ella Fitzgerald, Louis Armstrong, Duke Ellington, Johnny Hodges, Teddy Wilson Quartet, Lester Young, Illinois Jacquet, Dizzy Gillespie, Sonny Stitt, Sonny Rollins, The Art Tatum / Ben Webster Quartet (see all versions of this release, 1 available)

Annotation

ESOTERIC proudly introduces a series of re-master collection – A great Jazz collection. This 6-SACD box set contains "Ella and Louis", "Back to Back", "Pres and Teddy", "Swing's the Thing", "Sonny Side Up", and The Tatum Masterpieces".

The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality.

These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

ESOTERIC equipment used for re-mastering
The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC's flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

Experience by yourself
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the "soul" hidden within the notes, but never before found in previously released recordings in any format.

Features:
• Limited edition (3000 sets)
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Made in Japan
• Deluxe, Full-Color High-Quality Digi-pak Packaging housed in a slip cover box
• ESSV-90163,65,66,67,68 Mono
• ESSV-90164 - Stereo

Albums Included:
ESSV-90163 - Mono:
Ella Fitzgerald & Louis Armstrong / Ella And Louis
1. Can't We Be Friends?
2. Isn't This A Lovely Day
3. Moonlight In Vermont
4. They Can't Take That Away From Me
5. Under A Blanket of Blue
6. tenderly
7. A Foggy Day
8. Stars Fell On Alabama
9. Cheek To Cheek
10. The Nearness of You
11. April In Paris

ESSV-90164 - Stereo:
Duke Ellington & Johnny Hodges / Back To Back
1. Wabash Blues
2. Basin Street Blues
3. Beale Street Blues
4. Weary Blues
5. St. Louis Blues
6. Loveless Love
7. Royal Garden Blues

ESSV-90165 - Mono:
Lester Young, Teddy Wilson Quartet / Pres And Teddy
1. All of Me
2. Prisoner of Love
3. Louise
4. Love Me or Leave Me
5. Taking A Chance On Love
6. Love Is Here To Stay

ESSV-90166 - Mono:
Illinois Jacquet / Swing's The Thing
1. Las Vegas Blues
2. Harlem Nocturne
3. Can't We Be Friends
4. Achtung
5. Have You Met Miss Jones
6. Lullaby of The Leaves

ESSV-90167 - Mono:
Dizzy Gillespie, Sonny Stitt, Sonny Rollins / Sonny Side Up
1. On the Sunny Side of The Street
2. The Eternal Triangle
3. After Hours
4. I Know That You Know

ESSV-90168 - Mono:
Art Tatum, Ben Webster Quartet / The Tatum Group Masterpieces
1. Gone With the Wind
2. All the Things You Are
3. Have You Met Miss Jones?
4. My One and Only Love
5. Night and Day
6. My Ideal
7. Where or When

from: https://elusivedisc.com/verve-6-great-jazz-collection-hybrid-stereo-japanese-import-6sacd-box-set/

Annotation last modified on 2021-09-12 23:10 UTC.

Tracklist

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▼ Hybrid SACD 1: Ella Fitzgerald & Louis Armstrong: Ella And Louis [MONO]
#TitleArtistRatingLength
1Can't We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Ella Fitzgerald & Louis Armstrong43:52
2Isn't This A Lovely Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (in 1956)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.56:18
3Moonlight In Vermont
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald & Louis Armstrong53:44
4They Can't Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4.54:42
5Under A Blanket Of Blue
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Under a Blanket of Blue (on 1956-08-16)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
Ella Fitzgerald & Louis Armstrong44:20
6Tenderly
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ella Fitzgerald & Louis Armstrong45:10
7A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:34
8Stars Fell On Alabama
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Ella Fitzgerald & Louis Armstrong43:36
9Cheek To Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:56
10The Nearness Of You
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
The Nearness of You (on 1956-08-16)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Ella Fitzgerald & Louis Armstrong45:44
11April In Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong4.56:37
▼ Hybrid SACD 2: Duke Ellington & Johnny Hodges: Back To Back
#TitleArtistRatingLength
1Wabash Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges
double bass [bass]:
Al Hall (on 1959-02-26)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-26)
guitar:
Leslie Spann (on 1959-02-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-26)
trumpet:
Harry Edison (on 1959-02-26)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-26)
instrumental recording of:
Wabash Blues (on 1959-02-26)
lyricist:
Dave Ringle
composer:
Fred Meinken
publisher:
Leo Feist, Inc. (on 1921-09-16)
Duke Ellington & Johnny Hodges6:27
2Basin Street Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Sam Jones (jazz bassist) (on 1959-02-20)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-20)
guitar:
Leslie Spann (on 1959-02-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-20)
trumpet:
Harry Edison (on 1959-02-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-20)
instrumental recording of:
Basin Street Blues (on 1959-02-20)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Duke Ellington & Johnny Hodges8:01
3Beale Street Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Sam Jones (jazz bassist) (on 1959-02-20)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-20)
guitar:
Leslie Spann (on 1959-02-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-20)
trumpet:
Harry Edison (on 1959-02-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-20)
instrumental recording of:
Beale Street Blues (on 1959-02-20)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Duke Ellington & Johnny Hodges7:36
4Weary Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Al Hall (on 1959-02-26)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-26)
guitar:
Leslie Spann (on 1959-02-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-26)
trumpet:
Harry Edison (on 1959-02-26)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-26)
recording of:
Weary Blues (on 1959-02-26)
lyricist:
George Cates and Mort Greene
composer:
Artie Matthews
Duke Ellington & Johnny Hodges6:54
5St. Louis Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Sam Jones (jazz bassist) (on 1959-02-20)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-20)
guitar:
Leslie Spann (on 1959-02-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-20)
trumpet:
Harry Edison (on 1959-02-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-20)
instrumental recording of:
St. Louis Blues (on 1959-02-20)
lyricist and composer:
William Christopher Handy (in 1913)
Duke Ellington & Johnny Hodges5:47
6Loveless Love
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Sam Jones (jazz bassist) (on 1959-02-20)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-20)
guitar:
Leslie Spann (on 1959-02-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-20)
trumpet:
Harry Edison (on 1959-02-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-20)
recording of:
Loveless Love (on 1959-02-20)
lyricist and composer:
William Christopher Handy
Duke Ellington & Johnny Hodges7:09
7Royal Garden Blues
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1959-02-20)
double bass [bass]:
Sam Jones (jazz bassist) (on 1959-02-20)
drums (drum set):
Jo Jones (US jazz drummer) (on 1959-02-20)
guitar:
Leslie Spann (on 1959-02-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-02-20)
trumpet:
Harry Edison (on 1959-02-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Columbia Studios in New York, New York, United States (on 1959-02-20)
recording of:
Royal Garden Blues (on 1959-02-20)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
Duke Ellington & Johnny Hodges5:22
▼ Hybrid SACD 3: Lester Young, Teddy Wilson Quartet: Pres And Teddy
#TitleArtistRatingLength
1All Of Me
cover recording of:
All of Me (on 1956-01-13)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
The Lester Young — Teddy Wilson Quartet5:14
2Prisoner Of Love
publisher:
Mayfair Music
instrumental cover recording of:
Prisoner of Love (on 1956-01-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
The Lester Young — Teddy Wilson Quartet7:39
3Louise
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
instrumental cover recording of:
Louise (from "Innocents of Paris") (on 1956-01-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting
The Lester Young — Teddy Wilson Quartet5:18
4Love Me Or Leave Me
instrumental cover recording of:
Love Me or Leave Me (on 1956-01-13)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
The Lester Young — Teddy Wilson Quartet6:50
5Taking A Chance On Love
publisher:
Miller Music
instrumental cover recording of:
Taking a Chance on Love (on 1956-01-13)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
The Lester Young — Teddy Wilson Quartet5:11
6Love Is Here To Stay
publisher:
Chappell & Co.
instrumental cover recording of:
Love Is Here to Stay (on 1956-01-13)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
The Lester Young — Teddy Wilson Quartet6:28
▼ Hybrid SACD 4: Illinois Jacquet: Swing's The Thing [MONO]
#TitleArtistRatingLength
1Las Vegas Blues
double bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
Illinois Jacquet6:19
2Harlem Nocturne
bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
Illinois Jacquet4:33
3Can't We Be Friends
bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
Illinois Jacquet6:42
4Achtung
bass and double bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
Illinois Jacquet5:07
5Have You Met Miss Jones
double bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-10-16)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Illinois Jacquet5:56
6Lullaby Of The Leaves
bass:
Ray Brown (jazz bassist) (on 1956-10-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-10-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1956-10-16)
tenor saxophone:
Illinois Jacquet (on 1956-10-16)
trumpet:
Roy Eldridge (on 1956-10-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-10-16)
Illinois Jacquet5:46
▼ Hybrid SACD 5: Dizzy Gillespie, Sonny Stitt, Sonny Rollins: Sonny Side Up
#TitleArtistRatingLength
1On The Sunny Side Of The Street
recorded in:
New York, New York, United States (on 1957-12-19)
bass:
Tommy Bryant (on 1957-12-19)
bass guitar:
Tommy Bryant
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-12-19)
saxophone:
Sonny Rollins (on 1957-12-19) and Sonny Stitt (on 1957-12-19)
tenor saxophone:
Sonny Rollins and Sonny Stitt
trumpet:
Dizzy Gillespie (on 1957-12-19)
vocals:
Dizzy Gillespie (on 1957-12-19)
instrumental cover recording of:
On the Sunny Side of the Street (on 1957-12-19)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Dizzy Gillespie, Sonny Stitt, Sonny Rollins5:47
2The Eternal Triangle
recorded in:
New York, New York, United States (on 1957-12-19)
bass:
Tommy Bryant (on 1957-12-19)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-12-19)
saxophone:
Sonny Rollins (on 1957-12-19) and Sonny Stitt (on 1957-12-19)
trumpet:
Dizzy Gillespie (on 1957-12-19)
recording of:
Eternal Triangle (on 1957-12-19)
composer:
Sonny Stitt
Dizzy Gillespie, Sonny Stitt, Sonny Rollins14:17
3After Hours
recorded in:
New York, New York, United States (on 1957-12-19)
bass:
Tommy Bryant (on 1957-12-19)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-12-19)
saxophone:
Sonny Rollins (on 1957-12-19) and Sonny Stitt (on 1957-12-19)
trumpet:
Dizzy Gillespie (on 1957-12-19)
Dizzy Gillespie, Sonny Stitt, Sonny Rollins12:24
4I Know That You Know
recorded in:
New York, New York, United States (on 1957-12-19)
bass:
Tommy Bryant (on 1957-12-19)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-12-19)
saxophone:
Sonny Rollins (on 1957-12-19) and Sonny Stitt (on 1957-12-19)
trumpet:
Dizzy Gillespie (on 1957-12-19)
instrumental cover recording of:
I Know That You Know (Caldwell & Youmans) (on 1957-12-19)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Dizzy Gillespie, Sonny Stitt, Sonny Rollins5:30
▼ Hybrid SACD 6: Art Tatum, Ben Webster Quartet: The Tatum Group Masterpieces
#TitleArtistRatingLength
1Gone With The Wind
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Gone With the Wind (on 1956-09-11)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co. (not for release label use, this is a music publisher)
The Art Tatum / Ben Webster Quartet4:50
2All The Things You Are
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1956-09-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
The Art Tatum / Ben Webster Quartet7:14
3Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
The Art Tatum / Ben Webster Quartet4:49
4My One And Only Love
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My One and Only Love (on 1956-09-11)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
The Art Tatum / Ben Webster Quartet6:13
5Night And Day
double bass:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-09-11)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
The Art Tatum / Ben Webster Quartet5:29
6My Ideal
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My Ideal (from “Playboy of Paris”) (on 1956-09-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
The Art Tatum / Ben Webster Quartet7:16
7Where Or When
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
The Art Tatum / Ben Webster Quartet6:26